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Saturday, July 16, 2011

It's a boy for Kate Hudson, rocker fiance Bellamy (AP)

LOS ANGELES – Kate Hudson is a mom again, and the father is another rocker.

Hudson's rep said Sunday that Hudson and fiance Matt Bellamy, singer with the British band Muse, are new parents.

Publicist Brad Cafarelli tells The Associated Press in an email that "Matthew and Kate welcomed a healthy baby boy" Saturday in Los Angeles.

The birth gives a brother to Hudson's other son, 7-year-old Ryder, whose father is Black Crowes lead singer Chris Robinson. And it means Hudson's mother Goldie Hawn is a grandmother again.

Hudson and Robinson divorced in 2007. She and Bellamy got engaged in April.

The 32-year-old actress was nominated for an Oscar for 2000's "Almost Famous," and has since appeared in several romantic comedies including "Fools Gold" and "How to Lose a Guy in 10 Days."


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Noel Gallagher goes solo, recalls Oasis split (Reuters)

LONDON (Reuters) – Noel Gallagher unveiled plans on Wednesday for his first solo album, and recalled the day in Paris two years ago when rock band Oasis broke up amid violent scenes involving his brother and lead singer Liam.

The 44-year-old former lead guitarist and principal songwriter for Oasis, told reporters that he would release his debut solo disc "Noel Gallagher's High Flying Birds" on October 17 and a second, complimentary album, in 2012.

The choice of which song he would release as a single had yet to be decided.

Asked to compare the music on the new album with that of Oasis, arguably Britain's biggest band of the 1990s with total album sales estimated at around 70 million, he replied:

"The main difference is there's no guitar solos (on the new record). There's a guitar solo on two tracks and one of them I didn't play. You'll like it. You'll think it's brilliant.

"The songs are not Oasis songs. It's not stadium rock. There's an electric kettle in there, for crying out loud. When I write a song I'm not thinking ... I have to do something different because of what I've done in the past.

"The first track you are going to hear doesn't sound like anything I've ever done before. That's not a conscious thing it's just the way the songs were written."

Gallagher said he would tour with the new music before its release, sticking to relatively small venues.

The song titles on the 10-track album include "Everybody's on the Run," "Dream On," "If I Had a Gun ..." and "The Death of You and Me." It will be released through his own record label Sour Mash Records.

Gallagher recorded the new material in 2010 and 2011 in London and Los Angeles.

THAT PARIS PUNCH-UP

The Gallagher brothers are almost as famous for their public bust-ups as they are for their musical collaborations, and their strained relationship finally snapped in 2009 as they prepared to play a Paris gig.

Younger sibling Liam, who went on to form Beady Eye with most of the Oasis lineup, has been the more outspoken of the two, but Noel gave his side of the break-up story on Wednesday.

He recalled the build-up to the infamous Paris split, saying Liam had pulled out of a gig at the last minute "because he had a hangover," and wanted to advertise his own private merchandise for free in Oasis programs while on tour.

"I didn't think it was right for him to be flogging his gear to our fans. There was a massive row about that."

Relations continued to sour, Noel said, until an incident in a dressing room in late August, 2009, when an already riled Liam came in wielding a guitar "like an axe.

"It was a really unnecessary violent act, and he was swinging this guitar around and he nearly took my face off with it," the musician recalled.

"He doesn't like me in a violent way. I don't get on with him but he takes it to a (new) level. There's no point in being in a band with people you fight with. I kind of did everybody a favor."

Gallagher said that being the lead singer in his new musical venture would take some getting used to.

"I never really see myself as being a front man," he said.

"I can see it being a major pain in the ass for me. Now it's like I've got to stand in the middle of the stage and that's going to be weird.

"He (Liam) is probably better off without me because he's in charge. It remains to be seen if I'm better off without him."

(Reporting by Mike Collett-White, editing by Paul Casciato)


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Friday, July 15, 2011

Bronchitis-hit Taylor Swift cancels three more shows (Reuters)

LOS ANGELES (Reuters) – Country-pop singer Taylor Swift on Wednesday canceled three more of her U.S. concerts due to bronchitis but said she hoped to be better for a July 14 date in Montreal.

Swift, 21, said she was advised by doctors not to perform at all this week. She postponed dates in Charlotte and Atlanta on July 8, 9 and 10 for October and November, after pulling out of a show in Louisville on July 2.

It's the first time that the popular "Speak Now" singer has had to postpone or cancel a show because of illness.

"It breaks my heart to miss out on this weekend's shows with my friends in Charlotte and Atlanta," Swift said in a statement.

"I would never cancel if I thought I was physically able to perform these shows. I am so sorry to the fans, but I look forward to seeing you when we come back through your towns, which we will do," she added.

Swift, one of the best-selling artists in the United States, is scheduled to play 98 shows in 17 countries on her current tour in support of her 2010 album "Speak Now".

(Reporting by Jill Serjeant; Editing by Bob Tourtellotte)


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France honors US entertainer Liza Minnelli (AP)

PARIS – France has paid tribute to storied songstress Liza Minnelli, making the "Cabaret" star an officer in the country's Legion of Honor.

French Culture Minister Frederic Mitterrand pinned the red-ribboned medal on Minnelli's lapel in an emotional ceremony in a gilded hall Monday.

Minnelli called the distinction "a dream come true" and said she was "honored to be a part of France, a part of Paris."

A visibly moved Minnelli told spectators at the ceremony: "Thank you for watching me, thank you for caring about me."

The daughter of Hollywood star Judy Garland and director Vincente Minnelli, the entertainer won an Oscar for her role in the hit 1972 film "Cabaret." She's also the recipient of an Emmy and several Golden Globe and Tony Awards.


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Carrie and Brad to host CMA Awards a 4th time (AP)

NASHVILLE, Tenn. – Carrie Underwood and Brad Paisley will be back together again in November.

They've been picked to host the Country Music Association Awards for a fourth straight year. The 45th annual awards will be aired live Nov. 9 from Nashville's Bridgestone Arena on ABC.

Paisley is the reigning CMA entertainer of the year. Paisley and Underwood have won 19 CMA awards between them.

As Paisley notes in a news release announcing their return, they've achieved a comic chemistry over the years with Underwood's class balancing "my non-class act. I'll try my best to not mess it up."

The CMA Awards are the most-watched country awards show. More than 16 million viewers tuned in last year.

___

Online:

http://us.rd.yahoo.com/dailynews/ap/ap_en_mu/storytext/us_music_cma_hosts/42192923/SIG=10pkct2fr/*http://www.cmaworld.com


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Clear Channel swipes at Pandora with iheart revamp (AP)

LOS ANGELES – Radio station giant Clear Channel Communications Inc. is taking a swipe at online music service Pandora with a revamp of its iheartradio application that imitates Pandora's personalized listening experience but doesn't mimic the startup's need to turn a profit.

The operator of over 850 radio stations nationwide is kicking off the new service with a star-studded two-day concert in Las Vegas on Sept. 23 and 24 featuring acts including Lady Gaga, Coldplay, Black Eyed Peas and Jennifer Lopez.

Bob Pittman, chairman of media and entertainment platforms for Clear Channel Communications Inc., said the success of Pandora Media Inc. proves that people like being able to stream songs according to their personal tastes on mobile devices.

Pittman said iheartradio will adopt that feature in a gradual relaunch over the coming months.

Pandora went public with an initial offering of shares last month but its stock price has seen-sawed as euphoria among Internet investors gave way to the reality that its ad revenue has not grown fast enough to cover the royalties that it pays to play music. Pandora's stock closed at $19.27 on Friday, about 19 percent above its initial public offering price.

Pittman said Clear Channel, a privately held company that had $5.9 billion in revenue last year, doesn't need to turn a profit if its new service helps reach audiences in different ways.

"To us it doesn't matter if it ever succeeds as a business," Pittman said in an interview. "We only have to have it succeed as a feature."

Pandora has said it has about 94 million registered users and more than 30 million listeners a month.

Pittman said Clear Channel isn't far behind, with about 27 million monthly online visitors, although that figure includes visitors of radio station websites and those who listen to the iheartradio application. Clear Channel reaches 237 million listeners over traditional radio airwaves every month.

Iheartradio allows listeners to hear the feeds of stations outside their market and to certain channels that stream music along specific genres. Clear Channel acquired streaming music company Thumb play in March, and used its technology as the basis for the new customized radio feature.

Pittman said that the new iheartradio app will have access to 10 million tracks, millions more than Pandora, and run without ads for the rest of the year. The company is also offering freebie concert packages to listeners to build buzz around the relaunch.


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Chris Young retires hat, readies album and tour (Reuters)

NASHVILLE, Tenn (Reuters) – Chris Young is shedding his signature black cowboy hat so audiences can see the singer behind a string of country music hits.

"The biggest reason I decided to stop wearing it during my concerts is so people can see my face. I thought I'd try it for one show, and found that I enjoy going without it," the 26-year-old Grammy-nominated singer said.

"The response has been really positive."

Later this week, Young hits the road with headliner Jason Aldean, one of country's hottest young stars, for the "My Kinda Party Tour" that continues through October.

And on July 12 Young releases his third album, "Neon," that features the fastest-rising single of his career, "Tomorrow," which has been downloaded more than 500,000 times.

"I enjoy pushing myself vocally, and some of the new songs have me doing that," Young told Reuters in an interview.

"They are vocally powerful, and it's been fun to put them in a set. Of course we're doing the single ('Tomorrow'), along with 'You,' 'I Can Take It From There' and 'Save Water, Drink Beer.'"

The vocals on his new album were more challenging than on his previous efforts, Young said.

"I don't think we went in saying we were gonna make it the hardest album I've ever had to sing, but the way we wrote the songs and the songs that I picked made it that way."

Young wrote "Tomorrow" with Anthony Smith and Frank Myers, with the idea that "everyone has been in a relationship that you know is bad for you, but you stay anyway."

REPEAT FEAT

Young's previous album, "The Man I Want To Be," produced three No. 1 singles, including "Gettin' You Home," and he admitted feeling pressure to repeat the feat.

"I think there could have been a lot more pressure if this first single hadn't taken off," he said. "The success of the single is exciting and it feels like we are continuing the momentum from the last album."

Young described the opening track, "I Can Take It From There," as a transitional song from the previous album. "It is a sexy love song, and I just thought it was a cool way to start this record to let people know that even though there is some stuff that is different, we're not going off in a completely new direction."

"Neon" is one tune on the album that Young did not write, but that he chose as the title cut.

"It is cool and different, and it's real country. I love that I can do a song like 'She's Got This Thing About Her,' and then turn around and do this one with twin fiddles."

"This Thing About Her" is the final track on the album, which features soaring vocals but is stripped down musically.

"I actually had this song longer than anything we recorded," Chris said. "I wrote it with Kent Blazy and Cory Batten, who co-wrote 'Gettin' You Home' with me. We usually write on guitar, but that day Cory said, 'I think this would sound better on piano.' He went over to the piano and started playing and Kent and I started coming up with the lyrics."

Young said he looked forward to being the middle act on the tour, sandwiched between Thompson Square and Aldean. Previously he toured with Rascal Flatts and Alan Jackson.

"I think we'll work well with Jason. He is country rock and that's not necessarily who I am, but live we're all over the stage. We have a good time. I'm gonna love being out there, and hopefully we can get them riled up for Jason."

Young will promote his tour and album with appearances this month on ABC's "Good Morning America" and "The Jimmy Kimmel Show". The tour kicks off July 8 in Milwaukee, Wisconsin.

(Editing by Andrew Stern)


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Review: Chambers listens to 'little bird' (AP)

Kasey Chambers, "Little Bird" (Sugar Hill)

With a girlish voice and weakness for songs that put an aching vulnerability on display, Australian country rocker Kasey Chambers sometimes seems a little delicate.

That history lends extra power to the title cut of her new disc. Chambers sings of a "little bird" who tells her she might get her man back "if I shut my mouth and don't make a scene" or suppress her individuality in some other way.

She eventually concludes: "I don't want you that bad." It's a strong statement of empowerment and a terrific song, too. The flip side is it takes the wind out of low self-esteem songs like "Invisible Girl," where she's another nowhere girl pining for love.

Chambers resembles a junior version of Lucinda Williams in the "Car Wheels on a Gravel Road" era. That's not to diminish her; Lucinda sets a pretty high standard. Chambers' band crackles, moving easily between mandolins and crunching electric guitars. She writes solid songs and deserves a bigger following here.

CHECK THIS TRACK OUT: We like Chambers best when displays what's unique about her. In this case, it's "Nullarbor (The Biggest Backyard)," where she sings of her unconventional childhood growing up in an Australian wilderness area.


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Singer's donation to wild-horse group criticized (AP)

RENO, Nev. – Sheryl Crow, hailed as a champion of wild horses that roam the range in the West, has been criticized by a national animal rights group that is calling her a hypocrite for performing at a Wyoming rodeo.

The "All I Wanna Do" singer planned to donate a portion of the proceeds from her July 22 concert at the Cheyenne Frontier Days to a wild-horse protection group that's suing the government to try to halt a big mustang roundup in Nevada. Crow is the opening act for Kid Rock on a summer tour that includes the Wyoming gig.

But Showing Animals Respect and Kindness claimed that wild horses are abused at that event in a special race just for them.

"How can an organization dedicated to helping wild horses take blood money that was based, in part, on abusing wild horses? We believe what Ms. Crow is doing is nothing but PR spin," said Stuart Chaifetz, a spokesman for the Illinois-based group.

The group, also known as SHARK, called on the Cloud Foundation to reject the donation.

Ginger Kathrens, executive director of the Colorado-based group, said she and other activists consider Crow a true champion of wild horses. Crow has adopted a wild horse and contributed time and money to the cause of keeping them on public lands, she said.

SHARK's criticism is unjustified because rodeos are prohibited under the 1971 federal Wild Free-Roaming Horses and Burros Act from using mustangs removed from the range by the government, Kathrens added.

"I think it's important for people to know the wild horse act prohibits the activity they're concerned about," Kathrens told The Associated Press. "They are not using wild horses off our ranges in that race."

A spokesman for Crow agent John Marx at the William Morris Agency in Beverly Hills, Calif., referred inquiries to Crow's publicist, who did not respond to an email. In a statement issued on her website last week, Crow said she was aware of "the contrasting and very passionate opinions that people have about this event and rodeos in general."

She said she was making the donation "in recognition of these differences and out of my love for wild horses."

Chaifetz said Crow only decided to make the donation after its protests over her involvement at the rodeo.

He said SHARK helped coordinate a June 24 protest at a Crow book-signing in Salt Lake City at which activists showed up with a banner reading, "Sheryl Crow: Betrayer of Horses."

The Cloud Foundation is trying to win an emergency injunction to block the federal Bureau of Land Management's roundup of 1,700 mustangs scheduled to begin this weekend along the Nevada-Utah line.

A hearing on the request is scheduled Thursday in U.S. District Court in Reno.


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Thursday, July 14, 2011

Rocker accused of pharmacy robbery before show (AP)

MANSFIELD, Mass. – The bass player for a rock band has been arrested and charged with robbing a Massachusetts pharmacy of prescription painkillers just hours before a show.

Attleboro police say Michael Todd, bassist for Coheed and Cambria, entered the Walgreen's pharmacy after 1 p.m. on Sunday and showed the pharmacist a note on his phone saying he had a bomb.

Police say the 30-year-old Todd, of Anaheim, Calif., then made off with six bottles of Oxycontin and fled in a cab headed to the Comcast Center in Mansfield, where his band was to open for Soundgarden that night. He was arrested at the concert hall before the show, and the band played without him.

He's scheduled to be arraigned Monday in Attleboro District Court.

The band's website says the tour will continue.


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Rihanna escapes fire during Dallas show (Reuters)

LOS ANGELES (TheWrap) – Rihanna lit up Texas when a fire broke out on stage during her "Loud" tour stop in Dallas.

Sparks flew and smoke sizzled in the packed American Airlines Center on Friday night as Rihanna was ushered off stage. No injuries were reported.

The crew quickly came in to put out the fire, with Dallas firefighters following shortly thereafter to survey the scene, according to NBC in Dallas.

The accident occurred following a particularly off-night, in which the "Rude Boy" singer was reportedly an hour late to kick off her concert.

Rihanna responded on Twitter on Friday night to address her disappointed fans: "DALLAS!!! We set the stage on FYAH tonight!!! LITERALLY!!! I'm so pissed, I was having so much fun wit yall too!!! I gotta come back man!!"

She later tweeted that she would be attending a production meeting to figure out exactly what happened, although the accident seems a result of the show's elaborate pyrotechnics.


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Katy Perry cancels concerts after food-poisoning (Reuters)

LOS ANGELES (TheWrap) – When Katy Perry opens her mouth to sing, something beautiful tends to come out. When she opens her mouth to eat? Maybe not so much.

The "Teenage Dream" singer was forced to cancel a pair of concerts for Friday and Saturday after suffering a bout of food poisoning and severe dehydration, according to her official website.

The concerts, which were to occur in Chicago and St. Paul, have been rescheduled for next month. Perry fought through the illness to fire up her Twitter account and announce the new dates on Friday, writing, "Chicago and St. Paul -- I'm so sorry to have to postpone today and tomorrow's shows. But I'll be back 8/21 (CHI) and 8/23 (St. Paul)!"

Perry noted in a statement, "I am going to return in a few weeks to give them the very best show ever!"

Perry's next concert is scheduled for Regina, Saskatchewan, on Wednesday.


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"American Idol" reject Pia Toscano signs record deal (Reuters)

LOS ANGELES (Reuters) – "American Idol" contestant Pia Toscano, whose early exit from the TV show shocked viewers, has signed a record deal with Interscope Records, the company said on Wednesday.

The 22 year-old Toscano, with her dark hair and powerful singing voice, was considered one of the front-runners for the top prize on "Idol" this year. But she was voted off by viewers to finish in 9th place.

Toscano will release her debut single "This Time" -- described as an acoustic guitar and beat-driven track -- on July 12, said Interscope Records. She will release her first album later this year.

Toscano described the record deal as "a dream come true".

This year's "Idol" winner was deep-voiced country singer Scotty McCreery, a former grocery store clerk.

(Reporting by Alex Dobuzinskis: Editing by Jill Serjeant)


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Adele, Lady Gaga power music recovery (Reuters)

LOS ANGELES (Reuters) – British soul singer Adele and flamboyant pop singer Lady Gaga have helped the U.S. music industry stage a modest comeback after a decade of decline.

According to data released on Wednesday by tracking firm Nielsen SoundScan, overall album sales rose 3.6 percent to 221.5 million units during the first half of 2011, the first increase since 2004.

While it is too early to judge if the trend will last through the year, an annual increase would be only the second in 11 years.

To be sure, the year got off to a rough start, with overall weekly sales hitting record lows several times. But Adele and Lady Gaga have restored some hope to an industry battered by piracy, label retrenchment and the recession.

Adele sold 2.5 million copies of her second album "21" in the 19 weeks after it went on sale in late February. It spent 10 nonconsecutive weeks at No. 1 and never dipped below No. 3.

"21" easily outpaced Lady Gaga's second effort, "Born This Way," which has sold 1.5 million copies -- albeit after only six weeks. But Lady Gaga's sales slumped after a record-breaking first week when it sold 1.1 million copies with help from a 99 cent promotion on Amazon.com.

"Born this Way" currently ranks at No. 12 on the latest weekly chart, while "21" is at No. 2.

"ROLLING" TO NO. 1

Adele's success has been powered by her chart-topping hit single "Rolling in the Deep," the best selling digital track so far this year with 4.1 million downloads.

The title track of Lady Gaga's album was No. 3 with 2.9 million units, just behind perky pop singer Katy Perry's "E.T." with 3 million units.

While Lady Gaga has been ubiquitous on the worldwide promotional trail in a staggering array of colorful costumes, Adele has adopted a relatively low-key approach for her confessional album. She recently postponed the remaining nine dates of her sold-out tour of mid-sized North American venues because of throat problems.

The success of "21" revived sales of Adele's 2008 debut, "19," which yielded two Grammy Awards including best new artist. It sold 341,000 copies during the first half to rank as the top-selling "catalog" release among albums that were distributed more than 18 months ago. Its total sales stand at 1.2 million copies.

The third-biggest selling artist so far this year is another soulful British act, the folk revivalists Mumford & Sons, who have sold 982,000 copies of their 2009 debut "Sigh No More," thanks in part to attention-grabbing performances at the Grammys and the Coachella music festival in California. Its total sales are currently 1.6 million.

Country singer Jason Aldean's "My Kinda Party" (763,000) and pop/R&B singer Bruno Mars' "Doo-Wops & Hooligans" (686,000) rounded out the top five.

More than 40 years after their breakup, the Beatles managed to top one chart during the first half. Their 1969 album "Abbey Road" was the No. 1 vinyl release, selling 20,200 copies.

(Reporting by Dean Goodman; editing by Bob Tourtellotte)

(To read more about our entertainment news, visit our blog "Fan Fare" online at http://blogs.reuters.com/fanfare/)


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Brad Paisley, Carrie Underwood to host CMA Awards (Reuters)

NASHVILLE, Tenn (Reuters) – Brad Paisley and Carrie Underwood will co-host the 45th annual Country Music Association Awards on November 9, sharing the duty for the fourth time, they said on Monday.

The two made the announcement via Facebook from the set of their new video, "Remind Me."

The CMA Awards, which annually are among the highest honors for country singers, will be handed out at Bridgestone Arena in Nashville, and will be broadcast live by ABC.

"We wanted to take a minute to share some very exciting news," Underwood said in the announcement that was available on YouTube. "The CMA has asked Brad and me back to host the CMA Awards in November."

Paisley had also tweeted earlier that he and Underwood were shooting the video, and photos from both that tweet and the CMA announcement showed them on an undisclosed beach.

"Can you believe that?" asked Paisley, who won the CMA Entertainer of the Year award last year. "I can't wait to do it again."

CMA chief executive Steve Moore said both Underwood and Paisley "have the unique qualities of humor, talent, credibility and natural rapport that makes them a hit with fans and the industry audience."

The awards show honors country music's biggest stars from the previous year, with some of the genre's best-known singers handing out 12 awards including Entertainer of the Year, Male and Female Vocalist of the Year, and Album of the Year.

Other awards are Single and Song of the Year, Group of the Year, Vocal Duo, Musical Event, Musician of the Year, Music Video and New Artist of the Year.

(Reporting by Vernell Hackett; Editing by Andrew Stern and Bob Tourtellotte)


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Wednesday, July 13, 2011

Sales slide for Beyonce's new chart-topper (Reuters)

LOS ANGELES (Reuters) – R&B singer Beyonce went to No. 1 on the U.S. pop album chart with her fourth consecutive release on Wednesday, although its sales were the lowest of her solo career.

Her new album "4" sold 310,000 copies during the week ended July 3, according to tracking firm Nielsen SoundScan -- about the same amount as the next four albums combined.

Her previous release, the double-disc "I Am ... Sasha Fierce," sold 482,000 copies during its first week of sale in November 2010, fueled by the hits "If I Were a Boy" and "Single Ladies (Put a Ring on It)."

Her first solo outing away from Destiny's Child, "Dangerously in Love," started with 317,000 in 2003, while 2006's "B-Day" opened with 541,000.

The new album has not yet had the benefit of a hit single, with "Run the World (Girls)" stalling at No. 29 on Billboard magazine's Hot 100 singles chart. It is now at No. 84.

Executives at her Sony Music label have been on the counter-attack in recent days after the album leaked on June 7 and fans took to the Web to give it a lukewarm reception.

Elsewhere on the album chart, English pop singer Adele's "21" rebounded one place to No. 2 in its 19th week, with 91,500 copies. Its tally stands at 2.5 million copies, easily making it the biggest album of the year.

Rapper Big Sean's debut release "Finally Famous: The Album" came in at No. 3 with 87,000 copies.

Disney starlet Selena Gomez, currently in theaters with the teen comedy "Monte Carlo," arrived at No. 4 with sales of 78,000 for "When the Sun Goes Down," an album on which she shares credit with her band the Scene. Their previous set, "A Year Without Rain," opened at No. 4 with 66,200 last September.

Last week's champ, R&B singer Jill Scott, fell to No. 5 with "Light of the Sun" (54,800).

"American Idol" accounted for the two other newcomers in the top 10. Season 7 winner David Cook debuted at No. 7 with his second album "This Loud Morning" (45,800 copies). It marked a sharp drop from his self-titled debut, which arrived at No. 3 with 280,000 copies in the same week as Beyonce's previous album.

Reigning champ Scotty McCreery came in at No. 10 with the Walmart-exclusive EP "American Idol Season 10: Scotty McCreery" (40,400). A full-length album, released immediately after his victory in May, debuted at No. 12 with 23,000 copies.

Filling out the top 10, country singer Jason Aldean's "My Kinda Party" (47,800) rose four to No. 6 in its 35th week, talent contest winner Jackie Evancho's "Dream With Me" (43,900) fell four to No. 8 in its third week, and the Eminem side project "Hell: the Sequel" (42,200) fell three to No. 9, also in its third week.

(Reporting by Dean Goodman; editing by Bob Tourtellotte)

(To read more about our entertainment news, visit our blog "Fan Fare" online at http://blogs.reuters.com/fanfare/)


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Review: Chris Young comes into his own on 'Neon' (AP)

Chris Young, "Neon" (RCA)

Since Chris Young won the TV talent show "Nashville Star" in 2006, a few characteristics have stood out: an expressive baritone voice; a tall, handsome stature; and a friendly, approachable personality.

What he lacked, at first, was an identifiable sound of his own. But with four consecutive No. 1 hits, including the recent "Tomorrow" from his new album "Neon," the emerging country star is staking out a distinctive style that takes full advantage of his talent and his personality.

At his core, Young is a romantic with a moral code. The Tennessee native has a sensitive way of bringing out what's important about what he cares about and who he is. This style shows not only in love ballads, but also in songs about family and his laid-back yet caring philosophy on life.

Even on a song about nightlife, like the traditional-country title cut, Young sounds like the guy in the bar to turn to when you need a friend. But what makes "Neon" his best album yet are the songs about relationships, from the sweet come-on of "Lost" to the sage "Old Love Feels New." Throughout, Young comes across as a guy whose heart is as strong as his libido.

CHECK OUT THIS TRACK: While the album's initial hit "Tomorrow" may end up as one his career-defining cuts, the tenderly lustful "I Can Take It From There" is just as strong. Set to a swaying rhythm, he convinces his date to spend the night in rather than out on the town — with passionate promises that are steamy without being coarse.


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Czech violinist Josef Suk dies at 81 (Reuters)

PRAGUE (Reuters) – Czech violinist Josef Suk, the great-grandson of composer Antonin Dvorak, died late on Wednesday at the age of 81 after a lengthy illness, program advisor at the Prague Spring festival told Reuters.

Suk was popular in the United States and in Canada as well as Japan and Europe, and worked with a number of major orchestras around the globe.

The award-winning concert violinist, born in Prague in 1929, specialized in chamber music and founded the Suk Trio in 1951, named after his grandfather, and the Suk Chamber Orchestra in 1974.

He played precious instruments such as those built by Antonio Stradivari, Giuseppe Guarneri and Giovanni Battista Guadagnini.

"He was the best interpreter of Dvorak's violin concert and his chamber compositions...and he also won acclaim for his Mozart and Beethoven creations," said Prague Spring's Antonin Matzner.

"His tone was distinctive among all violinists around the world and he maintained it into old age," he said.

His first trip to the United States in the early 1950s was at the invitation of George Szell, music director of the Cleveland Orchestra.

Suk earned numerous awards, including the Grand Prix de l'Academie Charles Cros of Paris, which he won six times, the Edison Prize in Netherlands in 1972, and the Wiener Floetenuhr from Vienna's Mozart Society in 1974.

(Reporting by Jana Mlcochova and Roman Gazdik, editing by Paul Casciato)


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Review: Blake Shelton delivers his best on new CD (AP)

By MICHAEL McCALL, For The Associated Press Michael Mccall, For The Associated Press – 1 hr 28 mins ago

Blake Shelton, "Red River Blue" (Warner Bros.)

Ten years in, Blake Shelton's up-and-down career is now skyrocketing, with no dips in sight.

His current hit, "Honey Bee," is his fourth consecutive No. 1, setting records for a male country singer in how fast it reached gold in digital sales. He is the current CMA Male Vocalist of the Year, and he starred as a coach in the popular NBC talent show, "The Voice." He also married country singer Miranda Lambert earlier this year in a high-profile romance that captured the media's attention.

But the best sign of how far he's come can be heard on "Red River Blue," his eighth album. Singing with more confidence than ever, and collecting solid songs that highlight his playful personality and his vocal talent, Shelton adds fuel to the upward trajectory with the best album of his career.

The Oklahoma native at times recalls other country superstars: He mixes the soulful escapism of Kenny Chesney, the macho swagger of Trace Adkins and the tough-guy wit of Toby Keith. But Shelton is a better singer than all of them, especially on ballads like the soaring "Over" and the sensitive title cut.

But it's the breezy, fun songs that will mark this album, from the swaying sting of "Honey Bee" and sweet groove of "Ready To Roll," "Hey" and "Drink On It." This is the sound of a good singer making the best of his hard-earned stardom.

CHECK OUT THIS TRACK: "Get Some," with its finger-picked acoustic guitar and sliding dobro set to a jaunty rhythm, captures a back-country attitude better than any of the endless list of recent songs celebrating country life.


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Folk singer Facundo Cabral killed in Guatemala (AP)

GUATEMALA CITY – One of Latin America's most admired folk singers, Facundo Cabral, was killed Saturday when three carloads of gunmen ambushed the vehicle in which he was riding, prompting expressions of anguish from across the region. Authorities said the performer's concert promoter was apparently the target.

Interior Minister Carlos Menocal said the Argentine singer and novelist was on his way to Guatemala's main airport at 5:20 a.m. when cars flanked it on both sides and gunmen opened fire as a third vehicle blocked it from the front.

Speaking at a news conference along with President Alvaro Colom, the minister said early investigations indicated the bullets were meant for the driver, Cabral's Nicaraguan promoter, Henry Farinas, who was wounded.

Cabral, 74, rose to fame in the early 1970s, one of a generation of singers who mixed political protest with literary lyrics and created deep bonds with an audience struggling through an era of revolution and repression across Latin America.

Colom said he had called his Argentine counterpart, Cristina Fernandez, to tell her of the slaying.

"It seemed to hit her hard and she asked me to keep her informed about how the investigation is developing," he told Argentina's Radio 10.

At the news conference later, he said the slaying was committed by "people involved in organized crime. They are not street killers. It's a well-planned operation." But officials said they were not sure of the motive.

Cabral's vehicle was trailed by a vehicle carrying four bodyguards, who opened fire and tried to chase the attackers, Menocal said.

Officials later found one of the vehicles apparently used in the attack alongside a highway toward El Salvador. Menocal said flak jackets, pistols and the magazine of a Kalashnikov assault rifle were found inside.

Menocal said Cabral initially planned to take a hotel shuttle to the airport, but accepted a ride from Farinas.

Cabral was a confirmed vagabond, born poor in 1937 in the provincial city of La Plata after his father abandoned their large family. At the age of 9, he began hitchhiking alone up the length of Argentina to beg for a job for his mother.

He did odd jobs and was illiterate until he got some education in a reformatory as a teenager. He eventually picked up a guitar, singing in the manner of his idol, Argentine folklorist Atahualpa Yupanqui.

Cabral began singing for tourists in the beach resort of Mar del Plata, and by 1970 became internationally known through his song "No soy de aqui ni alla" — "I'm Not From Here Nor There — which was recorded hundreds of times in many languages.

By the time Argentina fell under military rule in 1976, Cabral was clearly identified as a protest singer, and so he fled for his life to Mexico, where he kept recording, writing books and giving concerts.

He lost his wife and a 1-year-old daughter in a plane crash in 1978.

His concerts were a mix of philosophy and folklore, spoken-word poems and music reflecting his roots in the gaucho culture of rural Argentina. He identified himself as an anarchist at times, professing a spirituality unchained to any particular religion. On stage, he celebrated the wisdom of Mahatma Gandhi and Mother Teresa, the humanism of Walt Whitman and the observations of Argentine writer Jorge Luis Borges.

"Facundo Cabral was our last troubadour. As much a philosopher-poet as a singer, he was a living testament to the search for what unites us in culture and society," said Argentine singer Isabel de Sebastian. "After his concerts, you'd feel that our life in common was richer, more mysterious, more profound."

He lived mostly on the road, in hotels and with friends, telling interviewers that he owned no home. He was particularly proud that UNESCO declared him to be an "international messenger of peace" in 1996. By the end, he often used a cane and had trouble with his vision, but refused to slow down.

"I always ask God, 'Why have you given me so much?' You've given me misery, hunger, happiness, struggle, enlightenment ... I've seen everything. I know there's cancer, syphilis and springtime, and fried apple dumplings," Cabral said at 71, during an Associated Press interview in Miami.

He never thought of retiring: "I can't stop, I wouldn't be able to," he said. "I breathe on the road ... on stage I'm 50 years younger, it pleases me to excite people with life."

Cabral said then he would like to die while on a concert tour.

Cabral gave his last concert Thursday in the city of Quetzaltenango, 120 miles (200 kilometers) west of Guatemala City.

Guatemala's 1992 Nobel Peace Prize winner, Rigoberta Menchu, went to the scene of the killing and wept. "For me, Facundo Cabral is a master," she said. "He loved Guatemala greatly." Other Guatemalans also came to the site, leaving flowers.

Words of mourning came from the presidents of Colombia and Ecuador, and even the Twitter site of Venezuela's ailing President Hugo Chavez carried a message of condolence to Argentina at the death of "the great troubadour of the Pampas."

Argentina's foreign minister, Hector Timerman, also sent a Twitter message, saying "Adios, amigo" and expressing "profound sadness."

Social networks were filled with expressions of outrage. "I feel an immeasurable shame, a profound anger for my country," said Ronalth Ochaeta, former director of a Catholic Church human rights office Guatemala, on his Facebook account.

___

Associated Press writers Gisela Salomon in Miami and Michael Warren in Buenos Aires contributed to this story


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Rihanna escapes fire during Dallas show

(Note: strong language in tweet, paragraph 5)

By Jake Weinraub

LOS ANGELES (TheWrap) - Rihanna lit up Texas when a fire broke out on stage during her "Loud" tour stop in Dallas.

Sparks flew and smoke sizzled in the packed American Airlines Center on Friday night as Rihanna was ushered off stage. No injuries were reported.

The crew quickly came in to put out the fire, with Dallas firefighters following shortly thereafter to survey the scene, according to NBC in Dallas.

The accident occurred following a particularly off-night, in which the "Rude Boy" singer was reportedly an hour late to kick off her concert.

Rihanna responded on Twitter on Friday night to address her disappointed fans: "DALLAS!!! We set the stage on FYAH tonight!!! LITERALLY!!! I'm so pissed, I was having so much fun wit yall too!!! I gotta come back man!!"

She later tweeted that she would be attending a production meeting to figure out exactly what happened, although the accident seems a result of the show's elaborate pyrotechnics.


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Tuesday, July 12, 2011

Bronchitis-hit Taylor Swift cancels three more shows

Singer Taylor Swift arrives at the 2011 Billboard Music Awards show in Las Vegas, May 22, 2011. REUTERS/Steve Marcus

Singer Taylor Swift arrives at the 2011 Billboard Music Awards show in Las Vegas, May 22, 2011.

Credit: Reuters/Steve Marcus

LOS ANGELES | Wed Jul 6, 2011 8:00pm EDT

LOS ANGELES (Reuters) - Country-pop singer Taylor Swift on Wednesday canceled three more of her U.S. concerts due to bronchitis but said she hoped to be better for a July 14 date in Montreal.

Swift, 21, said she was advised by doctors not to perform at all this week. She postponed dates in Charlotte and Atlanta on July 8, 9 and 10 for October and November, after pulling out of a show in Louisville on July 2.

It's the first time that the popular "Speak Now" singer has had to postpone or cancel a show because of illness.

"It breaks my heart to miss out on this weekend's shows with my friends in Charlotte and Atlanta," Swift said in a statement.

"I would never cancel if I thought I was physically able to perform these shows. I am so sorry to the fans, but I look forward to seeing you when we come back through your towns, which we will do," she added.

Swift, one of the best-selling artists in the United States, is scheduled to play 98 shows in 17 countries on her current tour in support of her 2010 album "Speak Now".

(Reporting by Jill Serjeant; Editing by Bob Tourtellotte)


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Adele, Lady Gaga power music recovery

Singer Lady Gaga poses for photographers during a news conference in Taipei July 4, 2011. REUTERS/Nicky Loh

Singer Lady Gaga poses for photographers during a news conference in Taipei July 4, 2011.

Credit: Reuters/Nicky Loh

LOS ANGELES | Wed Jul 6, 2011 9:47pm EDT

LOS ANGELES (Reuters) - British soul singer Adele and flamboyant pop singer Lady Gaga have helped the U.S. music industry stage a modest comeback after a decade of decline.

According to data released on Wednesday by tracking firm Nielsen SoundScan, overall album sales rose 3.6 percent to 221.5 million units during the first half of 2011, the first increase since 2004.

While it is too early to judge if the trend will last through the year, an annual increase would be only the second in 11 years.

To be sure, the year got off to a rough start, with overall weekly sales hitting record lows several times. But Adele and Lady Gaga have restored some hope to an industry battered by piracy, label retrenchment and the recession.

Adele sold 2.5 million copies of her second album "21" in the 19 weeks after it went on sale in late February. It spent 10 nonconsecutive weeks at No. 1 and never dipped below No. 3.

"21" easily outpaced Lady Gaga's second effort, "Born This Way," which has sold 1.5 million copies -- albeit after only six weeks. But Lady Gaga's sales slumped after a record-breaking first week when it sold 1.1 million copies with help from a 99 cent promotion on Amazon.com.

"Born this Way" currently ranks at No. 12 on the latest weekly chart, while "21" is at No. 2.

"ROLLING" TO NO. 1

Adele's success has been powered by her chart-topping hit single "Rolling in the Deep," the best selling digital track so far this year with 4.1 million downloads.

The title track of Lady Gaga's album was No. 3 with 2.9 million units, just behind perky pop singer Katy Perry's "E.T." with 3 million units.

While Lady Gaga has been ubiquitous on the worldwide promotional trail in a staggering array of colorful costumes, Adele has adopted a relatively low-key approach for her confessional album. She recently postponed the remaining nine dates of her sold-out tour of mid-sized North American venues because of throat problems.

The success of "21" revived sales of Adele's 2008 debut, "19," which yielded two Grammy Awards including best new artist. It sold 341,000 copies during the first half to rank as the top-selling "catalog" release among albums that were distributed more than 18 months ago. Its total sales stand at 1.2 million copies.

The third-biggest selling artist so far this year is another soulful British act, the folk revivalists Mumford & Sons, who have sold 982,000 copies of their 2009 debut "Sigh No More," thanks in part to attention-grabbing performances at the Grammys and the Coachella music festival in California. Its total sales are currently 1.6 million.

Country singer Jason Aldean's "My Kinda Party" (763,000) and pop/R&B singer Bruno Mars' "Doo-Wops & Hooligans" (686,000) rounded out the top five.

More than 40 years after their breakup, the Beatles managed to top one chart during the first half. Their 1969 album "Abbey Road" was the No. 1 vinyl release, selling 20,200 copies.

(Reporting by Dean Goodman; editing by Bob Tourtellotte)

(To read more about our entertainment news, visit our blog "Fan Fare" online at blogs.reuters.com/fanfare/)


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Czech violinist Josef Suk dies at 81

PRAGUE | Thu Jul 7, 2011 11:40am EDT

PRAGUE (Reuters) - Czech violinist Josef Suk, the great-grandson of composer Antonin Dvorak, died late on Wednesday at the age of 81 after a lengthy illness, program advisor at the Prague Spring festival told Reuters.

Suk was popular in the United States and in Canada as well as Japan and Europe, and worked with a number of major orchestras around the globe.

The award-winning concert violinist, born in Prague in 1929, specialized in chamber music and founded the Suk Trio in 1951, named after his grandfather, and the Suk Chamber Orchestra in 1974.

He played precious instruments such as those built by Antonio Stradivari, Giuseppe Guarneri and Giovanni Battista Guadagnini.

"He was the best interpreter of Dvorak's violin concert and his chamber compositions...and he also won acclaim for his Mozart and Beethoven creations," said Prague Spring's Antonin Matzner.

"His tone was distinctive among all violinists around the world and he maintained it into old age," he said.

His first trip to the United States in the early 1950s was at the invitation of George Szell, music director of the Cleveland Orchestra.

Suk earned numerous awards, including the Grand Prix de l'Academie Charles Cros of Paris, which he won six times, the Edison Prize in Netherlands in 1972, and the Wiener Floetenuhr from Vienna's Mozart Society in 1974.

(Reporting by Jana Mlcochova and Roman Gazdik, editing by Paul Casciato)


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Noel Gallagher goes solo, recalls Oasis split

Singer Noel Gallagher arrives for the GQ Men of the Year 2010 Awards at the Royal Opera House in London September 7, 2010. REUTERS/Luke MacGregor

Singer Noel Gallagher arrives for the GQ Men of the Year 2010 Awards at the Royal Opera House in London September 7, 2010.

Credit: Reuters/Luke MacGregor

By Mike Collett-White

LONDON | Wed Jul 6, 2011 10:22am EDT

LONDON (Reuters) - Noel Gallagher unveiled plans on Wednesday for his first solo album, and recalled the day in Paris two years ago when rock band Oasis broke up amid violent scenes involving his brother and lead singer Liam.

The 44-year-old former lead guitarist and principal songwriter for Oasis, told reporters that he would release his debut solo disc "Noel Gallagher's High Flying Birds" on October 17 and a second, complimentary album, in 2012.

The choice of which song he would release as a single had yet to be decided.

Asked to compare the music on the new album with that of Oasis, arguably Britain's biggest band of the 1990s with total album sales estimated at around 70 million, he replied:

"The main difference is there's no guitar solos (on the new record). There's a guitar solo on two tracks and one of them I didn't play. You'll like it. You'll think it's brilliant.

"The songs are not Oasis songs. It's not stadium rock. There's an electric kettle in there, for crying out loud. When I write a song I'm not thinking ... I have to do something different because of what I've done in the past.

"The first track you are going to hear doesn't sound like anything I've ever done before. That's not a conscious thing it's just the way the songs were written."

Gallagher said he would tour with the new music before its release, sticking to relatively small venues.

The song titles on the 10-track album include "Everybody's on the Run," "Dream On," "If I Had a Gun ..." and "The Death of You and Me." It will be released through his own record label Sour Mash Records.

Gallagher recorded the new material in 2010 and 2011 in London and Los Angeles.

THAT PARIS PUNCH-UP

The Gallagher brothers are almost as famous for their public bust-ups as they are for their musical collaborations, and their strained relationship finally snapped in 2009 as they prepared to play a Paris gig.

Younger sibling Liam, who went on to form Beady Eye with most of the Oasis lineup, has been the more outspoken of the two, but Noel gave his side of the break-up story on Wednesday.

He recalled the build-up to the infamous Paris split, saying Liam had pulled out of a gig at the last minute "because he had a hangover," and wanted to advertise his own private merchandise for free in Oasis programs while on tour.

"I didn't think it was right for him to be flogging his gear to our fans. There was a massive row about that."

Relations continued to sour, Noel said, until an incident in a dressing room in late August, 2009, when an already riled Liam came in wielding a guitar "like an axe.

"It was a really unnecessary violent act, and he was swinging this guitar around and he nearly took my face off with it," the musician recalled.

"He doesn't like me in a violent way. I don't get on with him but he takes it to a (new) level. There's no point in being in a band with people you fight with. I kind of did everybody a favor."

Gallagher said that being the lead singer in his new musical venture would take some getting used to.

"I never really see myself as being a front man," he said.

"I can see it being a major pain in the ass for me. Now it's like I've got to stand in the middle of the stage and that's going to be weird.

"He (Liam) is probably better off without me because he's in charge. It remains to be seen if I'm better off without him."

(Reporting by Mike Collett-White, editing by Paul Casciato)


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Chris Young retires hat, readies album and tour

Country music artist Chris Young arrives at the 44th annual Country Music Association Awards in Nashville, Tennessee November 10, 2010. REUTERS/Tami Chappell

Country music artist Chris Young arrives at the 44th annual Country Music Association Awards in Nashville, Tennessee November 10, 2010.

Credit: Reuters/Tami Chappell

By Vernell Hackett

NASHVILLE, Tenn | Fri Jul 8, 2011 8:36am EDT

NASHVILLE, Tenn (Reuters) - Chris Young is shedding his signature black cowboy hat so audiences can see the singer behind a string of country music hits.

"The biggest reason I decided to stop wearing it during my concerts is so people can see my face. I thought I'd try it for one show, and found that I enjoy going without it," the 26-year-old Grammy-nominated singer said.

"The response has been really positive."

Later this week, Young hits the road with headliner Jason Aldean, one of country's hottest young stars, for the "My Kinda Party Tour" that continues through October.

And on July 12 Young releases his third album, "Neon," that features the fastest-rising single of his career, "Tomorrow," which has been downloaded more than 500,000 times.

"I enjoy pushing myself vocally, and some of the new songs have me doing that," Young told Reuters in an interview.

"They are vocally powerful, and it's been fun to put them in a set. Of course we're doing the single ('Tomorrow'), along with 'You,' 'I Can Take It From There' and 'Save Water, Drink Beer.'"

The vocals on his new album were more challenging than on his previous efforts, Young said.

"I don't think we went in saying we were gonna make it the hardest album I've ever had to sing, but the way we wrote the songs and the songs that I picked made it that way."

Young wrote "Tomorrow" with Anthony Smith and Frank Myers, with the idea that "everyone has been in a relationship that you know is bad for you, but you stay anyway."

REPEAT FEAT

Young's previous album, "The Man I Want To Be," produced three No. 1 singles, including "Gettin' You Home," and he admitted feeling pressure to repeat the feat.

"I think there could have been a lot more pressure if this first single hadn't taken off," he said. "The success of the single is exciting and it feels like we are continuing the momentum from the last album."

Young described the opening track, "I Can Take It From There," as a transitional song from the previous album. "It is a sexy love song, and I just thought it was a cool way to start this record to let people know that even though there is some stuff that is different, we're not going off in a completely new direction."

"Neon" is one tune on the album that Young did not write, but that he chose as the title cut.

"It is cool and different, and it's real country. I love that I can do a song like 'She's Got This Thing About Her,' and then turn around and do this one with twin fiddles."

"This Thing About Her" is the final track on the album, which features soaring vocals but is stripped down musically.

"I actually had this song longer than anything we recorded," Chris said. "I wrote it with Kent Blazy and Cory Batten, who co-wrote 'Gettin' You Home' with me. We usually write on guitar, but that day Cory said, 'I think this would sound better on piano.' He went over to the piano and started playing and Kent and I started coming up with the lyrics."

Young said he looked forward to being the middle act on the tour, sandwiched between Thompson Square and Aldean. Previously he toured with Rascal Flatts and Alan Jackson.

"I think we'll work well with Jason. He is country rock and that's not necessarily who I am, but live we're all over the stage. We have a good time. I'm gonna love being out there, and hopefully we can get them riled up for Jason."

Young will promote his tour and album with appearances this month on ABC's "Good Morning America" and "The Jimmy Kimmel Show". The tour kicks off July 8 in Milwaukee, Wisconsin.

(Editing by Andrew Stern)


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Monday, July 11, 2011

Brad Paisley, Carrie Underwood to host CMA Awards

Singer Brad Paisley accepts the Male Vocalist of the Year award at the 46th annual Academy of Country Music Awards in Las Vegas April 3, 2011. REUTERS/Steve Marcus

Singer Brad Paisley accepts the Male Vocalist of the Year award at the 46th annual Academy of Country Music Awards in Las Vegas April 3, 2011.

Credit: Reuters/Steve Marcus

NASHVILLE, Tenn | Mon Jul 11, 2011 12:48pm EDT

NASHVILLE, Tenn (Reuters) - Brad Paisley and Carrie Underwood will co-host the 45th annual Country Music Association Awards on November 9, sharing the duty for the fourth time, they said on Monday.

The two made the announcement via Facebook from the set of their new video, "Remind Me."

The CMA Awards, which annually are among the highest honors for country singers, will be handed out at Bridgestone Arena in Nashville, and will be broadcast live by ABC.

"We wanted to take a minute to share some very exciting news," Underwood said in the announcement that was available on YouTube. "The CMA has asked Brad and me back to host the CMA Awards in November."

Paisley had also tweeted earlier that he and Underwood were shooting the video, and photos from both that tweet and the CMA announcement showed them on an undisclosed beach.

"Can you believe that?" asked Paisley, who won the CMA Entertainer of the Year award last year. "I can't wait to do it again."

CMA chief executive Steve Moore said both Underwood and Paisley "have the unique qualities of humor, talent, credibility and natural rapport that makes them a hit with fans and the industry audience."

The awards show honors country music's biggest stars from the previous year, with some of the genre's best-known singers handing out 12 awards including Entertainer of the Year, Male and Female Vocalist of the Year, and Album of the Year.

Other awards are Single and Song of the Year, Group of the Year, Vocal Duo, Musical Event, Musician of the Year, Music Video and New Artist of the Year.

(Reporting by Vernell Hackett; Editing by Andrew Stern and Bob Tourtellotte)


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Sales slide for Beyonce's new chart-topper

Beyonce performs in Central Park during ABC's 'Good Morning America' in New York July 1, 2011. REUTERS/Lucas Jackson

Beyonce performs in Central Park during ABC's 'Good Morning America' in New York July 1, 2011.

Credit: Reuters/Lucas Jackson

LOS ANGELES | Wed Jul 6, 2011 5:32pm EDT

LOS ANGELES (Reuters) - R&B singer Beyonce went to No. 1 on the U.S. pop album chart with her fourth consecutive release on Wednesday, although its sales were the lowest of her solo career.

Her new album "4" sold 310,000 copies during the week ended July 3, according to tracking firm Nielsen SoundScan -- about the same amount as the next four albums combined.

Her previous release, the double-disc "I Am ... Sasha Fierce," sold 482,000 copies during its first week of sale in November 2010, fueled by the hits "If I Were a Boy" and "Single Ladies (Put a Ring on It)."

Her first solo outing away from Destiny's Child, "Dangerously in Love," started with 317,000 in 2003, while 2006's "B-Day" opened with 541,000.

The new album has not yet had the benefit of a hit single, with "Run the World (Girls)" stalling at No. 29 on Billboard magazine's Hot 100 singles chart. It is now at No. 84.

Executives at her Sony Music label have been on the counter-attack in recent days after the album leaked on June 7 and fans took to the Web to give it a lukewarm reception.

Elsewhere on the album chart, English pop singer Adele's "21" rebounded one place to No. 2 in its 19th week, with 91,500 copies. Its tally stands at 2.5 million copies, easily making it the biggest album of the year.

Rapper Big Sean's debut release "Finally Famous: The Album" came in at No. 3 with 87,000 copies.

Disney starlet Selena Gomez, currently in theaters with the teen comedy "Monte Carlo," arrived at No. 4 with sales of 78,000 for "When the Sun Goes Down," an album on which she shares credit with her band the Scene. Their previous set, "A Year Without Rain," opened at No. 4 with 66,200 last September.

Last week's champ, R&B singer Jill Scott, fell to No. 5 with "Light of the Sun" (54,800).

"American Idol" accounted for the two other newcomers in the top 10. Season 7 winner David Cook debuted at No. 7 with his second album "This Loud Morning" (45,800 copies). It marked a sharp drop from his self-titled debut, which arrived at No. 3 with 280,000 copies in the same week as Beyonce's previous album.

Reigning champ Scotty McCreery came in at No. 10 with the Walmart-exclusive EP "American Idol Season 10: Scotty McCreery" (40,400). A full-length album, released immediately after his victory in May, debuted at No. 12 with 23,000 copies.

Filling out the top 10, country singer Jason Aldean's "My Kinda Party" (47,800) rose four to No. 6 in its 35th week, talent contest winner Jackie Evancho's "Dream With Me" (43,900) fell four to No. 8 in its third week, and the Eminem side project "Hell: the Sequel" (42,200) fell three to No. 9, also in its third week.

(Reporting by Dean Goodman; editing by Bob Tourtellotte)

(To read more about our entertainment news, visit our blog "Fan Fare" online at blogs.reuters.com/fanfare/)


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Katy Perry cancels concerts after food-poisoning

Singer Katy Perry poses on arrival at the 53rd annual Grammy Awards in Los Angeles, California February 13, 2011. REUTERS/Danny Moloshok

Singer Katy Perry poses on arrival at the 53rd annual Grammy Awards in Los Angeles, California February 13, 2011.

Credit: Reuters/Danny Moloshok

By Tim Kenneally

Fri Jul 8, 2011 8:00pm EDT

LOS ANGELES (TheWrap) - When Katy Perry opens her mouth to sing, something beautiful tends to come out. When she opens her mouth to eat? Maybe not so much.

The "Teenage Dream" singer was forced to cancel a pair of concerts for Friday and Saturday after suffering a bout of food poisoning and severe dehydration, according to her official website.

The concerts, which were to occur in Chicago and St. Paul, have been rescheduled for next month. Perry fought through the illness to fire up her Twitter account and announce the new dates on Friday, writing, "Chicago and St. Paul -- I'm so sorry to have to postpone today and tomorrow's shows. But I'll be back 8/21 (CHI) and 8/23 (St. Paul)!"

Perry noted in a statement, "I am going to return in a few weeks to give them the very best show ever!"

Perry's next concert is scheduled for Regina, Saskatchewan, on Wednesday.


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"American Idol" reject Pia Toscano signs record deal

Performer Pia Toscano poses at the party for the finalists of the television show ''American Idol'' in Los Angeles, in this file photo taken March 3, 2011. REUTERS/Mario Anzuoni/Files

Performer Pia Toscano poses at the party for the finalists of the television show ''American Idol'' in Los Angeles, in this file photo taken March 3, 2011.

Credit: Reuters/Mario Anzuoni/Files

LOS ANGELES | Wed Jul 6, 2011 5:35pm EDT

LOS ANGELES (Reuters) - "American Idol" contestant Pia Toscano, whose early exit from the TV show shocked viewers, has signed a record deal with Interscope Records, the company said on Wednesday.

The 22 year-old Toscano, with her dark hair and powerful singing voice, was considered one of the front-runners for the top prize on "Idol" this year. But she was voted off by viewers to finish in 9th place.

Toscano will release her debut single "This Time" -- described as an acoustic guitar and beat-driven track -- on July 12, said Interscope Records. She will release her first album later this year.

Toscano described the record deal as "a dream come true".

This year's "Idol" winner was deep-voiced country singer Scotty McCreery, a former grocery store clerk.

(Reporting by Alex Dobuzinskis: Editing by Jill Serjeant)


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Wednesday, July 6, 2011

Detroit Symphony names acting concertmaster (AP)

DETROIT – The Detroit Symphony Orchestra has announced the appointment of Kimberly Ann Kaloyanides Kennedy as acting concertmaster for the 2011-12 season.

Kennedy has served as a member of the DSO's violin section since 1998 and has been the associate concertmaster since 2003.

She replaces Emmanuelle Boisvert, who announced in May she was leaving the ensemble to join the Dallas Symphony Orchestra.

DSO Music Director Leonard Slatkin says he's confident in Kennedy's "ability to bear the lion's share of the work this coming season."


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Coalition announces boycott of CBS over Grammys (AP)

NEW YORK – A coalition of musicians that has protested the Recording Academy's decision to drop 31 categories from the Grammy Awards is stepping up the pressure, calling for a boycott of the Grammys' telecast partner, CBS, and hiring a lawyer to explore legal action.

"We will ask people to stop watching CBS, boycott their sponsors and then write them," said Bobby Sanabria, a Grammy-nominated Latin jazz musician and the leader of the coalition, in an interview Wednesday night. "We're at a critical juncture."

The changes have drawn complaints from the likes of Herbie Hancock, Paul Simon and Bill Cosby. They also have gotten attention from organizations like the National Institute of Latino Policy, which issued a statement Thursday in support of Sanabria's coalition.

Sanabria has claimed the reductions unfairly target ethnic music and called the Academy's decision racist.

In response, the Recording Academy said Thursday evening that while it respected the coalition's right to disagree, it rejected its allegations.

"The Recording Academy's board of trustees and its committees — made up of elected, qualified voting members from The Academy's 12 chapter cities around the country and a broad spectrum of music makers — spent two years researching and ultimately making the decision to restructure the Grammy Awards categories for reasons that had everything to do with recognizing excellence in music and the integrity of our awards and nothing to do with ethnicity or race," said a statement from the organization.

CBS is scheduled to broadcast the Grammys next February from Los Angeles. The network declined to comment, a representative said Thursday.

In a move that came as a surprise to some, the Academy announced in April that it was reducing the number of award categories from 109 to 78. While the changes involve mainstream categories such as eliminating the male and female divisions in the pop vocal category to one general field, the Academy also reduced specific categories, including some of the instrumental categories in pop, rock and country; traditional gospel; children's spoken-word album; Zydeco or Cajun music album; best Latin jazz album; and best classical crossover album. Artists in those categories will now have to compete in more general fields, making the process more competitive.

Sanabria said the Academy made the changes without the knowledge of its members and has not released minutes from its meetings regarding the changes.

However, Grammy President and CEO Neil Portnow has said the changes were properly implemented after an examination by a committee, then voted on by a board that represented its members.

The statement Thursday reiterated his contention.

"We were up front, transparent, and painstakingly clear about how and why the awards restructuring was done, and any allegations that the process was carried out in secret or without warning are demonstrably false," it said.

Sanabria said the Academy can still reverse the cuts if enough members of its board of trustees decide to act. But in meetings in San Francisco and New York earlier this month, he said the Academy said the changes would remain in effect at least for the 2012 Grammys.

"They say, `Well, next year, we'll see how it goes and maybe possibly we can readmit some of the categories,'" Sanabria said. "Again, they obfuscated us, insulted us."

Attorney Roger Maldonado has been hired by Sanabria, but no action has yet been taken. The Academy said it would not comment on a hypothetical lawsuit and said there "is no basis for any kind of legitimate legal claim."

___

Online:

http://www.grammy.com

http://www.grammywatch.org

___

Nekesa Mumbi Moody is the music editor for The Associated Press. Follow her on http://www.twitter.com/nekesamumbi


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Singer headlines P&G anti-dropout promotion (AP)

CINCINNATI – Singer-songwriter John Legend will headline a Procter & Gamble Co. promotion to benefit dropout prevention as part of his broad support of education reform.

The winner of 11 Grammy awards has made commercials that will air ahead of P&G coupon insert booklets with him on the cover with schoolchildren that will be in Sunday newspapers on July 31. The promotion by the Cincinnati-based consumer products giant will include Facebook and other online efforts to raise money for the Communities in Schools organization's efforts to keep children in school.

Legend has focused much of his charitable work on improving education, which he calls "a civil rights issue for our time." He said there's a dropout crisis in some impoverished communities, making it harder to break the cycle of poverty. He's also concerned about what he sees as politically motivated efforts to weaken teachers' unions in his native Ohio and other states.

"I believe that making sure that every kid has a quality education is the key to making sure that every kid has the opportunity to pursue the American dream," Legend told The Associated Press.

P&G's Jim Leish, director of U.S. operations, said Legend is a good choice for the promotion. "At the end of the day, he has a history of helping this cause," Leish said. "We're more focused with his ability to drive awareness of what we can do to keep millions of kids in school."

Legend is tied to the documentary "Waiting for Superman," which depicts innovative educators around the country trying to turn around struggling schools. It at times portrays teachers' unions as hindering their efforts. The movie, to which Legend contributed his song "Shine" for the closing credits, has been cited by Ohio Gov. John Kasich and other officials as they have pushed new restrictions on the collective bargaining of teachers and other public employees.

"It's interesting, because unfortunately, I think sometimes some of these governors are using the film as a kind of political tool to crush unions, which have often been an important source for organizing for Democrats," Legend said.

He said he thinks some Republican governors such as Kasich are trying to weaken unions under the guise of saying they're going to improve the schools when the goal is to make sure they win the next election. Legend said "demonizing" teachers isn't the answer to education reform, but rather increasing teacher accountability and performance is important

"To the extent that unions are in the way of making that happen, they need to get out of the way," said Legend, 32, who was homeschooled before attending Springfield (Ohio) North High School and the University of Pennsylvania.

Asked for a response to the comments by Legend, who will perform in Cleveland and Columbus next weekend as part of his current tour with Sade, Kasich spokesman Rob Nichols said: "We welcome John back to Ohio and hope he has a great show."

___

Online:

http://www.communitiesinschools.org

___

Contact the reporter at http://www.twitter.com/dansewell


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Rapper Pitbull powers to No. 1 on singles chart (Reuters)

NEW YORK (Billboard) – Pitbull unleashed his first No. 1 on the Billboard Hot 100 Wednesday as "Give Me Everything" rose one place to the top, ending a record 19-week reign by lead female artists.

The Miami rapper claimed the crown more than seven years after he first appeared on the Hot 100 with "Culo" in April 2004. His journey to the top is the longest for a male soloist since Lil Wayne waited almost nine years between his first chart visit in 1999 and the 2008 five-week champ "Lollipop."

Adele's "Rolling in the Deep" fell to No. 2 after seven weeks on top (the longest stay at No. 1 this year). Before her reign, Katy Perry, Rihanna and Lady Gaga took turns at the top.

LMFAO's "Party Rock Anthem," featuring Lauren Bennett and GoonRock, remained at No. 3. Perry's "Last Friday Night (T.G.I.F.)" spent a second week at No. 4.

Nicki Minaj's "Super Bass" rose three to No. 5, passing Lady Gaga's "The Edge of Glory" (steady at No. 6) and Perry's former five-week No. 1 "E.T" (down two at No. 7).

Following the song's unveiling in a live performance on the June 21 episode of NBC's "The Voice," Maroon 5 -- led by series coach Adam Levine -- and featured artist and fellow "Voice" coach Christina Aguilera debuted at No. 8 with "Moves Like Jagger." Bruno Mars' "The Lazy Song" held at No. 9, and Lil Wayne's "How to Love" rose three to No. 10.

(To read more about our entertainment news, visit our blog "Fan Fare" online at http://blogs.reuters.com/fanfare/)


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Tuesday, July 5, 2011

Rihanna show is flashy, yet not overproduced (Reuters)

LOS ANGELES (Hollywood Reporter) – Barbados-born beauty Rihanna isn't easy to forget. Without overly choreographed dance moves, her smoldering stare, powerful voice and swaggering strut are enough to captivate a packed house for nearly two hours.

After Cee Lo Green suddenly backed out of the "Loud" tour due to a packed schedule, there were concerns over whether Rihanna and opener J.Cole could hold down the fort and keep ticket holders happy. Fans at the Staples Center on Tuesday hoping to rock out to an uncensored version of "Forget You" and "Bright Lights Bigger City" were undoubtedly disappointed with J.Cole's extremely short set, not because he isn't talented, but because his style of music is a whole different machine.

There are very few performers who could replace Green and his outrageously colorful stage presence, though B.o.B. (who will open on other select dates) would have likely been a more welcomed act.

Opening with "Only Girl (In The World)," Rihanna set the tone for the rest of the show with plenty of bright neons and shiny costumes. Donning a short metallic blue coat and bright pink glow-in-the-dark heels, the singer stood out amongst her dancers (all clad in neon hues) with muted tones flashing on the large background screens. Quickly transitioning in "Disturbia," Rihanna stripped off the coat and flaunted her assets in a jeweled bikini, alternating between strutting across each side of the stage and gliding along a moving conveyor belt.

While the Los Angeles audience was filled with fans donning copy-cat red locks, one elderly man got more than he bargained for when Rihanna pulled him on stage during her performance of "Skin." She proceeded to lay him down on a circular platform while gyrating up and down the top of his body before the platform descended underneath the stage. The crowd, obviously, went wild.

Also flitting through the crowd were several young girls between the ages of five and ten. Clad in bright colors and sparkly dresses, many wore earplugs and were accompanied by their mothers. Following the show, they may need to have a conversation about why Rihanna, wearing a tuxedo, suggestively poked and prodded nearly-naked female dancers with a cane during a cover of Prince's "Darling Nikki." Then again, maybe not.

Somewhat surprisingly, one highlight of the night came when the 23-year-old slowed things down for "Unfaithful" and "Hate That I Love You," both of which had the audience chiming in full force. She continued the mid-show slow-down with "California King Bed," in which she stood alone at center stage with just a mic stand and her expressive facial movements, captured and relayed on the jumbo screens.

Rihanna didn't stay confined to the stage, either. At one point, she walked through the audience to the middle of the floor where she took to a drum set and pounded away. Later, in a move reminiscent of Green, Rihanna made her encore with "Love the Way You Lie (Part II)" while perched atop a floating (and spinning) piano.

To finish out the show, she brought the house down with a high energy rendition of "Umbrella."

Noticeably absent from the set list was her breakout 2005 hit "Pon de Replay," which was only played during a brief video interlude, and fan favorite circa 2006, "SOS."

During a summer which finds her competing with Britney Spears and Katy Perry, Rihanna is a welcome change of pace for pop lovers. The "Loud" tour keeps the dancing simple, remains visually striking in its wardrobe rather than its set and most importantly, boasts real powerhouse vocals throughout the entirety of the show.


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Jeff Bridges revives music career with new album (Reuters)

LOS ANGELES (Reuters) – Add Jeff Bridges to the long list of Hollywood actors who fancy themselves rock stars.

He convincingly played a washed-up country singer in "Crazy Heart," winning an Oscar last year. In real life, Bridges is just as credible promoting his first album for a major label.

He took the stage at the Troubadour nightclub in Los Angeles on Tuesday to perform an hourlong set of folk-oriented material drawn mostly from his self-titled release, due out August 16 through Blue Note Records.

"This is surreal, man," he said. "This is very rewind."

Indeed, the 61-year-old actor is no newbie on the music scene, and the album is no vanity project. He recalled that the last time he played the hallowed venue was during a "hootenanny" in his early teens.

He went on to collaborate with film composer Quincy Jones, who introduced him at Tuesday's industry showcase and described the young Bridges as "stone Haight-Ashbury," a reference to the then-prevailing hippie scene.

While Hollywood beckoned in the form of a breakthrough role in the 1971 film "The Last Picture Show," Bridges found an outlet for his musical talents in such films as 1989's "The Fabulous Baker Boys." He also recorded an album, "Be Here Soon," for an independent label in 2001.

His turn in "Crazy Heart" as whiskey-swilling Bad Blake brought him a whole new level of musical recognition. The producer of that film's soundtrack, his long-time friend T-Bone Burnett, also produced the new album. Bridges wrote two of the album's 10 tracks himself.

He appeared to be having fun on stage, at one point treating the crowd to a funny anecdote about filming "Heaven's Gate" as he tried to tune his guitar before giving up and handing it to his roadie.

Backed by a four-man band, and alternating between an acoustic and electric guitar, Bridges played a mix of songs from the new album and from the "Crazy Heart" soundtrack. Some were funereal, like the new "Slow Boat." Others were more rockabilly like the "Crazy Heart" tune "Somebody Else."

"I wish my mom and dad could be here tonight," he said, referring to late acting couple Dorothy and Lloyd Bridges. "They would have dug this a lot."

But he had plenty of support from his family, including his wife of 34 years Sue, to whom he dedicated a cover of Bob Dylan's love song "The Man in Me," and elder brother Beau. Hollywood stars in the crowd included Pierce Brosnan, Ryan Reynolds and Olivia Wilde.

(Reporting by Dean Goodman, editing by Jackie Frank)


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Gillian Welch returns with long-awaited new album (AP)

By CHRIS TALBOTT, AP Entertainment Writer Chris Talbott, Ap Entertainment Writer – Fri Jul 1, 8:21 am ET

NASHVILLE, Tenn. – As Gillian Welch has promoted her long-awaited new album, "The Harrow & The Harvest," there comes a point early in each interview when a reporter asks her why it took her eight years to deliver it.

Every. Single. Time.

There's no good answer, of course. These things occasionally take a while. Welch knows this is not the satisfying, tabloid-flavored answer people are looking for — marriages, divorces, babies! — but it's the truth.

"No one wanted this record out faster than we did," Welch said with a small laugh. "That's just a fact. There's no way. I don't actually believe that anyone was more miserable than myself about the eight-year wait because it isn't like we took a vacation. We actually were working the entire time. But the creative breakthrough really came when we kind of somehow managed to step outside the stress and the panic about it, you know? That's just no way to work."

By "we," she means her life (and music) partner, David Rawlings. They've been working as a duo under a soloist's name for more than 15 years now. The pair wrote hundreds of songs for the new album, recorded them in rough form and eventually discarded them in "a song cemetery." Some she even forgot about until Rawlings brought them to her attention again.

It wasn't until he began working on his first solo album, "A Friend of a Friend" released in 2009, that Welch, 43, began making headway on "The Harrow."

Welch's last album was 2003's "Soul Journey." On that album, the two had gotten away from their usual harmony-based acoustic sound, cutting back on the duets and even employing drums for the first time.

In a sense, the 42-year-old Rawlings said, it jarred them out of their pattern of updating the music of the 1930s and `40s by groups like The Stanley Brothers, The Monroe Brothers and The Blue Sky Boys. Many of the songs on Rawlings album employed close harmony and that seemed to reinvigorate Welch, who wrote or retooled most of the songs for the new album in the next year.

Welch also found the simple act of traveling helped as well. The couple makes a conscious effort to take things slow in life, skipping planes for four wheels on the open highway and remaining disconnected as much as possible from the hustle of modern life.

"It's a very creative time for us in the car," Welch said in a phone interview from Los Angeles last week, where she was preparing to start a tour. "In fact, we don't even take the interstate much these days. We've been traveling more on older highways. It's definitely part of this record, that we've dispensed with the fastest route."

Scenes and emotions gathered on the road began to pop up in songs that would eventually go on "The Harrow & The Harvest." Dark images emerged. On the leadoff track, "Scarlet Town," Welch sings: "The things I saw in scarlet town did mortify my soul." And in "Hard Times," the world speeds up and the simple times are left behind.

It's an album, Welch says, that's concerned with what happens to places and friends and circumstances as time passes.

"I know Dave has said in its way, this record is almost like 10 different miniature portraits, 10 different kinds of sad," Welch said. "It's kind of true. Like `Hard Times,' there's a very particular kind of melancholy in that song. You realize things change and slip away, maybe things you didn't even realize were important at the time."

The album further erases the already blurry line between contributions from Welch and Rawlings. It's difficult to separate their voices and guitar playing at times, and Rawlings says the couple has started to forget who wrote particular lyrics.

"If the stuff appears seamless, it just means we did our job," Rawlings said. "When we were working on different songs through the years, I don't think we've ever wanted there to be a seam in the writing. ... People always wonder who wrote the music and who wrote the words, and it's nothing like that. You're just always trying to come up with something that has its own identity."

That identity, forged through defining albums like "Hell Among the Yearlings" and "Time (the Revelator)," has inspired a generation of musicians who look to acoustic instruments with a kind of rock `n' roll fervor that didn't exist when Welch and Rawlings first met at the Berklee College of Music in Boston as students in the early `90s.

The duo is part of the bedrock of the modern Americana music movement. They worked with T Bone Burnett years before "O Brother, Where Art Thou?" brought recognition to a largely forgotten form of music, forging an authentic bond with the past that also felt modern. Over the years of Welch's fallow period, they remained prominent, working with young acts like Old Crow Medicine Show and Ryan Adams and contributing to other artists' music. Most recently Welch appeared on The Decemberists' "Down by the Water."

Colin Meloy, lead singer of The Decemberists, remembers being "totally smitten" the first time he heard Welch offering something completely new based in something so old.

"Even though I feel Gillian was sort of born out of that mid-'90s alt-country explosion, I feel like she's always existed somewhere outside of it," Meloy said. "Her voice, her writing, her playing, the way that she and Dave play together, it's such its own thing, it feels so timeless, that it seems unaffected. They can take eight years off and I'm sure that everybody will be just, like, freaking out. And that's fantastic because it's a timeless voice and a timeless kind of writing."

For his part, Rawlings doesn't like to think about all those people — and fellow musicians — out there waiting on new music. It makes him uncomfortable.

"The thought that there are people who feel (deeply) about music that I've worked on or touched or that Gillian and I make is a deeply rewarding feeling," Rawlings said. "But it's such a ridiculous thing to think about. I want to feel part of the tradition and that we added to it in some way, and that in the future that what you're doing is valid."

___

Online:

http://www.gillianwelch.com

___

Contact Chris Talbott at http://www.twitter.com/Chris(underscore)Talbott.


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Top 20 Concert Tours from Pollstar (AP)

The Top 20 Concert Tours ranks artists by average box office gross per city and includes the average ticket price for shows in North America. The previous week's ranking is in parentheses. The list is based on data provided to the trade publication Pollstar by concert promoters and venue managers.

TOP 20 CONCERT TOURS

1. (2) Lady Gaga; $1,723,928; $92.24.

2. (1) Bon Jovi; $1,674,422; $96.30.

3. (4) Kenny Chesney; $1,443,355; $74.41.

4. (3) Rod Stewart / Stevie Nicks; $1,423,640; $106.87.

5. (5) Lil Wayne; $1,138,163; $90.76.

6. (6) Elton John; $1,086,072; $87.76.

7. (7) Bob Seger & The Silver Bullet Band; $826,758; $74.29.

8. (9) Usher; $786,264; $68.05.

9. (8) Ricky Martin; $778,927; $70.57.

10. (10) Rammstein; $750,953; $61.68.

11. (11) Cirque du Soleil — "Dralion"; $675,186; $62.82.

12. (12) Michael Bublé; $561,408; $74.49.

13. (New) Kylie Minogue; $388,290; $83.28.

14. (14) "Riverdance"; $264,399; $58.72.

15. (15) Rain — A Tribute To The Beatles; $259,948; $66.41.

16. (16) Avenged Sevenfold; $232,860; $36.58.

17. (17) James Taylor; $232,240; $75.68.

18. (13) Jeff Dunham; $224,168; $55.58.

19. (19) Yanni; $215,398; $70.61.

20. (18) Paul Simon; $210,456; $79.41.

For free upcoming tour information, go to http://www.pollstar.com


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Underwood, stars align at ACM Lifting Lives camp (AP)

By CHRIS TALBOTT, AP Entertainment Writer Chris Talbott, Ap Entertainment Writer – Fri Jul 1, 3:49 pm ET

NASHVILLE, Tenn. – Carrie Underwood turned in one of the most-talked about performances with Steven Tyler at this year's Academy of Country Music Awards. Three months later, though, it was another performance that night in Las Vegas that was on her mind.

Underwood met with participants in the ACM Lifting Lives Music Camp this week. Developmentally disabled campers who attended the session last year joined Darius Rucker on stage during the awards telecast in April, an emotional highlight on a night with a lot of strong performances.

"Just what a special thing that was," Underwood said. "Everybody sitting in the audience and for everybody sitting at home, and obviously the campers on stage, they were loving every single second of it."

The campers were scheduled to reprise that song Friday night at the Grand Ole Opry with Rucker and perform another song they wrote and recorded during the camp, which was founded by the Vanderbilt Kennedy Center for Excellence in Developmental Disabilities. It's aimed at teens and young adults from around the country with Williams Syndrome and other disabilities like autism and Down Syndrome.

Campers spent time with Gary Allan, Wynonna Judd, Little Big Town, songwriters Brett James and Odie Blackmon, and producer Mark Bright during the week leading up to their Opry performance. Underwood met with campers Wednesday, talked about her recording experiences, gave advice and posed for pictures.

"I was like shocked," said camper Mackenzie Mansour, a 16-year-old from Lone Oak, Texas. "I didn't know what to do. I was like, `Um, should I say hi to her or should I hug her?' I was like, `Gotta think.'"

Mackenzie didn't waste any time making an impression on Underwood, though: "I said, `Do you want me to sing with you?' She said, `No, I'll sing to you.'

"You can just tell how much they love it and how proud they are of themselves just from recording a song, writing a song," Underwood added. "I think we all kind of forget what a special gift that we have and we're able to participate in every single day. And music is definitely a universal language. Anybody can speak it. Anybody can love it. Anybody can be involved in it. You can just tell how happy it makes them.'"

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AP writer Caitlin R. King in Nashville contributed to this report.

___

Online:

http://www.acmliftinglives.org

___

Contact Chris Talbott at http://www.twitter.com/Chris_Talbott or http://www.twitter.com/AP_Country.


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Santana, McLaughlin open Montreux jazz on high note (Reuters)

MONTREUX, Switzerland (Reuters) – Carlos Santana and John McLaughlin performed tunes by John Coltrane, Bob Dylan and Led Zeppelin, ushering in the 45th edition of the Montreux jazz festival with a spiritual note from the 1960s and 70s.

The two legendary guitarists kicked off Friday night's concert with "The Life Divine" and closed with "A Love Supreme," both tracks from their 1973 gold album "Love, Devotion and Surrender."

Their acoustic version of Led Zeppelin's "Stairway to Heaven" was a highlight of a nostalgic concert at Montreux, one of Europe's most prestigious summer jazz festivals, which runs until July 16.

"Coltrane, Dylan, Zeppelin -- we grew up with all of them. The next one is a real favorite of mine from the Mahavishnu Orchestra," said McLaughlin, introducing "The Creator has a Master Plan" from his pioneering fusion band.

Santana, dressed head to toe in white, his black curls touching his shoulders, also struck a meditative chord during the gig, which featured mariachis and Latin-influenced percussion.

"John and I have a lot in common, we resonate spiritual feelings and resonate with having fun. It is not just Mother Teresa, the Dalai Lama and Desmond Tutu who get to have fun.

"Our highest purpose is to touch your heart. Miles Davis, Billie Holiday, Marvin Gaye, and Dylan, we love all them all and pay tribute and celebrate the supreme spirit of a great drummer, if not the greatest drummer ever, Tony Williams," Santana, 64, told the crowd.

Cindy Blackman, Santana's second wife, joined on drums in a powerful rendition of "Vuelta Abajo," a tribute to the late American jazz drummer Williams who played with Miles Davis and McLaughlin.

"These tunes go back 150 years. Any more old hippies out there?" quipped the silver-haired McLaughlin, now 69. "It was a very special music that we played at that time. Cindy has taken the tradition of Tony Williams and pushed it further."

Santana and McLaughlin sat together front stage without the other nine musicians for two moving duets on acoustic guitars, "Naima," a Coltrane composition also from their "Love, Devotion and Surreder" album, and "Lotus Land."

"At this point in our lives, it is all about perception...So make a conscious choice to make every day the best day of your life," the Mexican-born American Santana said to cheers.

"Downstairs Blues," by Elvin Jones, got the crowd rocking, with Blackman on drums.

For an encore they played "Miles Davis (Black Satin)" and a "Love Supreme," the crowd chanting the lyrics, while Montreux festival founder Claude Nobs jumped in on harmonica.

B.B. King will join the pair on the famed Montreux stage on Sunday night.

"Montreux is known for special meetings of stars," Swiss fan David Pittet said as the lights went on.

(Editing by Michael Roddy)


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