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Tuesday, June 28, 2011

Mick Jagger's SuperHeavy group to drop album in fall

By Phil Gallo

Fri Jun 24, 2011 7:01pm EDT

LOS ANGELES (Billboard) - Universal Music will release the album from SuperHeavy, a group featuring Mick Jagger, Eurythmics founder Dave Stewart, singer Joss Stone, composer A.R. Rahman and reggae artist Damian Marley. No exact release date is set, but Universal Republic will handle the United States and A&M will handle the rest of the world.

An official release said the album will be unveiled in September; the first single is titled "Miracle Worker" and the five stars will be recording a video for the track. Jagger and Stewart co-produced the album.

Recording in various studios around the world -- France, Cyprus, Miami, India -- the majority of the tracks laid down over three weeks in Los Angeles earlier this year. The quintet wrote 22 songs in their first six days together. The term "SuperHeavy" was inspired by Muhammad Ali.

Jagger and Stewart had worked together on the 2004 soundtrack to the film "Alfie," and Stewart produced Stone's last album. Both wanted to bring in a Jamaican musician and Damian Marley entered the picture with his rhythm section, bassist and composer Shiah Coore and drummer Courtney Diedrick. They met Rahman while recording in Los Angeles.

According to the band's bio, SuperHeavy came together after Jagger and Stewart wondered what a band of musicians from different genres would sound like. Jagger had his doubts it would come together.

One of the first on the album is Jagger singing in Urdu. He takes lead on Rahman's song "Satyameva Jayate," which translates to "the truth alone triumphs."

(Editing by Zorianna Kit)


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Fergie shakes it at Paris fashion AIDS gala (AP)

PARIS – The Black Eyed Peas, Fergie, Miami Heat star Dwayne Wade and designers Marc Jacobs, Viktor Horsting and Rolf Snoeren added A-list sparkle to a sumptuous AIDS charity gala on the margins of Paris' menswear week.

An auction of luxury lots — including a red-crocodile covered bottle of Piper Heidsieck Champagne, invitations to haute couture fashion shows and VIP tickets to a Black Eyed Peas concert — fetched tens of thousands of dollars for the American Foundation for AIDS Research, a charity founded by the late Elizabeth Taylor.

Fergie and Dutch design duo Viktor & Rolf were honored for their contributions to the fight against AIDS at Thursday night's dinner, where other A-list guests included German-born actress Diane Kruger, burlesque dancer Dita Von Teese and actor Jeremy Iron's son, emerging model Max Irons.

Fergie tried to take to the stage to receive her award but was waylaid by her skirt, a black Louis Vuitton number so narrow she couldn't lift her leg high enough to climb up the steps. Vuitton designer Jacobs, the man behind the hobbling garment, had to help her hop up the stairs.

Finally onstage, Fergie did a victory booty shake and waxed nostalgic about the start of her blockbuster career, saying she "never wanted to be a role model." But as she learned how she could use her celebrity to support causes that she cared about, "I learned to take responsibility for helping other people and started to make up for all the crap I used to do."

The evening also included performances by Irish singer Roisin Murphy and French duo Brigitte, whose head-to-toe sequin outfits stood out even among the outrageously dressed crowd. Other top looks included the two Paris party promoters wearing Swarovski-crystal-covered masks complete with bling bling antlers.

Last year, the first annual Paris amfAR gala raised $180,000 for AIDS research.


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DJ wins $1 million in lawsuit over "My Humps" song (Reuters)

NEW YORK (Hollywood Reporter) – Cleveland disc jockey and early rap artist Orrin Lynn Tolliver, Jr. has just been awarded nearly $1.2 million by a New York jury. The award comes after a former friend and collaborator allowed without permission his 1983 song, "I Need A Freak," to be sampled by the Black Eyed Peas for the group's hit song, "My Humps."

In the early 80s, Tolliver formed a concept band called Sexual Harassment and recorded "I Need A Freak" at his friend and collaborator James McCants' studio at Heat Records.

McCants registered the song with BMI, credited Tolliver as the songwriter, and agreed to pay him 75% of royalties.

In 2000, the song was included on the compilation, "In Da Beginning...There Was Rap," from Priority Records, which caused Tolliver to send McCants a cease-and-desist letter. His former friend and collaborator denied issuing a license.

However, in the proceeding years, the song was sampled for use by other artists, including by the Black Eyed Peas on "My Humps."

Tolliver sued McCants for copyright infringement.

During the preliminary stages of the case, McCants offered shifting excuses about what had happened. He first denied issuing a license. He then claimed he had co-authored the composition and owned it under the work-for-hire doctrine. He then attempted to obtain a musicologist expert's report that "My Humps" didn't sample Tolliver's work. Finally, he claimed that he owned the composition by virtue of a copyright assignment.

The judge didn't appreciate these inconsistent statements and ruled for Tolliver on summary judgment.

The case went to a jury to determine the damages. On Tuesday, the jury rendered a verdict. McCants owed Tolliver $816,877.28 in profits and $368,704.31 in actual damages for copyright infringement.

(Editing by Zorianna Kit)


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La Toya Jackson says Michael feared he'd be killed (AP)

NEW YORK – Michael Jackson spent the last months of his life frightened and on edge, convinced that he would be killed by people wanting to get access to his valuable music catalog, according to his sister, La Toya Jackson.

Jackson makes the claims in her new book, "Starting Over," which also chronicles her own troubles, including an abusive marriage to her late ex-manager/husband, Jack Gordon.

Jackson says that she and her brother went through similar experiences of being controlled and manipulated by shadowy figures that cut them off from their family.

"The difference is, I was eventually able to get away and start over; Michael can't start over," she said.

Saturday will mark the two-year anniversary of the King of Pop's death at age 50. Dr. Conrad Murray is charged with involuntary manslaughter, accused of giving him an overdose of the anesthetic propofol and other sedatives. He has pleaded not guilty; the trial is set for September.

However, Jackson's sister called Murray "the fall guy." She said there were other people who needed to be investigated and described Jackson's death as part of a wide conspiracy. Jackson was the co-owner of the lucrative Sony/ATV catalog, the copyright holder of the Beatles' and other artists' songs, and his older sister contends he was murdered for control of it.

"This is definitely something that was premeditated, that they had planned to do, and they planned to take my brother out, and my brother knew it, and that's why my brother told me repeatedly, repeatedly and repeatedly, that this was going to happen to him," she said in an interview Wednesday. "He explained to me, `It's because of my catalog.'"

Jackson had harsh words for John Branca, the co-executor of Jackson's estate, accusing him of being more interested in his own interests than those of the beneficiaries of the estate — Jackson's mother, his three children and charitable causes.

"They care about what they can do and what they can get their hands on, and no one in the family has anything to do with the estate," she said. "At this point, blatantly said, John Branca right now is Michael Jackson."

In response to Jackson's statements, the estate issued this statement: "After numerous hearings and after reviewing evidence contained in countless filings and exhibits, three California courts have decided John Branca and John McClain are the rightful and lawful executors of Michael Jackson's Estate just as Michael specified in his will.

"Mr. Branca and Mr. McClain have turned the estate around financially for the benefit of Michael's children and mother, protected the intellectual property and music catalog assets Michael accumulated during his lifetime as well as carried out their mandate to shelter and preserve funds for his children until they reach certain ages as adults. Their performance as the executors of Michael's estate is a matter of extensive public record and speaks for itself."

Jackson's three children — Prince Michael, Paris and Blanket — are being cared for by Jackson's mother, Katherine. Unlike when they were in their father's care, they no longer shield their faces with masks and have entered private school: "They are adjusting very well," Jackson said.

Jackson, who has appeared on "Celebrity Apprentice" and "Dancing With the Stars" since her brother's death, was once estranged from her brother and the rest of her family. She even went so far as to support charges that Jackson was a child molester when he was first accused of the crime in 1993 (he was not charged in that case and was acquitted of similar charges in 2005).

But she said she was then under the control of her ex-husband, who forced her to say negative things about her brother. She said Gordon beat her on a regular basis and threatened the lives of her family; she eventually broke away from him with the intervention of her brother Randy, according to the book.

Jackson, who now calls Michael "godlike," said the day she spoke out against her brother was the worst day of her life. However, she said Jackson forgave her.

"He said, `La Toya ... I know your heart, and I know you would never do anything like that, and I know he forced you and made you to do that," she said. "He says, `I love you, and I will always love you.'"

Jackson said she's gratified that Jackson's once tarnished image has been rehabilitated after his death.

"I think it's wonderful that people remember him in a wonderful light," she said.

___

Online:

http://www.latoyaonline.com/

___

Nekesa Mumbi Moody can be reached at http://www.twitter.com/nekesamumbi


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Sad songs bring joy to bluegrass star Alison Krauss

Alison Krauss performs at the Greek theatre in Los Angeles June 23, 2011. REUTERS/Mario Anzuoni

Alison Krauss performs at the Greek theatre in Los Angeles June 23, 2011.

Credit: Reuters/Mario Anzuoni

By Dean Goodman

LOS ANGELES | Fri Jun 24, 2011 12:59pm EDT

LOS ANGELES (Reuters) - It's tempting to look at Alison Krauss' new album and speculate how many Grammy awards the bluegrass star will add to her vast collection next year.

Six, like the number she won with her hit 2008 collaboration with Led Zeppelin frontman Robert Plant? Or maybe just four, like her previous album with her long-time band Union Station?

Krauss, who turns 40 next month, is already the most honored singer in Grammy history, with 26 awards. She needs just six more to surpass classical conductor Georg Solti at the top. The only living artist with more awards is Quincy Jones, who started building his collection of 27 statuettes in 1964.

But don't try to engage Krauss in a guessing game about the prospects for "Paper Airplane" at next February's ceremony. Holding forth in a hotel room in Los Angeles' San Fernando Valley recently, the Midwestern diplomat just laughed when some numbers were tossed at her.

Another tack is called for. If a reporter was a guest in her Nashville home, and pocketed one of her Grammys would she ever notice? Another dead end.

"We don't have 'em out," she replied. "We put them where they're not on display. I like home to be about home."

Like most artists, Krauss is driven more by creative energy than a crushing need to hoard more hardware. Every song she tackles goes through a rigorous quality-control process.

"I love reading lyrics and I love reading a line and I'll emphasize different syllables to see how the meaning changes with that line," she said.

BAND ANIMAL

Krauss is not spending too much time at home, anyway. Along with Union Station, she is currently on a North American tour that runs through the end of September.

The fiddle-playing prodigy with an angelic voice has been performing pretty much all her life. After wowing crowds at local bluegrass shows across her native Illinois, she signed with Rounder Records when she was 14 years-old, and released her first album in 1987.

Her 1989 follow-up marked the first group collaboration with Union Station, a combo of crack musicians who keep busy with other musical projects. She alternates between solo and band recordings, but is a band animal at heart.

"If I am remembered for my musical contribution, it will be with these guys," she said.

Her 2007 collaboration with Plant for "Raising Sand" sold millions worldwide and won the coveted album of the year Grammy. Their efforts to record a sequel were "premature," Krauss said. She doesn't rule out another attempt.

For now, the focus is on "Paper Airplane," a collection of songs about heartbreak, death and regret, which debuted at No. 3 on the U.S. pop chart in April. It marks her first album with Union Station since 2004's "Lonely Runs Both Ways."

It did not start out with a bleak theme, or with any theme at all. But Krauss, a single mom, was going through a break-up at the time and gravitated to darker material.

"I was terribly sad," she said. "Personally, it was really tough." (Despite their onstage chemistry, she said she was never romantically involved with Plant).

Reliving melancholy sentiments in her songs night after night is not as excruciating as it would seem, since Krauss finds beauty in moments of sadness.

"There's something so raw going on. It's what people fight wars about. It's real. Through all this stuff and music and those sad places, you may get so sad but you also experience incredible joy at the same time. This is an interesting life."

One thing Krauss is not too sad about is turning 40. She will be playing a show in Massachusetts on her birthday, July 23, and hopes there won't be any fuss made.

Needless to say -- but it had to be asked -- the slim siren has no plans to follow in Sheryl Crow's footsteps and mark the milestone by posing in skimpy clothing for a "laddie" magazine cover story. "I don't think so," she said with a laugh. "It's funny though!"

(Editing by Bob Tourtellotte)

(To read more about our entertainment news, visit our blog "Fan Fare" online at blogs.reuters.com/fanfare/)


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U2 faces 'tax dodge' protest at Glastonbury fest (AP)

LONDON – U2 and its frontman Bono are known for their global poverty-fighting efforts but activists plan to protest their performance Friday at England's Glastonbury festival, accusing the Irish band of dodging taxes.

The anti-capitalist group Art Uncut said it would unfurl banners and placards in front of TV cameras filming the U2 gig on the festival's main Pyramid Stage.

Member Charlie Dewar said Bono campaigns against poverty in the developing world but has avoided paying Irish taxes at a time when his austerity-hit country desperately needs money.

Ireland, which has already accepted an international bailout, is suffering through deep spending cuts, tax hikes and rising unemployment as it tries to pull the debt-burdened economy back from brink of bankruptcy.

"Tax(es) nestling in the band's bank account should be helping to keep open the hospitals, schools and libraries that are closing all over Ireland," Dewar said.

U2, the country's most successful band, was heavily criticized in 2006 for moving its corporate base from Ireland to the Netherlands, where royalties on music incur virtually no tax.

Bono, guitarist The Edge and U2's other members — bassist Adam Clayton and drummer Larry Mullen — are among the country's wealthiest residents. Forbes magazine has estimated the band earned $195 million last year, mostly through its hugely profitable "360 Degrees" world tour.

It's not known how much personal income tax the band members pay in Ireland.

During the years when Ireland was a booming "Celtic Tiger" economy, the members of U2 invested in a wide range of Dublin properties, including a luxury riverside hotel and a planned Norman Foster-designed skyscraper on the River Liffey. Plans for the "U2 Tower" were shelved when property prices collapsed in 2008.

U2 is headlining the first night of the three-day Glastonbury festival, its first appearance at Britain's most prestigious summer music event. The band was due to perform last year but had to pull out after Bono injured his back.

Fans were keenly anticipating Friday's show — and said they would give protesters a hostile reception.

"I don't think the protest will go down well," said 42-year-old fan Sarah Craig. "I for one will be giving them a headache if they plan any protest in front of me."

Some 170,000 people have descended on a farm in southwest England for the extravaganza, which includes sets by Morrissey, Mumford & Sons, Coldplay, Beyonce and scores of other acts.

Rubber boots are the fashion item of choice after heavy rain turned the 900-acre (364-hectare) site into a mudbath. More rain is forecast for later Friday.


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Monday, June 27, 2011

Muhly likes to shine, but opera plumbs dark side (Reuters)

LONDON (Reuters) – Nico Muhly, 29, says he likes shiny objects, but his first opera, opening in London on Friday and headed later to the Metropolitan Opera in New York, is about the murky world of Internet impersonation and underage sex.

"Two Boys," based on a true story, is about an Internet liaison between two teenagers, one of whom, in a failed attempt to get himself killed, adopts a female identity on the web in order to lure the other boy to stab him to death.

It's the kind of world Muhly says the younger generation, himself included, must deal with in the Internet age, though rather than happening in some lonely cubicle at an Internet cafe, his musical version is being brought to the stage by the English National Opera (ENO) with the kind of fanfare normally lavished upon Lady Gaga's latest outfit.

"There's been a lot of press about it being an Internet-themed opera and I think that's true in as much as something like (Mozart's) 'Cosi Fan Tutte' is a marriage-themed opera," Muhly, dressed in T-shirt and slacks, said following a dress rehearsal in the ENO's home theater, the Coliseum.

"I mean the Internet is a delivery system for a much more old-fashioned story about yearning and longing and things that are quite standard to the operatic themes and repertoire -- the Internet is a sort of vessel for this emotional content that's been around for quite some time."

In other words, opera, as well as classical music, is being reinvented for the Internet age, and Muhly, who was born in Vermont and is the son of a painter and a documentary filmmaker, is doing his bit.

Even though he's not yet 30, the Juilliard graduate has been at it for a while now, ever since the release of his first CD "Speaks Volumes" in 2006, but reaching a much wider audience for his highly successful "Mothertongue" of 2008.

He also wrote the soundtrack for the movie "The Reader" and his latest album, "Seeing is Believing" with the Aurora Orchestra, was released this month.

On "Mothertongue," Muhly deconstructs and samples what at first sounds like a simple folk song, until it becomes clear the lyrics are about one sister drowning another, and the hair, fingers and other parts of the dead sister being refashioned into a fiddle that can play only one mournful tune.

On the recording, Muhly uses conventional instruments, as well as the sounds of Icelandic wind and raw whale flesh slopping around in a bowl.

MUSICAL OMNIVORE

He is, he admits, a bit of a musical, as well as culinary, omnivore, his favorite London restaurant being one that specializes in offal. His musical palate runs the gamut from Elizabethan motets to Indonesian gamelan to Philip Glass minimalism to the late English composer Benjamin Britten's searing opera scores, several of which deal with forbidden or homosexual sex.

Muhly, who is gay, said he has paid homage to Britten's most pessimistic homosexual-themed opera, "Death in Venice," in "Two Boys." But he is hardly the despondent German writer of the Thomas Mann novel on which Britten's opera is based, who falls hopelessly in love with a boy staying in his hotel and deliberately contracts a fatal disease to punish himself.

Asked why so many composers are gay, Muhly's response was: "I have no idea. Every other day I vacillate between the sort of gay supremacist part of my brain and then also the sort of self-loathing part. It's difficult to know."

He's much more preoccupied with assuring that his opera makes the right impression. The interview is interrupted while the cast, including English soprano Susan Bickley, repeats the opera's closing octet, with a delighted Muhly clapping at the end and saying: "They fixed it."

"The process of putting on an opera is very difficult because the piece is my thing but it relies on so many other elements to work," he said.

"It's only as strong as the weakest piece, so if there is something wrong with the subtitles, something wrong with the video ... it's kind of my problem."

And why does someone who can write music as light, bright and jewel-like as the closing bars of "Step Team," played by the Aurora Orchestra on his new album, veer so far to the dark side?

"I like shiny objects and I think a lot of my interest in the darker possibilities of the electronic medium is that it is something that is fun to make."

His next opera, to which he is putting the finishing touches, is about a woman trying to escape a polygamist marriage. The title? "Dark Sisters."

("Two Boys" at the ENO through July 8, www.eno.org; "Seeing is Believing" is released by Decca)

(Editing by Patricia Reaney)


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Reggae singer Banton gets 10-year prison sentence (Reuters)

TAMPA, Florida (Reuters) – Grammy award-winning reggae singer Buju Banton was sentenced on Thursday to 10 years in a U.S. federal prison for his conviction on a cocaine conspiracy charge.

The Jamaican singer, whose real name is Mark Myrie, was convicted in February by a jury in Tampa, Florida, on charges of conspiring with two other men to possess at least 11 pounds (5 kg) of cocaine.

Myrie, 37, argued unsuccessfully that he was entrapped by a government informant.

He won the Grammy for the best Reggae album of 2010, "Before the Dawn," on February 13, the day before his trial began.

At the sentencing hearing, U.S. District Judge James Moody said the 10-year sentence was the minimum he could give under federal guidelines. He said the maximum was 151 months.

"This is a sad day for Mr. Myrie. This is a sad day for Jamaica," said defense lawyer David Markus. "He's a good man who has done great things in his life."

But federal prosecutor James Preston said Myrie was instrumental to what took place and lied in court about his role in the drug deal.

Myrie did not make a statement. He smiled as he was led away.

Markus asked that Myrie be allowed to serve his sentence as close to Miami as possible so he could be near his family. He was living there when he was arrested in December 2009.

(Editing by Jane Sutton and Eric Walsh)


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Missy Elliott says Graves' disease not so grave

U.S. hip-hop singer Missy Elliott performs onstage during the 44th Montreux Jazz Festival in Montreux July 5, 2010. REUTERS/Valentin Flauraud

U.S. hip-hop singer Missy Elliott performs onstage during the 44th Montreux Jazz Festival in Montreux July 5, 2010.

Credit: Reuters/Valentin Flauraud

By Alex Dobuzinskis

LOS ANGELES | Fri Jun 24, 2011 8:06pm EDT

LOS ANGELES (Reuters) - Rap star Missy Elliott on Friday insisted her battle with the thyroid malady Graves' disease has not sidelined her career, a day after it was revealed that she has the ailment.

"I was diagnosed with Graves' disease about three years ago, but it really hasn't slowed me down at all," Elliott said in a written statement.

Elliott, who gained fame in the 1990s and whose hit songs include "Get Ur Freak On" and "Work It," has won four Grammys but has not released an album since 2005's "The Cookbook."

Some media reports on Thursday speculated that the long delay since her last album could be due to the illness, first diagnosed in 2008.

The 39 year-old Elliott talks about her Graves' disease in a taped interview for the VH1 cable show "Behind the Music" set to air on June 29. She describes how it shut down her nervous system and caused her hair to fall out.

But on Friday, Elliott said her condition has recently improved.

"Under my doctor's supervision, I've been off medication for about a year and I'm completely managing the condition through diet and exercise," she said.

Patients with Graves' disease have a thyroid gland that overproduces the hormone thyroxine, which can affect a person's appearance and energy level.

The disease is incurable, but symptoms can be handled with treatment, according to medical organization the Mayo Clinic.

Elliott said on Friday that, far from being inactive, she has since her diagnosis toured Europe, Asia, Africa and Australia and written and produced Grammy-nominated songs for Monica, Keyshia Cole and Jazmine Sullivan.

Elliott is working on an album tentatively titled "Block Party," with producer and rapper Timbaland.

(Editing by Jill Serjeant)


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Jermaine Jackson honors his late brother (AP)

TORONTO – Jermaine Jackson performed a nostalgic tribute concert Friday to his late brother Michael Jackson to mark the second anniversary of the pop star's death as part of the 12th Indian International Film Awards festivities in Toronto.

Dressed in a Michael Jackson-inspired outfit, complete with a red military-style jacket, V-neck white shirt, fitted black slacks and a black cummerbund with an emblazoned number "5," the former Jackson 5 performer sang a medley of his brother's hits including "Scream," "Wanna Be Startin' Somethin'" and "Can You Feel It."

"This is a special moment in the show because it's a tribute to my brother," said Jackson moments before joining Indian singer Sonu Nigam to perform "This is It," a song written by Nigam after the megastar's death, which the singers dedicated to the pop icon on stage.

The pair performed at IIFA Rocks, a Bollywood-inspired concert and fashion show bonanza which is part of the academy's three days of film, song and dance that culminates in Saturday's awards ceremony, often referred to as the Indian Oscars.

IIFA Rocks also kickstarted the awards portion of the weekend by giving away some technical film awards in between bouts of fashion runway shows and high-energy musical performances.

Romantic comedy "Band Baaja Baarat" and the action movie "Dabangg" led the pack, each scooping three awards.

Toronto's Ricoh Coliseum was packed with excited Bollywood fans who could hardly contain their excitement when South Asian superstars including "Slumdog Millionaire" actor Anil Kapoor, Bollywood king Shahrukh Khan and veteran stage and film star Anupam Kher took to the stage to announce the winners.

The cheering was so raucous when the venue's camera monitors' flashed on Bollywood superstars sitting in their seats that it sometimes drowning out the hosts, that "When we're speaking, please don't put close-ups of big movie stars on the screen," joked co-host Karan Johar, drawing laughter from the crowd.

Johar and co-host Anushka Sharma alternated between English and Hindi throughout the evening.

Sharma was treated to a hug by Shahrukh Khan, often referred to as "King Khan," whose close-ups on the monitor screens drew the loudest cheers.

"I'm tired of girls giving me a hug. I want a deep passionate kiss," said Khan.

"You're forgetting what would happen at home if that happened," smirked Johar.

Khan retorted, "We're thousands and thousands of miles away. What happens in Toronto, stays in Toronto." But in the end, he played it safe with a big bear hug for the bombshell Bollywood actress.

Much of the evening's music was provided by Shankar Ehsaan Loy, a musical super group consisting of Shankar Mahadevan, Ehsan Noorani and Loy Mendonsa, who also won an award for best background score for their work on "My Name is Khan," starring Shahrukh Khan.

But the real musical superstars were British-Canadian bhangra trio RDB, whose energetic performances with singer Veronica and two players of the drum-like dhol, got the audience shaking their shoulders in their seats and cheering excitedly.


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Colbert plays rock star, with Jack White as guide (AP)

NEW YORK – With Jack White as his guide, Stephen Colbert is living out his rock star dreams.

Colbert debuted his new single, "Charlene II (I'm Over You)" on "The Colbert Report" on Thursday night. Then, he took the song to the streets Friday, performing it again and signing copies for Colbert Nation groupies.

The song culminated Colbert's week-long "rock odyssey" series dubbed "Dr. Pepper Presents StePhest ColbChella `011 — Rock You Like a Thirst-Icane."

After premiering the tune on his show, Colbert and White sold copies Friday in Manhattan from the "rolling record store" of White's Nashville-based Third Man Records — a truck that travels the country selling the label's music.

The former White Stripe frontman produced the track, with The Black Belles, a goth girl rock band on Third Man, performing backup.

The reference of the song is one only die-hard viewers of "The Report" likely grasp. It's a follow-up to his mock `80s new wave song, "Charlene (I'm Right Behind You)," a cheesy ballad sung from the perspective of a stalker.

Since 2006, Colbert has occasionally alluded to the song and suggested that before his conservative pundit character became a TV show host, he was the lead singer in a group called Stephen and the Colberts.

But the sequel, "Charlene II (I'm Over You)," has entered the real world. The song is being sold on iTunes and from Third Man Records, including on vinyl copies. There's even a limited edition red-white-and-blue edition, with the vinyl dyed in the colors of the flag.

This is White's second collaboration with a late-night talk show host. Last year, he released a live rockabilly album with Conan O'Brien. White has been present in various segments all week on "The Report," playing a remarkably good straight man to Colbert.

Colbert, in turn, has taken every chance to remind his rock mentor that he's a Grammy winner. Colbert's "A Colbert Christmas" won best comedy album in 2010.

But this is far from the comedian's first foray into musical performance. Among his greatest hits are a performance of "Empire State of Mind" with Alicia Keys, a "shred-off" with the Decemberists and a rendition of Rebecca Black's "Friday."

___

Online:

http://www.colbertnation.com.


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Jill Scott aims for first U.S. chart-topper (Reuters)

LOS ANGELES (Billboard) – R&B singer Jill Scott could be on the verge of earning her first No. 1 album on the U.S. pop album chart with her first release in four years.

Industry sources suggest she could sell as many as 125,000 copies of "The Light of the Sun" by week's end on Sunday. Scott previously went as high as No. 3 with 2004's "Beautifully Human: Words and Sounds Vol. 2."

Also aiming for high debuts when the Billboard 200 chart is published on Wednesday are Bon Iver's self-titled set (with maybe 80,000 copies) and country singer Justin Moore's "Outlaws Like Me" (perhaps 60,000). Gunning for top 10 entries are "Weird Al" Yankovic's "Alpocalypse" and Pitbull's "Planet Pit."

On the current chart Eminem and Royce da 5'9" claimed the top spot after "Hell: The Sequel" sold 171,000 copies during the week ended June 19.


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Sunday, June 26, 2011

St. Louis statue of Chuck Berry sparks opposition

Rock and roll legend Chuck Berry performs during the Bal de la Rose in Monte Carlo March 28, 2009. REUTERS/Eric Gaillard

Rock and roll legend Chuck Berry performs during the Bal de la Rose in Monte Carlo March 28, 2009.

Credit: Reuters/Eric Gaillard

By Bruce Olson

ST. LOUIS | Thu Jun 23, 2011 5:15pm EDT

ST. LOUIS (Reuters) - An 86-year-old former city official said on Thursday she and dozens of supporters would try to delay installation of a statue of rock pioneer Chuck Berry because he "is a felon and not a friend of women."

An eight-foot statue of the 84-year-old St. Louis native and member of the Rock 'n' Roll Hall of Fame is ready to be erected in a public plaza near the suburban University City club where Berry still performs every month to sold out crowds. Installation is scheduled for next week unless it is stopped.

Elsie Glickert, who has lived in the area all her life and served 11 years on the University City council, said she would ask the council to delay the installation "until it can be reviewed. I'm dumbfounded how it got this far."

The city confirmed the issue was placed on the agenda for Monday's meeting, but the city manager Lehman Walker has said the statue was approved properly and plans for the installation and a July 29 dedication will go ahead.

Citing Berry's conviction in 1962 of violating the Mann Act, transporting a woman across state lines for immoral purposes, Glickert said, "This man is a felon and not a friend of women. It is a misuse of tax dollars to honor him on public property."

At a show in Texas in 1959, Berry met a young Native American woman who came to work at his St. Louis club, was fired and then arrested on a prostitution charge. That led to Berry being convicted for violating the Mann Act, transporting a woman across state lines for immoral purposes. He began a three-year prison sentence in 1962 and penned several hits while incarcerated, including "No Particular Place to Go."

Berry had more trouble in 1979 when he was convicted of tax evasion and had been convicted of armed robbery as a teenager.

The statue was promoted by club owner Joe Edwards, who helped raise over $100,000 to pay for the statue and other plaza improvements. Berry is scheduled to speak at the July dedication.

The new plaza will also feature illuminated walls with laser-engraved musical notes of "Johnny B. Goode," Berry's signature hit. The concrete curbs along the street near the plaza will be etched with the lyrics of Berry songs.

Glickert earlier this month presented the city petitions against the statue with over 100 signatures.

Berry performs at Blueberry Hill, Edwards' club, every month. He collapsed during a show in Chicago on New Year's Day but recovered in time to play his next show in St. Louis.

(Reporting and writing by Bruce Olson; Editing by Mary Wisniewski and Greg McCune)


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DJ wins $1 million in lawsuit over "My Humps" song

By Eriq Gardner

Fri Jun 24, 2011 7:42pm EDT

NEW YORK (Hollywood Reporter) - Cleveland disc jockey and early rap artist Orrin Lynn Tolliver, Jr. has just been awarded nearly $1.2 million by a New York jury. The award comes after a former friend and collaborator allowed without permission his 1983 song, "I Need A Freak," to be sampled by the Black Eyed Peas for the group's hit song, "My Humps."

In the early 80s, Tolliver formed a concept band called Sexual Harassment and recorded "I Need A Freak" at his friend and collaborator James McCants' studio at Heat Records.

McCants registered the song with BMI, credited Tolliver as the songwriter, and agreed to pay him 75% of royalties.

In 2000, the song was included on the compilation, "In Da Beginning...There Was Rap," from Priority Records, which caused Tolliver to send McCants a cease-and-desist letter. His former friend and collaborator denied issuing a license.

However, in the proceeding years, the song was sampled for use by other artists, including by the Black Eyed Peas on "My Humps."

Tolliver sued McCants for copyright infringement.

During the preliminary stages of the case, McCants offered shifting excuses about what had happened. He first denied issuing a license. He then claimed he had co-authored the composition and owned it under the work-for-hire doctrine. He then attempted to obtain a musicologist expert's report that "My Humps" didn't sample Tolliver's work. Finally, he claimed that he owned the composition by virtue of a copyright assignment.

The judge didn't appreciate these inconsistent statements and ruled for Tolliver on summary judgment.

The case went to a jury to determine the damages. On Tuesday, the jury rendered a verdict. McCants owed Tolliver $816,877.28 in profits and $368,704.31 in actual damages for copyright infringement.

(Editing by Zorianna Kit)


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Linkin Park plays "Transformers" show in Moscow

Mike Shinoda of rock band Linkin Park performs on stage at the Yas Arena in Yas Island, Abu Dhabi November 13, 2010. REUTERS/Jumana El-Heloueh

Mike Shinoda of rock band Linkin Park performs on stage at the Yas Arena in Yas Island, Abu Dhabi November 13, 2010.

Credit: Reuters/Jumana El-Heloueh

By Vladimir Kozlov

Fri Jun 24, 2011 5:41pm EDT

MOSCOW (Hollywood Reporter) - The U.S. alternative band Linkin Park played an outdoor show in Moscow, near Red Square, on Thursday in support of the world premiere of "Transformers: Dark of the Moon."

The entrance to the show was free, but only to those who won tickets through the FM station Energy and men's magazine Maxim, which has helped to keep attendance to figures acceptable in the city's historic center.

"Linkin Park have always been huge 'Transformers' fans," the movie's director Michael Bay told a news conference a few hours before the show. "They do very 'movie-esque' kind of music. We've had a good run - their tracks for the first two movies became number one hits, and their song for this movie fit in perfectly."

In Moscow, in addition to "Iridescent" from the soundtrack of the third 'Transformers' movie, Linkin Park performed two dozen songs, mostly from their most recent album, 2010's "A Thousand Sins." Bay and "Transformers" star Shia LaBeouf, who also showed up in Moscow for the premiere, were seen in the VIP area during the concert.

(Editing by Zorianna Kit)


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Judge approves viewing of Jackson film outtakes (AP)

By LINDA DEUTSCH, AP Special Correspondent Linda Deutsch, Ap Special Correspondent – Fri Jun 24, 4:54 pm ET

LOS ANGELES – Defense attorneys and prosecutors in the involuntary manslaughter case against Michael Jackson's doctor won permission Friday to view raw footage that didn't make it into the concert movie "This Is It."

The lawyers want to show excerpts from the movie to demonstrate Jackson's physical condition before he died.

However, the ruling also sets the stage for the singer to become the posthumous star of the upcoming trial.

At one point in the court hearing, Superior Court Judge Michael Pastor asked if prosecutors wanted to show the entire movie to jurors, but the issue was tabled for later discussion.

Deputy District Attorney David Walgren initially asked to show excerpts of the actual movie compiled from rehearsals two days before Jackson's death on June 25, 2009.

Defense attorneys, however, asked to see outtakes not used in the movie and requested the time frame begin 10 days before Jackson died.

Walgren said prosecutors want to see the same raw footage that is viewed by the defense.

Defense attorney Nareg Gourjian objected to the prosecution's request to sit in on the private screening, saying the subpoena was issued by the defense.

Walgren countered that it would be "silly and a waste of time" for him to get a separate subpoena and the judge agreed.

"I think the people should be part of it," Pastor said.

Pastor said both sides can go to Sony studios beginning Tuesday and view 21 boxes of audio-visual materials that have been estimated to capture 100 hours of rehearsal time. Jackson was preparing for a widely anticipated London concert and died just before he was to leave for Britain.

Dr. Conrad Murray, hired as Jackson's private physician for the tour, is charged with involuntary manslaughter, accused of giving Jackson an overdose of the powerful anesthetic propofol and other sedatives. He has pleaded not guilty and is due for trial in September.

The hearing came one day before the second anniversary of Jackson's death. Some theaters in Hollywood are showing "This Is It" as a tribute to the singer over the weekend.

Walgren said the time-consuming effort to view all the footage may require a trial delay of about three weeks. Pastor ordered lawyers to return on July 12 and give him a progress report and time estimate.

Sony lawyer Gary Bostwick said the materials in Sony's possession are not categorized, and Pastor described the treasure trove as sounding like "boxes someone would have in their garage."

Bostwick agreed but called it a unique situation because of the path the footage took.

Concert promoter AEG, which owned the videos, decided to release a posthumous movie soon after Jackson's death and rushed to have the rehearsal footage edited by director Kenny Ortega, Bostwick said.

The movie eventually was sold to Sony and the raw footage was turned over to them as well.

Bostwick said producers were working so fast to get the movie out that "there never was any complete inventory."


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Muhly likes to shine, but opera plumbs dark side

By Michael Roddy

LONDON | Thu Jun 23, 2011 5:42pm EDT

LONDON (Reuters) - Nico Muhly, 29, says he likes shiny objects, but his first opera, opening in London on Friday and headed later to the Metropolitan Opera in New York, is about the murky world of Internet impersonation and underage sex.

"Two Boys," based on a true story, is about an Internet liaison between two teenagers, one of whom, in a failed attempt to get himself killed, adopts a female identity on the web in order to lure the other boy to stab him to death.

It's the kind of world Muhly says the younger generation, himself included, must deal with in the Internet age, though rather than happening in some lonely cubicle at an Internet cafe, his musical version is being brought to the stage by the English National Opera (ENO) with the kind of fanfare normally lavished upon Lady Gaga's latest outfit.

"There's been a lot of press about it being an Internet-themed opera and I think that's true in as much as something like (Mozart's) 'Cosi Fan Tutte' is a marriage-themed opera," Muhly, dressed in T-shirt and slacks, said following a dress rehearsal in the ENO's home theater, the Coliseum.

"I mean the Internet is a delivery system for a much more old-fashioned story about yearning and longing and things that are quite standard to the operatic themes and repertoire -- the Internet is a sort of vessel for this emotional content that's been around for quite some time."

In other words, opera, as well as classical music, is being reinvented for the Internet age, and Muhly, who was born in Vermont and is the son of a painter and a documentary filmmaker, is doing his bit.

Even though he's not yet 30, the Juilliard graduate has been at it for a while now, ever since the release of his first CD "Speaks Volumes" in 2006, but reaching a much wider audience for his highly successful "Mothertongue" of 2008.

He also wrote the soundtrack for the movie "The Reader" and his latest album, "Seeing is Believing" with the Aurora Orchestra, was released this month.

On "Mothertongue," Muhly deconstructs and samples what at first sounds like a simple folk song, until it becomes clear the lyrics are about one sister drowning another, and the hair, fingers and other parts of the dead sister being refashioned into a fiddle that can play only one mournful tune.

On the recording, Muhly uses conventional instruments, as well as the sounds of Icelandic wind and raw whale flesh slopping around in a bowl.

MUSICAL OMNIVORE

He is, he admits, a bit of a musical, as well as culinary, omnivore, his favorite London restaurant being one that specializes in offal. His musical palate runs the gamut from Elizabethan motets to Indonesian gamelan to Philip Glass minimalism to the late English composer Benjamin Britten's searing opera scores, several of which deal with forbidden or homosexual sex.

Muhly, who is gay, said he has paid homage to Britten's most pessimistic homosexual-themed opera, "Death in Venice," in "Two Boys." But he is hardly the despondent German writer of the Thomas Mann novel on which Britten's opera is based, who falls hopelessly in love with a boy staying in his hotel and deliberately contracts a fatal disease to punish himself.

Asked why so many composers are gay, Muhly's response was: "I have no idea. Every other day I vacillate between the sort of gay supremacist part of my brain and then also the sort of self-loathing part. It's difficult to know."

He's much more preoccupied with assuring that his opera makes the right impression. The interview is interrupted while the cast, including English soprano Susan Bickley, repeats the opera's closing octet, with a delighted Muhly clapping at the end and saying: "They fixed it."

"The process of putting on an opera is very difficult because the piece is my thing but it relies on so many other elements to work," he said.

"It's only as strong as the weakest piece, so if there is something wrong with the subtitles, something wrong with the video ... it's kind of my problem."

And why does someone who can write music as light, bright and jewel-like as the closing bars of "Step Team," played by the Aurora Orchestra on his new album, veer so far to the dark side?

"I like shiny objects and I think a lot of my interest in the darker possibilities of the electronic medium is that it is something that is fun to make."

His next opera, to which he is putting the finishing touches, is about a woman trying to escape a polygamist marriage. The title? "Dark Sisters."

("Two Boys" at the ENO through July 8, www.eno.org; "Seeing is Believing" is released by Decca)

(Editing by Patricia Reaney)


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Reggae singer Banton gets 10-year prison sentence

Grammy award winner Buju Banton (L) of Jamaica leaves the federal courthouse with attorney David Markus (R) in Tampa, Florida, February 14, 2011. REUTERS/Steve Nesius

Grammy award winner Buju Banton (L) of Jamaica leaves the federal courthouse with attorney David Markus (R) in Tampa, Florida, February 14, 2011.

Credit: Reuters/Steve Nesius

By Robert Green

TAMPA, Florida | Thu Jun 23, 2011 11:12am EDT

TAMPA, Florida (Reuters) - Grammy award-winning reggae singer Buju Banton was sentenced on Thursday to 10 years in a U.S. federal prison for his conviction on a cocaine conspiracy charge.

The Jamaican singer, whose real name is Mark Myrie, was convicted in February by a jury in Tampa, Florida, on charges of conspiring with two other men to possess at least 11 pounds (5 kg) of cocaine.

Myrie, 37, argued unsuccessfully that he was entrapped by a government informant.

He won the Grammy for the best Reggae album of 2010, "Before the Dawn," on February 13, the day before his trial began.

At the sentencing hearing, U.S. District Judge James Moody said the 10-year sentence was the minimum he could give under federal guidelines. He said the maximum was 151 months.

"This is a sad day for Mr. Myrie. This is a sad day for Jamaica," said defense lawyer David Markus. "He's a good man who has done great things in his life."

But federal prosecutor James Preston said Myrie was instrumental to what took place and lied in court about his role in the drug deal.

Myrie did not make a statement. He smiled as he was led away.

Markus asked that Myrie be allowed to serve his sentence as close to Miami as possible so he could be near his family. He was living there when he was arrested in December 2009.

(Editing by Jane Sutton and Eric Walsh)


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Rep: Scuffle at Bieber event 'a misunderstanding' (AP)

By ALICIA RANCILIO, The Associated Press Alicia Rancilio, The Associated Press – Thu Jun 23, 10:19 pm ET

NEW YORK – A scuffle outside a Macy's department store where Justin Bieber was attending a promotional event Thursday for his new fragrance was "a misunderstanding," the singer's representative said.

"This was a momentary, well-intentioned misunderstanding that was quickly resolved, and the event went very well," said publicist Melissa Victor in an email.

The incident happened outside the Broadway entrance of Macy's in Manhattan.

Police said Bieber's representatives contacted them to say he wanted to go outside to greet fans. Police set up a small pen where he could do so.

Bieber left the pen and went straight to the main barricade holding back an estimated 500 people. The crowd surged forward and the barricade started to come down.

Police officers and Bieber's personal security detail then surrounded him to usher him back inside. Police said a 47-year-old man standing in the doorway refused to step aside and had to be physically moved. The man was issued a summons for disorderly conduct and released. Police learned later that he was a member of the singer's security team.

The 17-year-old Canadian singer was not injured in the scuffle.

Inside Bieber seemed unfazed. He gave interviews to the press, posed for photographs and with fans.

___(equals)

AP reporter Karen Zraick contributed to this report.


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Saturday, June 25, 2011

Linkin Park plays "Transformers" show in Moscow (Reuters)

MOSCOW (Hollywood Reporter) – The U.S. alternative band Linkin Park played an outdoor show in Moscow, near Red Square, on Thursday in support of the world premiere of "Transformers: Dark of the Moon."

The entrance to the show was free, but only to those who won tickets through the FM station Energy and men's magazine Maxim, which has helped to keep attendance to figures acceptable in the city's historic center.

"Linkin Park have always been huge 'Transformers' fans," the movie's director Michael Bay told a news conference a few hours before the show. "They do very 'movie-esque' kind of music. We've had a good run - their tracks for the first two movies became number one hits, and their song for this movie fit in perfectly."

In Moscow, in addition to "Iridescent" from the soundtrack of the third 'Transformers' movie, Linkin Park performed two dozen songs, mostly from their most recent album, 2010's "A Thousand Sins." Bay and "Transformers" star Shia LaBeouf, who also showed up in Moscow for the premiere, were seen in the VIP area during the concert.

(Editing by Zorianna Kit)


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Crowds brave rain, mud to see U2 Glastonbury debut (Reuters)

PILTON, England (Reuters) -A hundred thousand people braved rain, cold and mud to see Irish rockers U2 at Glastonbury on Friday in their first appearance at the famous music festival.

The band had been due to play a headline slot on the main Pyramid stage a year ago, but lead singer Bono hurt his back putting their debut on hold.

There was a small protest as promised against U2's decision several years ago to switch its operations from Ireland to the Netherlands for tax purposes.

But it did little to distract the crowd, which sang along to some of the band's greatest hits including "Sunday, Bloody Sunday" to "Where the Streets Have No Name."

"I'm sorry to have called in sick last year," Bono told the crowd, his dark glasses covered in rain drops. "This is a very, very great occasion for us - we don't do this very often."

U2 is in the middle of a record-breaking world tour, but rarely performs at festivals and has never played Glastonbury.

A pressure group called Arts Uncut had aimed to embarrass Bono and the band by highlighting their tax status, and a large white balloon covered with the words "U Pay Tax 2?" was held above the crowd.

One man wore a T-shirt saying "Bono Pay Your Tax," but the gestures were barely noticed by the majority of onlookers.

Critics say Bono, a leading anti-poverty campaigner, should be prepared to pay full taxes in his homeland, particularly at a time of major financial difficulty.

Others argue it is the band's right to pay taxes legally wherever they wish, and that Bono works harder than most to highlight issues like poverty and disease.

"It's his money, he can do what he wants with it," said Freddie Cowan of British indie band The Vaccines who were performing at Glastonbury.

RADIOHEAD, B.B. KING

Earlier in the day, Radiohead was the "surprise" guest on the distant Park stage where it played songs from new album "King of Limbs" and other recent music.

Blues guitar legend B.B. King warmed up the Pyramid crowd on a cool, damp afternoon with classics including "Every Day I Have the Blues."

"I wanna shake my booty, but I'm a little old and a little cold," the 85-year-old called out to the crowd as he took a seat to perform with his band.

Most of the Glastonbury crowd that will peak at around 175,000 people, wore rubber rainboots to cope with fields of deep, cloying mud.

Bales of hay were dropped over the worst-affected areas to make walking easier, but persistent rain on Friday meant the mudbath returned.

The other headline acts are Coldplay on Saturday and Beyonce with the closing show on Sunday, following in the footsteps of her husband Jay-Z who won over the Glastonbury doubters with a rousing set in 2008.

Visitors have a bewildering choice of entertainment, with hundreds of bands performing across the 900-acre site.

Pop pundits have singled out Tinie Tempah, Plan B, Paul Simon, Primal Scream, Mumford & Sons, The Chemical Brothers, White Lies, Queens of the Stone Age, Cee Lo Green and Ke$ha as ones to watch.

Turned into a giant camping site most years, Britain's most famous music festival is now in its fifth decade.

(Additional reporting by Cindy Martin; editing by Andrew Roche)


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Review: Bo-Keys rely on vets for strong new album (AP)

By MICHAEL McCALL, For The Associated Press Michael Mccall, For The Associated Press – Fri Jun 24, 3:12 pm ET

The Bo-Keys, "Got To Get Back!" (Electraphonic)

The Bo-Keys not only extend the venerable Memphis tradition of recording instrumental rhythm & blues, the multi-generational band also employs several veterans who played on the original Stax and Hi label recordings that the Bo-Keys emulate.

The band's first album in seven years, "Got To Get Back!" highlights contributions from players who toured and recorded alongside B.B. King, Al Green and Isaac Hayes, as well as trumpeter Ben Cauley, the lone surviving member of the Bar-Kays from a plane crash that also took the life of Otis Redding. Known as an instrumental group, the new album showcases several soul and blues vocalists who span the ages, including William Bell, Otis Clay and Charlie Musselwhite.

Perhaps it is the participation of so many veterans, or perhaps it is the passionate zeal of band leader Scott Bomar, but for one reason or another, the Bo-Keys present a muscular yet spare sound that captures the grit and grease of classic, horn-driven R&B. Where many revivalists pale compared to the originals, the Bo-Keys would have fit right in next to legendary Memphis musical crews the Bar-Kays and Booker T. & the M.G.'s.

CHECK THIS TRACK OUT: On the title track, "Got to Get Back (To My Baby)," Otis Clay growls and roars against a rousing brass backdrop, charging through the pumping track with a sweaty ferociousness reminiscent of the late Wilson Pickett.


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Miranda Lambert to perform on NBC's `The Voice' (AP)

LOS ANGELES – Miranda Lambert is stepping into new husband Blake Shelton's territory.

On next Wednesday's season finale of NBC's hit singing contest, "The Voice," Lambert will perform a duet with the finalist who was on Shelton's team, Dia Frampton.

Lambert, a Grammy winner for her single "The House That Built Me," said she was "thrilled" to be part of "The Voice."

"It's been a joy watching my husband grow so attached to his team. Truthfully, I am a little jealous that I am not a coach myself. I can't wait to be a part of it," she said.

Country superstars Lambert and Shelton were married last month.

"The Voice" also features Christina Aguilera, Maroon 5's Adam Levine and Cee Lo Green as coaches to their own groups of would-be pop stars.

The other finalists competing with Frampton are Javier Colon, Beverly McClellan and Vicci Martinez. The four will perform next Tuesday, with the viewers' choice to be announced on the finale the following night. The winner gets a record contract and a $100,000 prize.

___

Online:

http://www.nbc.com/


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MSG summer shutdown a boon to NJ venues (AP)

NEW YORK – Madison Square Garden, the world's most famous arena, is going dark for the summer — and top acts like Sade, Britney Spears and Taylor Swift are having to perform on the outskirts of the Big Apple as the renowned venue prepares for a long-term makeover.

MSG will spend the next three summers reconstructing its arena. That's good news for New Jersey venues like the Prudential Center and IZOD Center, which are experiencing an increase in high-profile performers as a result. Even Long Island's Nassau Coliseum is getting a small boost.

"MSG is the busiest arena and has been the busiest arena that I've seen in the States ... and anytime you take out that supply, especially if you have an increase in demand, it's going benefit the Prudential Center, and certainly we expect that to be the case," said Jeff Vanderbeek, who owns the Prudential Center in Newark.

It's a busy summer for top musical acts: Backstreet Boys and New Kids on the Block are on the road together, the cast of "American Idol" and "Glee" are performing live and hitmakers like Katy Perry and Rihanna — accompanied by Cee Lo Green — have tours.

"This summer as far as I can tell, with or without MSG being shut down, it's going to be a busy summer with more acts wanting to play in arenas," Vanderbeek continued.

"2009 was a fairly light concert year," said Jim Minish, executive vice president of facilities at the IZOD Center. "There weren't that many bands out or bands couldn't sell arenas. There seems to be a lot more acts this year that are able to play arena venues."

Prudential is located about 10 miles outside of New York. Vanderbeek, who also owns hockey's New Jersey Devils, says he knew that the building would be busy this summer with the growing popularity of his venue, which is also housing this week's NBA draft, typically held at MSG.

IZOD, located in East Rutherford, N.J., is also getting a boost thanks to MSG's construction.

"We normally do a good number of concerts at IZOD Center, but I would say this year is probably a handful more that we've gotten from now through October," said Minish.

Both Vanderbeek and Minish say that commuting to New Jersey from New York is a breeze, though most ticketholders aren't initially convinced.

"People are shocked at how easy it is," Vanderbeek said.

MSG — which has billed their reconstruction as the "Transformation" — plans to upgrade its entrance, seating, lighting, sound and video; it will also add more bathrooms, suites, lockers, food options and "a new star dressing room."

A representative for MSG said the venue has been in touch with artists and promoters about its construction schedule; the venue will resume its concerts in October.

Gary Bongiovanni, the president and editor-in-chief of concert trade magazine Pollstar, said sports is a priority for MSG, and avoiding construction during the basketball and hockey seasons — when ticketholders have purchased season passes — is why construction is happening during the summer months.

Bongiovanni also said that MSG is a venue known to charge artists a hefty price to play there, and that performing in New Jersey could mean a larger profit for artists.

"It is known as a very expensive building to play ... which in general is true in most New York venues," he said.

MSG's concerts can house up to 20,000 people; IZOD matches that, while Prudential can hold up to 19,500 and for Nassau about 18,000 seats.

This year marks a unique time for some artists and MSG: Sade, who hasn't been on the road since 2001, is back after releasing a platinum-selling album last year. But fans won't get a chance to see the soul band play at one of the world's most famed arenas. The growing popularity of Fox TV show "Glee" has helped the cast land larger tour stops compared to its concert stint last year, and they have performed in other arenas, but can't do so in New York City.

"We would have performed at Madison Square Garden," said "Glee" actor Cory Monteith. "We sold out the Staples' Center twice in a day, which is about the same size and (MSG is) under construction, so I'm sure that's why we didn't go."

Venues like Prudential and IZOD are having some acts at their venues for the first time, and more importantly, the venues see it as an opportunity to get artists coming back. Vanderbeek says that's the case with Swift, who performed at Prudential twice last year and will perform there four times next month.

"She loved the building," Vanderbeek said. "So I think it's a testimony to New Jersey, to the building and certainly to Taylor Swift."

____

Online:

http://www.msgtransformation.com/

http://www.prucenter.com/

http://www.izodcenter.com/

http://www.nassaucoliseum.com/

____

Mesfin Fekadu can be reached at http://twitter.com/musicmesfin


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Thursday, June 23, 2011

Sean Kingston says he's feeling better after crash (AP)

MIAMI – Singer Sean Kingston says he's feeling better almost a month after crashing his watercraft into a Miami Beach bridge.

On his Twitter page Monday, Kingston posted a message to his fans. He wrote: "Feeling alot better! GOD IS GREAT! Thanks for all the prayers and support! Love you ALL!"

Kingston also posted a picture of himself, in the hospital, flashing a peace sign. His publicist, Joseph Carozza, says Kingston's condition has been upgraded to fair.

The singer famous for his 2007 hit "Beautiful Girls" has been hospitalized in Miami since the May 29 crash. Carozza says Kingston walked on his own a couple of weeks ago for the first time since the accident.


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Rapper Tone Loc jailed in domestic violence case (AP)

BURBANK, Calif. – The rapper Tone Loc has been arrested on suspicion of felony domestic violence in Southern California.

Burbank police Sgt. Tracy Sanchez says 45-year-old Anthony Smith was arrested Saturday. That's Tone Loc's real name.

Sanchez could not confirm that the man arrested is Tone Loc, but Smith's birthdate and description in Los Angeles County jail records match those of the rapper. Sanchez also could not provide any details about the alleged victim or the circumstances.

Smith was being held in a Burbank jail on $50,000 bail.

A message left for Smith's agent Sunday was not immediately returned, and police could not say if he had hired an attorney.

Tone Loc is best known for the 1989 hip-hop hits "Wild Thing" and "Funky Cold Medina."


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Senegalese rappers shaking up youth ahead of polls (Reuters)

DAKAR (Reuters) – For once, the trio joke, something concrete came out of one of the marathon tea-drinking sessions the Senegalese use to while away the time during the regular 20-hour power blackouts -- a rap-led protest movement.

It is quickly gaining traction in the West African former French colony and observers say it has the potential to become an obstacle to Senegal President Abdoulaye Wade's re-election bid in 2012 by mobilizing young and disgruntled voters.

"We couldn't keep talking without getting involved," said Fadel Barro, the journalist who founded the anti-Wade group "Y'en a marre," French slang for "Enough is enough," with two of Senegal's most popular rappers during that power cut in January.

"Politicians failed. They did not put people first. So we are trying to get them back involved. It is a citizens' movement (but) not one that sits in offices and produces tracts."

Using a mix of concerts, demonstrations and stomping the streets in black T-shirts emblazoned with their name, the group has been hard at work raising youth awareness of what it say is government corruption and mismanagement -- and urging Senegalese to act instead of just complain.

With nearly 40 local chapters formed across the country since January, "Y'en a marre" is focusing on encouraging youths who have turned 18 since the last election in 2007 to register for the February 2012 vote -- and to vote against Wade.

"I am watching with fascination how they are going to use their star power," said a senior Dakar-based diplomat.

"There is a gap between the rhetoric and the reality here and they are focused on the average citizens in a way that none of the political parties are. They could be a kingmaker."

Barro said the group would analyze potential candidates for the poll and perhaps endorse one -- so long as it is not octogenarian Wade whom they say must not be allowed a third term in power.

"Y'en a marre" has a number of groups on Facebook, but followers number for now in the hundreds, not the thousands seen in Arab protests. Its message is more likely to be put across through the music of the rapping pair, Keur Gui.

The group, since joined in the movement by other rappers, hails from Kaolack, in Senegal's rural heart, but their songs attack corruption, urban flooding and rolling power cuts, and are ringing home in Dakar's sprawling suburbs.

"LOGIC OF INTIMIDATION"

Senegal has long been held up as a model of democracy in the region. Having never experienced a coup, frequently held elections and seen Wade come into power in 2000 on the back of years in opposition, it appears to have the credentials.

International investors trade several of its bonds and it is a regional partner for the France and the United States.

But there are concerns about power being concentrated around Wade and the possibility he might be grooming his son, a current minister with numerous portfolios, to succeed him.

Corruption is a donor concern while the state is struggling with services such as power and water. Analysts say real democratic progress has also been stifled by the ability of politicians to use religious leaders to control discontent.

Senegal has never looked like replicating North Africa's revolutions. But "Y'en a marre" has attracted enough attention for some demonstrations and concerts to be banned. Their members are also increasingly harassed by the police.

"It is the logic of intimidation ... trying to stop them from mobilizing the youth. If people are arresting them it is because they are seeing the impact they are having," said Djiby Diakhate, an independent political analyst.

"It is a movement that has emerged from the heart of the people, the real people, using the language of the people, which intellectuals can't," Diakhate added.

The gripe over the voter lists is that a large chunk of Senegal's youth are not on them, and the group believes the government is actively seeking to discourage them.

One of their slogans is "My card is my weapon."

A U.S., EU and German-backed audit found late last year that just 12 percent of 18-22 year-olds had a voter card, leaving 1.13 million off a register of some 5.5 million people.

"Where did they find these people? ... This figure is not real," Interior Minister Ousmane Ngom said on state television last week, when questioned about the lists.

TROUBLE AHEAD?

Donors have offered to help pay for mobile registration kits to register more voters but the government has refused, questioning the need and saying people were not obliged to vote.

Ngom said the government had launched a campaign to encourage more people to register and last week extended the deadline for closing the lists from June 10 to August 31.

The extra time may allow more of the newly eligible voters take part in the vote and official opposition parties remain divided, despite pledges to unite around one candidate.

But the poll is set to take place amid simmering social tension. Daily power cuts, the high cost of living and soaring youth unemployment grate with government rhetoric and grandiose projects, such as a $28 million statue unveiled last year.

Wade's frequent travels abroad, like a day visit into Benghazi last week to try to end Libya's conflict, do not help.

After revolutions in North Africa and contested elections elsewhere in the region, analysts warn against a shoddy poll.

"If there are any efforts to manipulate things, I don't think the religious powers will be able to manage things ... the youth are ready to take on the religious leaders," said Diakate.

"They have had enough."

(Writing by David Lewis; Editing by Alison Williams)


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Justin Bieber, Lady Gaga win at Canada video awards (Reuters)

TORONTO (Hollywood Reporter) – Pop stars Justin Bieber and Lady Gaga were the big winners at Canada's MuchMusic Video Awards in Toronto Sunday.

Bieber, who was on hand as girlfriend Selena Gomez co-hosted the event, was voted favorite artist by his countrymen for the video "Somebody to Love."

Additionally "Somebody to Love" and his clip for "Find Your Love" shared the prize for best international Canadian video.

Lady Gaga was voted most popular international artist by fans, and also took home the best international video for "Judas." She performed twice at the show.

The video of the year went to Ontario pop/R&B singer Shawn Desman for "Electric/Night Like This," while Los Angeles-based hip-hop quartet Far East Movement grabbed the international group video trophy for "Like a G6."


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Wednesday, June 22, 2011

Dave Matthews takes break from road, not concerts (AP)

NEW YORK – Dave Matthews has just started a telephone interview when the shrieks of a child interrupt his thoughts and he has to go to another room to escape the commotion.

"It's not easy to find a quiet place in my house," quips the leader of the Dave Matthews Band. "There's a lot of action."

But it's that kind of action with his 3-year-old son and two 9-year-old daughters that Matthews was craving when he decided last year, after spending 20 years on the road, to take a hiatus from touring.

However, the 44-year-old rocker's love of music couldn't keep him away from the stage for long, and this summer, the band — which includes Carter Beauford, Boyd Tinsley and Stefan Lessard — is performing in four cities — three nights in each city — in a "caravan" of concerts.

The concerts in Atlantic City, N.J.; Chicago; New York; and George, Wash., features the Dave Matthews Band as headliners and includes acts like the Flaming Lips, Ray LaMontagne, the Roots and Dispatch. The acts will vary in each city.

"I hope that people will go away from it, probably a little exhausted, but feeling like they had a really special experience," Matthews said.

AP: When you ended your tour, people assumed that was it for a while. What made you decide to do the "caravan"?

Matthews: There's some different reasons. A lot of the guys wanted to play and I love playing with this band. I've just been wanting to take a break from being on the road. ... I'm not as up for the crazy tour schedule this year ... but I still love playing music. It does seem like a good way not to live on a bus and go to someplace and see some good musicians play, and then work a little bit.

AP: What have you been doing during your time off?

Matthews: I've just been with my family and nothing else. ... Last year I spent was away from my family a lot. It's hard for me to leave my kids, and it's harder on me than it is on them. It's funny, I get a little quieter with time. I don't want to chase my tail and one day repeat myself and repeat myself and one day have kids going to college and not have memories that I should, because I was too busy doing my thing. ... I'm always playing music and trying to make new sounds, but mainly, it's been trying to hear theirs.

AP: Do you think your break might be a little bit more extended, or do you not want to put a timetable on it?

Matthews: I'd like to get into writing again and I think a lot of it for me is just trying to figure out how I can do both, and a lot of people have done it. ... It's a hard switch, but I'm working on trying to figure out how to do it. I don't want to stop — I don't think I really can stop making music. ... I'm not planning going into the studio for a specific month or anything like that. But I imagine I am going to. I don't see an end to that.

AP: There's a new book, "So Much to Say: Dave Matthews Band — 20 Years on the Road." What are some of the things included in the book that might surprise people?

Matthews: You know what's going to make you laugh? My mother told me there was some book out about us, and that's the first I heard of it. ... I had no idea. I am so in the dark about everything, which is OK. I've always kind of been, I've never really kept up with the culture around me, so it's not surprising that some book came out and I was oblivious about it. ... I have yet to see it. ... I have a pretty good idea of what happened in the last 20 years, and there's a lot of books out there that are about other things that I would much rather read than read a book that has details of my life.

AP: You have talked about trying to do things that might better the world. What are some of the projects you'd like to tackle?

Matthews: I think it's always on my mind and all of our minds, especially when I became a father, about what kind of planet I'm leaving for my children, and so that preoccupies me a little bit, and then opportunities tend to come up because there are people that are more directly focused on more specific ways into improving or sustaining a healthier direction for the planet.

____

Online:

http://www.davematthewsband.com


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Nina Stemme pure gold in San Francisco "Ring" (AP)

By MIKE SILVERMAN, For The Associated Press Mike Silverman, For The Associated Press – Mon Jun 20, 10:45 am ET

SAN FRANCISCO – As she strides bravely into the flames of Siegfried's funeral pyre, Nina Stemme as Bruennhilde redeems the world at the conclusion of Wagner's epic "Ring" cycle.

And the astonishing performance by the Swedish soprano goes a long way to redeem a production that otherwise suffers from uneven singing and direction by Francesca Zambello that seems at times more interested in making political points than honoring Wagner's creation.

When Stemme appeared for a solo curtain call on Sunday after soaring through the 15-minute "Immolation Scene" that concludes "Goetterdaemmerung," the audience that packed the War Memorial Opera House rose to their feet as one in a frenzied standing ovation.

It was richly deserved. Stemme made a strong bid to be considered today's leading Bruennhilde in singing her first complete "Ring," and invited comparison with great past exponents of the role. Her appearance was also a coup for the San Francisco Opera — the company that 55 years ago presented Birgit Nilsson in her U.S. debut.

A compact, youthful-looking woman who just turned 48, Stemme is a true dramatic soprano with a voice that is smooth and evenly produced throughout its wide range up to a clarion high C. And she can produce terrific trills, which Wagner wrote but which are rarely performed. At the end of the cycle, she sounded as fresh as she had in her first playful appearance as Wotan's favorite daughter in "Die Walkuere" on Wednesday night.

Dramatically, she captured the growing emotional complexity that marks Bruennhilde's progress from warrior maiden to woman in love, from betrayed wife to the transcendent figure who sacrifices her life to free the world from the curse attached to a ring of magic gold.

When Zambello's production was launched in 2006 at the Washington National Opera, it was conceived as an "American Ring," and the initial scenes build intriguingly on themes in the nation's history.(The WNO ran out of money before it could complete the cycle, and it was left to San Francisco to mount all four operas.)

The dwarf Alberich flirts with the Rhine Maidens while he pans for gold like a `49er, and he whips his terrorized underlings like a slave master. Wotan and his fellow gods are high-living characters out of the Roaring `20s who board a cruise ship for the journey to Valhalla. But in the later operas, the American echoes drop away, replaced by an insistent feminism and a heavy-handed depiction of environmental ruin.

Repeatedly, the roles of female characters are magnified beyond what Wagner envisioned. Instead of Siegmund singlehandedly pulling a sword from a tree, his twin sister, Sieglinde, has to help him. Erda, the earth goddess, angrily tries to snatch Wotan's spear from his grasp. Gutrune, a weak and corrupt figure who has married Siegfried under false pretenses, becomes Bruennhilde's right-hand woman in setting up the funeral pyre.

The environmental theme is hammered home in projections that show forests being clear-cut and rivers polluted, and in the setting of scenes under abandoned freeways and next to power plants. By the time the Rhine Maidens reappear in "Goetterdaemmerung," their pristine river is awash in discarded plastic bottles and car parts.

Zambello is adept at creating lively interplay between the characters, but too often the humor evokes laughter at the expense of Wagner's meaning. One glaring example comes at the beginning of Act 2 of "Die Walkuere" when Wotan is forced by his wife, Fricka, to abandon his plan for salvaging his empire. Seated in his office in a mid-century Manhattan skyscraper, Wotan tries to ignore Fricka's harangue by picking up a newspaper and perusing it, only to have her snatch it out of his hand. After she has won her point, Fricka herself picks up the newspaper and begins reading — as if thumbing her nose at her husband.

This robs the encounter of the dignity that both figures should have in this pivotal confrontation.

Vocally, apart from Stemme, the best single performance came from Czech tenor Stefan Margita as a wily Loge with a deliciously pungent sound to his voice. Also worthy of praise were mezzo-soprano Elizabeth Bishop as Fricka, alto Ronnita Miller as an Erda with unusually potent low notes, and tenor Brandon Jovanovich and soprano Anja Kampe as Siegmund and Sieglinde.

The Rhine Maidens sang in gorgeous harmony thanks to soprano Stacey Tappan (also delightful as the Forest Bird) and mezzos Lauren McNeese and Renee Tatum. The three Norns who weave the rope of fate (in this production it's an Internet cable) were strongly portrayed by Miller, soprano Heidi Melton and mezzo Daveda Karanas.

Baritones Mark Delavan and Gordon Hawkins both sounded underpowered at times as the competing figures that battle for possession of the ring — Wotan and Alberich. That was never a problem with Italian bass Andrea Silvestrelli, who unleashed a cavernous but grainy voice and mushy German pronunciation in several roles — the giant Fasolt, the boorish Hunding and the scheming Hagen.

Siegfried was cast with two different tenors. Jay Hunter Morris displayed an appealing voice that was a few sizes too small for his role in "Siegfried." In "Goetterdaemmerung," Ian Storey was more of a match for Stemme initially but ran into serious vocal distress in Act 2. After getting medical treatment backstage during intermission, he did much better in Act 3.

Led by conductor Donald Runnicles, the orchestra played splendidly for the most part, though there were scattered intonation and coordination problems as the week wore on. Runnicles made some daring rhythmic choices, slowing down the music to a near-halt on several occasions.

The more familiar moments of the score, such as the Ride of the Valkyries and Siegfried's Rhine Journey and Funeral March, came across with dazzling energy.

There are two more complete cycles through July 3. For Stemme's performance alone, this "Ring" is a must see.


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Rest of Amy Winehouse's European tour in doubt (AP)

LONDON – The video is painful to watch, an artistic train wreck for all to see. The question is what Amy Winehouse is going to do next.

The five-time Grammy Award winner, whose battles with alcohol and drug abuse have long overshadowed her music career, had a very public meltdown on stage Saturday night in Belgrade, the first stop of her European summer concert tour.

The disastrous performance shattered the goal of the troubled singer's comeback tour: A renewed focus on her musical ability, not her substance abuse problems. It also raised serious doubts about whether she is well enough to perform before an audience.

Winehouse was jeered and booed as she stumbled around the stage unable to remember the lyrics to her own songs. At times she could barely stand up. She was not able to carry a tune, appearing disoriented and unaware of her surroundings. At one point she dragged over a backup singer to take the mike and sing.

The crowd at Belgrade's Kalemegdan Park was often unable to decipher even what song Winehouse was performing — a startling problem for a singer who is popular in Serbia. Many of the 20,000 fans walked out in protest, angry that they paid steep ticket prices for such a spectacle.

Serbian media called the concert a "scandal," with the Blic daily labeling it "the worst in the history of Belgrade."

Instead of continuing to Istanbul on Monday and Athens on Wednesday for long-scheduled concerts, Winehouse canceled those concerts and returned to her London home. She is now holding talks that are expected to lead to further cancellations of her 12-date European tour.

The Belgrade meltdown has raised questions about Winehouse's future viability as a live act.

Winehouse, 27, has been hospitalized twice for injuries suffered after fainting and falling at home, and her father said she has health problems stemming from smoking cigarettes and crack cocaine.

Neil Warnock, chief executive of The Agency Group booking agency, said Winehouse and her tour promoters may be entitled to insurance coverage for any cancellations. He said insurance settlements would depend on what previous information was provided to the insurance companies.

"If you fairly disclosed any pre-existing conditions, and what caused the cancellation is a new condition, then the artists and promoters would be covered," he said. "If it's a pre-condition, then it wouldn't be covered, or if it's an undeclared condition that should have been declared, that wouldn't be covered."

He said the legal and financial issues that followed Michael Jackson's sudden death in advance of a series of London performances were based on similar questions.

Warnock said even bands with long histories of substance abuse like the Rolling Stones were traditionally able to meet their contractual obligations and perform at their gigs. He would not speculate directly on Winehouse's future.

The British press reported that Winehouse had turned down payment for the Belgrade fiasco, and Serbian fans flooded the Internet with demands for refunds. Her management did not comment on the reports.

The singer's next scheduled concert is July 8 in Bilbao, Spain, but it is likely to be canceled. The tour was to end in Bucharest, Romania, on Aug. 15. The demanding schedule was supposed to be an important test of Winehouse's ability to stand up to the rigors of live performing.

In addition to her stage troubles, her recording career has also been put on hold. There have long been plans for a follow up to her two successful albums — including the breakthrough "Back to Black" released in 2006 — but new material has not been released.

It has been a dramatic fall for Winehouse, whose grasp of pop and soul — along with her trademark beehive hairdo and her raunchy stage act — brought her worldwide fame and substantial sales.

Her first album "Frank," released in 2003, was heavily influenced by contemporary jazz and earned her critical acclaim. "Back to Black" arrived three years later and was an overwhelming success with its unusual fusion of jazz, pop and soul with a heavy debt to the girl groups of the early, pre-Beatles 1960s.

It was edgy as well, with the song "Rehab" dealing with the health issues that were soon to sidetrack her musical career.

"They tried to make me go to rehab," Winehouse sang on the hit. "I said 'No, no, no.'"

Winehouse has sought rehab therapy in the past after her widely publicized battles with alcohol and drugs.

___

Dusan Stojanovic contributed from Belgrade.


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Clemons' death leaves void for Springsteen (AP)

By DAVID BAUDER, AP Entertainment Writer David Bauder, Ap Entertainment Writer – Sun Jun 19, 9:45 pm ET

NEW YORK – E Street will never be quite the same.

The death of saxophone player Clarence Clemons ripped a hole in Bruce Springsteen's music and onstage life, taking away a figure who had served him loyally for decades and never failed to add joy to the E Street Band's epic performances.

Clemons died Saturday at age 69, about a week after he suffered a stroke at his home in Singer Island, Fla.

It's not the first loss for the rock world's best-known and most accomplished backup band. Keyboard player Danny Federici died in 2008 of melanoma. Steve Van Zandt, Springsteen's youthful friend and closest partner, left for several years in the 1980s and was replaced on guitar by Nils Lofgren. When Van Zandt returned, Lofgren stayed.

Yet Clemons' loss cuts deeply into the soul of the band. His importance was acknowledged whenever Springsteen performed "Tenth Avenue Freeze-out," when he sang, "We made that change uptown and the Big Man joined the band," inevitably followed by a wail of Clemons' sax and a roar from the crowd. The two men met in 1971 on the New Jersey bar band circuit, and when Springsteen released his debut album two years later, Clemons left a more successful outfit for a new Boss.

Inevitably Clemons' introduction was the climax every night when Springsteen presented the individual band members to the audience, accompanied by a variety of regal nicknames like "Master of the Universe" and "King of the World."

"Do I have to say his name?" Springsteen would shout to the crowd.

"No!" came the roar back. He did anyway.

A makeshift memorial of flowers, candles and photos grew outside of the Stone Pony nightclub in Asbury Park, N.J., home turf where Clemons and Springsteen made frequent stage appearances through the years.

At the Clearwater music festival in Croton-on-Hudson, N.Y. on Sunday, the Drive-By Truckers took the stage for their show with "Tenth Avenue Freeze-Out" playing over the public address system. Singer Patterson Hood looked skyward and dedicated the band's set to Clemons.

Last fall's release of "The Promise," which included a DVD of a 1978 Springsteen concert performance, underscored the central role of Clemons in the act. The two men were a marked physical contrast: a bedraggled, slightly scrawny white guitar player and a 6-foot-5-inch, 270-plus-pound black man with a sax — known simply as the Big Man _who would be intimidating if he didn't so often carry a smile.

They would stalk each other on the stage, staring with ferocious eyes, and play their instruments as they stood back to back, leaning on the other for support. They'd even kiss, their relationship sending a message of brotherhood, family and — given racial undertones — tolerance and respect for all.

The relationship was captured memorably with a giant photo of the two men on the cover of Springsteen's "Born to Run" album.

Clemons was musically vital, too, particularly given the longer, structurally ambitious songs Springsteen was writing in the 1970s, a potent mixture of rock, soul, jazz and folk. Clemons' sax kicked "Born to Run" into overdrive, and his solo was a key moment in the majestic "Jungleland." He had a deep, booming voice not often displayed, although he added hearty "ho-ho-ho's" during seasonal renditions of "Santa Claus is Comin' to Town."

Truth be told, Clemons' role in the E Street Band diminished as the years went on. Springsteen's simpler song structures left less space for the sax, and the instrument competed to be heard in a dense wall of sound anchored by three electric guitar players. Clemons would add maracas or tambourines to some of Springsteen's compositions.

Clemons' physical ailments also made him a less active presence onstage. He underwent spinal surgery last year after many years of back pain and spent time in a wheelchair after double knee replacement surgery.

Springsteen generously made accommodations for the ailments, installing an elevator on the stage set for when Clemons couldn't negotiate the stairs, according to Caryn Rose and Glenn Radecki of the Springsteen website Backstreets. A throne-like golden chair was placed onstage for when Clemons needed his rest.

Clemons' death is unlikely to bring an end to the E Street Band, which Springsteen alluded to in a statement posted on his website Saturday announcing the death.

"We are honored and thankful to have known him and had the opportunity to stand beside him for nearly 40 years," he said. "He was my great friend, my partner and with Clarence at my side, my band and I were able to tell a story far deeper than those simply contained in our music. His life, his memory, and his love will live on in that story and in our band."

But the loss leaves Springsteen with a real challenge moving forward. While Federici's contributions were valued and respected, he was a back bencher, tied to the shadows of the stage and his replacement not a major issue for the casual fan.

Clemons was different, and his loss will inevitably change the onstage dynamic. The saxophone is such a major presence in Springsteen's music that it's difficult to imagine many of his songs being performed without it. They will be big shoes for anyone to fill.

"As long as we tell the stories, as long as we play the songs, the Big Man will always be with us," Rose and Radecki wrote on Backstreets following Clemons' death.


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Amy Winehouse cancels shows after Belgrade blunder (Reuters)

LOS ANGELES (Reuters) – English pop singer Amy Winehouse, whose promising career has been crippled by substance abuse problems, cut short a European tour on Sunday after fans in Belgrade jeered her shoddy opening-night performance.

Winehouse, 27, sporting her trademark bouffant hairdo and figure-hugging dress, struggled to perform her songs and keep her balance as her band gamely played on. On some tunes, the audience did most of the singing.

On other occasions, Winehouse lectured her bandmates, and anxiously clutched her arms. She appeared to be reading the lyrics from a teleprompter. The singer was headlining a Serbian festival, whose lineup included techno singer Moby.

A representative said upcoming festival dates in Istanbul on Monday and in Athens on Wednesday would be canceled. Her next show is scheduled for July 8 in Spain.

"Despite feeling sure that she wanted to fulfill these commitments, she has agreed with management that she cannot perform to the best of her ability and will return home," a statement said. "She would like to apologize to fans expecting to see her at the shows but feels that this is the right thing to do."

Belgrade media and fans heaped abuse on her in the aftermath of the show. One fan, writing on Winehouse's website, described her as "another punkass junkie and lush."

Another took a more sympathetic view. "I was there, and it was (a) sad thing to watch. Shame on her management, to allow her on stage in that state. She's not to blame -- she needs help."

Winehouse has been getting help for years as she struggled with addiction. She rose to mainstream fame in 2006 with the hit single "Rehab," and won four Grammys awards in 2008 including best new artist and album of the year. She was unable to attend the ceremony in Los Angeles because of legal problems, and she is yet to release a follow-up recording.

(Reporting by Dean Goodman; Editing by Cynthia Osterman)


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Rapper 50 Cent working on anti-bullying novel (AP)

NEW YORK – Rapper 50 Cent's newest work of fiction will have an anti-bullying message.

The Penguin Young Reader Group has signed up 50 Cent's novel "Playground." The publisher announced Monday that the book is a semi-autobiographical young adult novel about bullying that will come out in January 2012. The 34-year-old rapper, whose real name is Curtis Jackson, has acknowledged a violent childhood and dealing drugs at an early age.

He's also released a memoir, "From Pieces to Weight," and a self-help guide co-authored by Robert Greene called "The 50th Law."


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