Pussy Riot protester alone in cell after inmate tension

Members of the female punk band ''Pussy Riot'' (L-R) Yekaterina Samutsevich, Maria Alyokhina and Nadezhda Tolokonnikova sit in a glass-walled cage before a court hearing in Moscow October 10, 2012.

Credit: Reuters/Maxim Shemetov

By Nastassia Astrasheuskaya

MOSCOW | Fri Nov 23, 2012 12:02pm EST

MOSCOW (Reuters) - Jailed Pussy Riot punk protester Maria Alyokhina has been moved to a single-person cell for her own protection because of tension with other prisoners, her lawyer and Russia's federal penitentiary service said on Friday.

Alyokhina, 24, is serving a two-year sentence for a raucous protest against President Vladimir Putin in Moscow's main Russian Orthodox cathedral. Activists said her trial, and that of two band mates, was part of a crackdown on dissent.

"There was a conflict" between Alyokhina and other inmates and "she was transferred to a individual cell," her lawyer Irina Khrunova said by telephone. She said it was not yet clear what caused the conflict.

Prison authorities said Alyokhina was moved at her own request.

"Some tensions arose in relationships and, apparently to prevent this situation from escalating, she decided to submit a request to the prison leadership and they moved her to a one-person cell," a federal prison service spokeswoman said.

The spokeswoman dismissed Russian media reports Alyokhina argued with inmates over religion at the Ural Mountains prison about 1,150 km (715 miles) northeast of Moscow. Pussy Riot's protest offended many members of Russia's Orthodox Church.

The spokeswoman also said she had no information regarding a report on the tabloid-style Life News website that Alyokhina had received violent threats from cell mates.

Alyokhina's main meal is taken to her cell and she is accompanied by a guard when she leaves it, the spokeswoman said.

Alyokhina and two band mates were convicted in August of hooliganism motivated by religious hatred for their "punk prayer", which the dominant Russian Orthodox Church has cast as part of a concerted attack on the church and the faithful.

The women said the protest, in which they burst into Christ the Saviour Cathedral and called on the Virgin Mary to rid Russia of Putin, was not motivated by hatred and was meant to mock the church leadership's support for the longtime leader.

Putin, a former KGB officer who has cultivated close ties with the church over 13 years in power, has rejected criticism from the United States and European leaders who called the two-year sentences disproportionate.

Alyokhina, who has a young son, argued with the judge and cross-examined witnesses during her trial.

Her band mate Nadezhda Tolokonnikova, 23, is serving her sentence in a different prison. Yekaterina Samutsevich, 30, was freed last month when a court suspended her sentence on appeal.

(Additional reporting by Ludmila Danilova and Steve Gutterman; Writing by Nastassia Astrasheuskaya; editing by Jason Webb)

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Psy's "Gangnam Style" video becomes YouTube's most viewed

South Korean rapper Psy arrives at the 40th American Music Awards in Los Angeles, California, November 18, 2012.

Credit: Reuters/Jonathan Alcorn

By Alex Dobuzinskis

LOS ANGELES | Sun Nov 25, 2012 11:20pm EST

LOS ANGELES (Reuters) - South Korean rap star Psy's music video "Gangnam Style" on Saturday became the most watched item ever posted to YouTube with more than 800 million views, edging past Canadian teen star Justin Bieber's 2-year-old video for his song "Baby."

The milestone was the latest pop culture victory for Psy, 34, a portly rap singer known for his slicked-back hair and comic dance style who has become one of the most unlikely global stars of 2012.

Psy succeeded with a video that generated countless parodies and became a media sensation. He gained more fame outside his native country than the more polished singers in South Korea's so-called K-Pop style who have sought to win international audiences.

YouTube, in a post on its Trends blog, said "Gangnam Style" on Saturday surpassed the site's previous record holder, Bieber's 2010 music video "Baby," and by mid-day "Gangnam Style" had reached 805 million views, compared to 803 million for "Baby." Within a few hours, "Gangnam Style" had gone up to more than 809 million views.

"Gangnam Style" was first posted to YouTube in July, and by the following month it began to show huge popularity on YouTube with audiences outside of South Korea.

"It's been a massive hit at a global level unlike anything we've ever seen before," said the YouTube blog.

The blog also said the "velocity" of the video's popularity has been unprecedented for YouTube.

In his "Gangnam Style" video the outlandishly dressed, sunglass-wearing Psy raps in Korean and dances in the style of an upper-crust person riding an invisible horse.

The song is named after the affluent Gangnam District of Seoul and it mocks the rampant consumerism of that suburb. Psy, whose real name is Park Jai-sang, is no stranger to wealth as his father is chairman of a South Korean semiconductor company.

His parents sent him to business school in the United States but he confesses that he bought musical instruments with his tuition money. He later graduated from Berklee College of Music in Boston and won fame in South Korea with his 2001 debut album.

The viral success of "Gangnam Style" on YouTube also has translated into strong record sales. In late September, the song jumped to the top of the British pop charts and it also has sold well in other countries.

Popular parodies of the "Gangnam Style" video included one featuring the University of Oregon's duck mascot, and another done in the "Star Trek" language Klingon.

The official YouTube view count for Gangnam Style represents only the figure for the original video posted to the site, but copycat versions, parodies and videos by people commenting on the song have been posted to the site and elsewhere on the Web.

Counting all those different versions, "Gangnam Style" and its related videos have more than 2.2 billion views across the Internet, said Matt Fiorentino, spokesman for the online video tracking firm Visible Measures.

"Without the dance, I don't think it would have been as big as it is," Fiorentino said. "And the other thing is, Psy has a unique sense of humor which comes through in the video. He doesn't take himself too seriously."

(Editing by Barbara Goldberg and Bill Trott)

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Robbie Williams aims to seal solo legacy with tour

British singer Robbie Williams arrives on the red carpet for the German premiere of ''Cars 2'' in Munich July 28, 2011.

Credit: Reuters/Michaela Rehle

By Mike Collett-White

LONDON | Mon Nov 26, 2012 12:48pm EST

LONDON (Reuters) - Still famous as the in-again/out-again member of chart-topping boyband Take That, British singer Robbie Williams says it is time to get serious as a solo artist and prove his place at the top of the pop pile.

Williams told reporters on Monday he planned a 15-date European stadium tour kicking off in Manchester on June 19, 2013 and concluding in Tallinn, Estonia on August 20.

"I'm buzzing. I'm ready to go. I haven't done a tour of this size since 2006," he said in London.

"I think it's legacy time, because I'm venturing into getting my handicap down at golf and all that business.

"I'm nearly 40, that's what I'm trying to say. I want to go and seal my place in pop history and go off and deliver a tour of great magnitude while I still can."

The 38-year-old in fact enjoyed major success after leaving Take That in 1995, producing a string of hit albums and singles including "Angels" and "Millennium" and signing a contract with EMI in 2002 reportedly worth tens of millions.

But by the time his 2006 album "Rudebox" came out followed by "Reality Killed the Video Star" in 2009, he was seen as a dwindling force in British pop who had failed to break the key U.S. market.

Williams rejoined Take That in 2010 and they recorded the hit album "Progress" before touring together in 2011, and the singer said the experience had helped give him confidence to tour large venues again as a solo artist.

"I just ran out of ideas and ran out of a bit of creativity and ran out of energy and did the textbook 'burnt out'," he said of the late 2000s.

"But I've been working really hard and I needed to do something else, and fortunately it came in the shape of my old band. A lot of demons were vanquished from the past. A lot of wrongs were put to rights.

"That tour last summer was just absolutely incredible. It kick-started my professional career."

Earlier this month, Williams returned to the top of the album charts with "Take the Crown".

Asked whether he would consider rejoining Take That again, he replied: "I haven't officially left ... What I do know is that ... if we all remain healthy then I will definitely be a part of Take That at some point. It's joyful being around them."

Williams conceded it may be too early to talk about his legacy at 38, but added he wanted to "put my stamp down.

"The fact that 40 is looming plays on my mind more than it does on anybody else's mind. Pop stars cease to be pop stars at 40 and start being old people singing, don't they?

"There is a forum for a male solo star to get up there in stadiums and own the place and I want that to be me, so I've kind of been lethargic for the last couple of albums."

Williams recently became a father, and said his daughter would accompany him on tour. Olly Murs, who rose to fame on "The X Factor" reality TV show, will support Williams on his tour.

(Reporting by Mike Collett-White, editing by Paul Casciato)

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McCartney, Houston, Dylan lead Grammy Hall of Fame inductees

1 of 5. Bob Dylan performs during a segment honoring Director Martin Scorsese, recipient of the Music + Film Award, at the 17th Annual Critics' Choice Movie Awards in Los Angeles January 12, 2012.

Credit: Reuters/Mario Anzuoni

LOS ANGELES | Fri Nov 23, 2012 2:11pm EST

LOS ANGELES (Reuters) - Music by Paul McCartney, Bob Dylan, Elton John and late singers Whitney Houston and James Brown will be inducted into the 2013 Grammy Hall of Fame, The Recording Academy said on Wednesday.

Paul McCartney & Wings' 1973 album "Band on the Run," long credited with reigniting McCartney's career following the Beatles' split in 1970, was one of the 27 new inductees into the Grammy Hall of Fame, on display at the Grammy Museum in downtown Los Angeles.

Houston's self-titled 1985 debut album was also named an inductee, following the singer's sudden death aged 48 in February this year. Australian hard-rock band AC/DC's top-selling 1980 "Back in Black" album was also named a new entry.

The Recording Academy, which also runs the Grammy awards, picks songs and albums from all genres that are at least 25 years old, with either "qualitative or historical significance" to be considered annually for the Grammy Hall of Fame by a committee.

"Memorable for being both culturally and historically significant, we are proud to add (the 2013 inductees) to our growing catalog of outstanding recordings that have become part of our musical, social and cultural history," The Recording Academy President and CEO Neil Portnow said in a statement.

As well as albums, the Grammy Hall of Fame also includes songs of historic and cultural significance and the inductees for 2013 see a range of classic American songs.

Iconic Dylan song "The Times They Are A-Changing" from 1964, R&B singer Ray Charles' 1961 tune "Hit the Road Jack," Rat Pack star Frank Sinatra's 1980 "Theme from 'New York, New York'", and 'Godfather of soul' James Brown's 1965 classic "I Got You (I Feel Good)" were all honored.

Other 2013 inductees include Elton John's 1970 self-titled second album and American debut, Billy Joel's 1973 hit "The Piano Man" and Willie Mae "Big Mama" Thornton's 1953 R&B classic "Hound Dog," later covered by Elvis Presley.

(Reporting By Eric Kelsey; Editing by Piya Sinha-Roy and Andrew Hay)

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Rejected Beatles audition tape appears at auction

By Mike Collett-White

LONDON | Fri Nov 23, 2012 12:47pm EST

LONDON (Reuters) - The Beatles audition tape rejected by a record label executive in arguably the biggest blunder in pop history has resurfaced and will go on sale at a London auction next week.

Ted Owen of The Fame Bureau, an auction house specializing in pop memorabilia, said the 10-song tape was recorded on New Year's Day, 1962, at label Decca's studios in north London.

Paul McCartney, John Lennon, George Harrison and Pete Best - who would later be replaced on drums by Ringo Starr - performed up to 15 songs at the session, 10 of which appear on the tape to be sold on November 27.

The band members had been driven from Liverpool to London the night before, and, despite getting lost on the way managed to get to the studios in time for the infamous session paid for by their manager Brian Epstein.

Decca's senior A&R (artists and repertoire) representative Dick Rowe, who later became known as "the man who turned down the Beatles", decided against signing them in favor of Brian Poole & The Tremeloes who also auditioned that day.

"Guitar groups are on their way out, Mr. Epstein," he is widely quoted as saying.

Rowe did, however, sign the Rolling Stones, who went on to become one of the biggest acts in British rock, and experts dispute whether it was him or a more junior colleague who passed the Beatles over.

There are bootleg versions of the session in existence, but the "safety master", or back-up tape, on offer at auction is unique, Owen said.

"The most important thing about this is the quality," he told Reuters. "There are bootlegs out there, horrible bootlegs -- some are at the wrong speed, others are crackily and taken from a cassette off an acetate (disc).

"This quality we have never heard."

Despite its rarity, the tape has been estimated to fetch 18-20,000 pounds ($29-32,000), which Owen said had been set by the owner and was a "sensible" starting point.

He added that only a handful of collectors were likely to bid for the piece of pop history, and, given that the Beatles own the copyright through their company, a commercial record release based on the tape was extremely unlikely.

Marked as the "Silver Beatles", which the "Fab Four" were briefly called, the tape comes with a hand-written track list and black-and-white photograph of the musicians posing in leather jackets that would be been used for the record sleeve.

Also on offer at the Popular Culture auction is a guitar used by Jimi Hendrix to play the bulk of his breakthrough set at the Monterey festival in California in 1967. The black Fender Stratocaster is expected to fetch 120-180,000 pounds.

(Reporting by Mike Collett-White, editing by Paul Casciato)

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