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Friday, September 30, 2011

Melissa Etheridge gets Hollywood Walk of Fame star (AP)

LOS ANGELES – Grammy- and Oscar-winning singer-songwriter Melissa Etheridge, a breast cancer survivor, has received a Hollywood Walk of Fame star.

Tuesday's ceremony in front of the Hard Rock Cafe Hollywood also marked the launch of Hard Rock's monthlong Pinktober campaign, a series of concerts and celebrity events held to raise money and breast cancer awareness.

The 50-year-old Etheridge is best known for the songs "Come to My Window" and "I'm the Only One." She received the 2,450th sidewalk star in Hollywood.

Etheridge, who was diagnosed with breast cancer in 2004, has been an artist ambassador for Pinktober for six years.


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Timberlake to be honored for environmental efforts (AP)

NEW YORK – Justin Timberlake has been lauded for his work in music, TV and film. Now he's about to get an accolade for trying to better the environment.

The Environmental Media Association says Timberlake will receive its Futures Award, which represents future environmental leaders in entertainment.

The group cited Timberlake's attempts to reduce his carbon footprint during his tours, his advocacy for environmental issues and his eco-friendly golf course outside of Memphis, Tenn.

EMA President Debbie Levin called Timberlake "a great example of how you can lend your voice for positive change."

Others who have received the award include Edward Norton, Rosario Dawson and Maroon 5.

The Environmental Media Awards will be held Oct. 15 in Burbank, Calif.

___

Online:

http://us.rd.yahoo.com/dailynews/ap/ap_en_mu/storytext/us_people_timberlake/43079150/SIG=10r203u0v/*http://www.ema-online.org


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Jennifer Hudson opens Chicago weight loss center (AP)

CHICAGO – Jennifer Hudson's name has graced an Oscar and Grammy, but the Chicago native said she never imagined her name would be on a weight loss center that she could use to inspire others.

The singer and actress stopped in her home town Tuesday for the opening of "The Weight Watchers Jennifer Hudson Center." Hudson, who lost about 80 pounds, is a spokeswoman for the company.

The new center, where walls are covered with posters of the svelte star, is in a strip mall on Chicago's South Side, not far from President Barack Obama's home.

"I never thought I would make it to have my own center," said Hudson, who wore a fitted, ruffled black dress and high-heeled studded black boots. "I'm so honored to be here and see this day."

Weight Watchers had pledged to donate a portion of the center's revenue to a foundation that Hudson co-founded in honor of her late nephew, Julian King.

The body of the 7-year-old was found in a vehicle a few days after Hudson's mother, Darnell Hudson Donerson, and brother, Jason Hudson, were found dead in the family's Chicago home in October 2008. All three had been shot. The estranged husband of Hudson's sister is charged in the killings and is awaiting trial.

Hudson, who started the foundation in Julian's honor with her sister, Julia, said she was inspired as a child by seeing the success of others.

"I love to target children, because that's the thing that makes a difference," Hudson said. "We hope to do the same thing and start here at home in Chicago with health, with education, with dreams."

Hudson, who first earned fame as an "American Idol" finalist, won a Grammy for her self-titled album and an Oscar for her role in "Dreamgirls." Her album "I Remember Me," came out this year.

Chicago Mayor Rahm Emanuel, who attended the ribbon-cutting, called Hudson "Chicago's ambassador to the world at large."

___

Sophia Tareen can be reached at http://twitter.com/sophiatareen


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UK expert reconstructs "missing" Beethoven movement (Reuters)

LONDON (Reuters) – A movement from a Beethoven string quartet which was discarded by the composer and replaced by a new version has been reconstructed by a musical expert in Manchester, northern England.

The piece, originally composed by the German maestro in 1799, will be performed by Manchester University's resident string quartet on Thursday, when the academic involved, Professor Barry Cooper, will also give a seminar.

"We have something probably very close to what Beethoven wrote out, although not exactly the same," Cooper told Reuters.

The "lost" piece of music was part of the "String Quartet in G, Opus 18 Number 2", and Thursday's recital will "almost certainly" be the first time it has been performed since Beethoven's lifetime, said Cooper, the university's professor of music.

He reconstructed the movement based on surviving detailed "sketches" for every one of its 74 bars.

The existence of the sketches was established in 1977, but in the 1980s a receipt was found that showed the composer, then aged 28, had delivered the manuscripts for three new quartets in October 1799.

The works -- Op 18 Nos 1-3 -- were sold to a Prince Lobkowitz for 200 florins.

But the following year Beethoven revised Nos 1 and 2, including a completely new slow movement for No 2 in which little of the original material remained and the rhythm was completely different.

"During the period that Lobkowitz had the early version of Nos 1 and 2, it seems inconceivable that he would not have arranged for a performance of them, or more likely several performances, since that was the whole point of commissioning them," Cooper explained.

While the receipt for the works showed that Beethoven must have written out the music in full, that version has been lost, prompting Cooper to reconstruct it based on the sketches.

"In the early 1990s, I thought it could be possible to reconstruct the movement, but while it was possible, I had lots of other things to do," he said.

Asked how accurate he thought the reconstruction was, he replied: "All modern performances are approximations, and mine is a bit more approximate than those."

He added that the sketches were probably "very close" to the finished version, although he had to fill in "quite a few" of the lower parts.

(Reporting by Mike Collett-White, editing by Paul Casciato)


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Showtime announces Suge Knight documentary (Reuters)

LOS ANGELES (TheWrap.com) – Controversial Death Row Records co-founder Marion "Suge" Knight, Jr. will be the subject of a feature-length documentary to be produced and aired on Showtime, the network announced today.

The film, tentatively titled "Suge Knight," will be directed by "Training Day" filmmaker Antoine Fuqua.

The pay cable network says it will be the first of a several Showtime-produced documentaries that "will spotlight iconic and controversial figures from talented and prestigious filmmakers."

Fuqua will also co-produce the documentary, with Bradley J. Fischer, whose credits include "Black Swan," "Shutter Island" and "Zodiac." David Prior, Laeta Kalogridis, James Vanderbilt, Lisa Remington and Edward McGurn will executive-producers, while journalist Chuck Philips will serve as co-producer.

In the announcement, Fischer promised to deliver a warts-and-all view of Knight that others have shied away from.

"Suge Knight's reputation and rise to power in the music business has become the stuff of legend, and he remains one of the entertainment industry's most provocative and enduring myths," said Fischer. "But while his name elicits an immediate and powerful reaction from people around the world, very few can legitimately claim to know the man. Antoine Fuqua and I are thrilled to be partnering with Showtime to tell this remarkable story and take audiences behind a curtain that most have been terrified to even approach."

Not that the documentary doesn't come with its subject's cooperation: Knight, through his new music company Black Kapital, will spearhead the soundtrack.

Knight has had a particularly volatile career and history, with a troubled past that includes several arrests and the bankruptcy of Death Row.


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Thursday, September 29, 2011

Rapper Petey Pablo sentenced to 3 years for gun (AP)

NEW BERN, N.C. – Hip-hop artist Petey Pablo has been sentenced in North Carolina to almost three years in federal prison after pleading guilty to possessing a stolen firearm.

The U.S. Attorney's Office says the 38-year-old rapper was sentenced Monday to 35 months behind bars in U.S. District Court in New Bern. Pablo's real name is Moses Barrett, and he's from Wake Forest, N.C.

Petey Pablo was arrested last year while attempting to clear security at Raleigh-Durham International Airport for a flight to Los Angeles. Authorities found a loaded gun in a bag that had passed through an X-ray machine.

Authorities say the investigation showed the gun had been stolen during a home burglary in Gardena, Calif., in 2005.

The rapper is best known for the songs "Raise Up" and "Freek-a-Leek."


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Latin Grammys name Shakira person of the year (Reuters)

(Reuters) – Organizers for the Latin Grammys, the top honors for Latin music, on Monday named Colombian superstar Shakira as their person of the year to be feted at the group's annual awards show in November.

Shakira, who was nominated for three Latin Grammys this year including album of the year for her "Sale el Sol," will be given the award not only for her songs and performing but for philanthropic work through her Pies Descalzos Foundation.

"We are honored to pay homage to this dynamic, socially conscious woman whose illustrious career has touched so many people around the world, both musically and personally," Latin Recording Academy president Gabriel Abaroa, Jr. said in a statement.

Shakira, 34, rose to fame as a singer in the early 1990s combining rock, Latin and Mediterranean music with her own original dancing -- a feature of Shakira's that eventually manifested itself in the smash hit single, "Hips Don't Lie."

In 1996, Shakira released "Pies Descalzos" with hit singles "Estoy Aqui" and "Se Quiere...Se Mata." Her first crossover album, Laundry Service, debuted in 2001 and went on to become her most successful album, to date.

Shakira's foundation focuses on helping impoverished children receive an education.

(Reporting and writing by Bob Tourtellotte; Editing by Jill Serjeant)


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Jackson's voice echoes through Los Angeles court (AP)

By LINDA DEUTSCH and ANTHONY McCARTNEY, Associated Press Linda Deutsch And Anthony Mccartney, Associated Press – Wed Sep 28, 1:27 am ET

LOS ANGELES – First, prosecutors showed a photo of Michael Jackson's pale and lifeless body lying on a gurney. Then, they played a recording of his voice, just weeks before his death.

Slow and slurred, his words echoed Tuesday through a Los Angeles courtroom at the start of the trial of the doctor accused of killing him. As a worldwide audience watched on TV and Jackson's family looked on from inside the courtroom, a drugged Jackson said:

"We have to be phenomenal. When people leave this show, when people leave my show, I want them to say, `I've never seen nothing like this in my life. Go. Go. I've never seen nothing like this. Go. It's amazing. He's the greatest entertainer in the world.'"

Prosecutors played the audio for the first time during opening statements as they portrayed Dr. Conrad Murray, 58, as an incompetent physician who used a dangerous anesthetic without adequate safeguards and whose neglect left the superstar abandoned as he lay dying.

Defense attorneys countered that Jackson caused his own death by taking a drug dose, including propofol, after Murray left the room.

Nothing the cardiologist could have done would have saved the King of Pop, defense attorney Ed Chernoff told jurors, because Jackson was desperate to regain his fame and needed rest to prepare for a series of crucial comeback concerts.

A number of Jackson's family members were in the courthouse, including his father Joseph, mother Katherine, sisters LaToya and Janet, and brothers Jermaine, Randy and Tito. LaToya Jackson carried a sunflower, her brother's favorite flower.

The family's most emotional moment came when the prosecutor played a video excerpt from Jackson's "This Is It" rehearsal in which he sang "Earth Song," a plea for better treatment of the environment.

As Jackson sang the words, "I used to dream. I used to glance beyond the stars," his mother, Katherine, dabbed at her eyes with a tissue.

Prosecutor David Walgren noted it was Jackson's last performance.

Murray, who arrived at court holding hands with his mother, has pleaded not guilty to involuntary manslaughter. If convicted, he could face up to four years in prison and the loss of his medical license.

Speaking for more than an hour, Walgren relied on photos and audio recordings to paint Murray as an inept and reckless caretaker.

Walgren showed a photo of a lifeless Jackson on a hospital gurney. He juxtaposed the image with those of Jackson performing. Walgren also played the recording of Jackson speaking to Murray while, the prosecutor said, the singer was under the influence of an unknown substance roughly six weeks before his death.

The prosecutor said that Murray recorded the conversation with his groggy patient on his cell phone.

Jackson trusted Murray as his physician, and "that misplaced trust in Conrad Murray cost Michael Jackson his life," Walgren said.

The recurring theme was Jackson's never-ending quest for sleep and propofol, the potion he called his "milk" and that he believed was the answer. Jurors were told that it was a powerful anesthetic, not a sleep aid, and the prosecutor said Murray severely misused it.

The prosecutor said while working for Jackson, the doctor was shipped more than four gallons of the anesthetic, which is normally given in hospital settings.

Chernoff, the defense attorney, claimed the singer swallowed several pills of the sedative lorazepam on the morning of his death and that was enough to put six people to sleep. After taking a self-administered dose of propofol, Jackson did not even have a chance to close his eyes, Chernoff said, claiming he died instantly.

Chernoff, who had long hinted that the defense would blame Jackson for his own death, added a surprise. He claimed that Jackson died not because his doctor continued to give him the drug but because he stopped it, forcing Jackson to take extreme measures.

"What we will hear is that Dr. Murray provided propofol for two months to Michael Jackson for sleep," Chernoff said. "During those two months, Michael Jackson slept. He woke up and he lived his life.

"The evidence will not show you that Michael Jackson died because Dr. Murray gave him propofol. The evidence is going to show you Michael Jackson died when Dr. Murray stopped," the attorney said.

He said Murray was trying to wean Jackson off of propofol and had been giving him other sleep aids known as benzodiazepines trying to lull him to sleep.

On June 25, 2009, the last day of Jackson's life, Chernoff said, he was in the third day of a weaning process and it didn't work.

"Michael Jackson started begging. He couldn't understand why he wasn't sleeping.... When Michael Jackson told Dr. Murray `I have to sleep. They will cancel my performance,' he meant it," Chernoff said.

Murray, in a recording of his interview with police detectives, acknowledged that he relented and agreed to give Jackson a small dose of propofol.

Walgren said Murray's claim that he gave the singer a minuscule dosage, enough to keep him asleep perhaps five minutes, was not true. He also accused Murray of deception when he hid from paramedics and hospital emergency staff that he had given Jackson propofol. He said they were desperately trying to revive him but didn't know about the drug.

He returned repeatedly to the fee Murray was to be paid — $150,000 a month — and pointed out that he first had asked for $5 million.

"There was no doctor-patient relationship," Walgren said. "... What existed here was an employer-employee relationship. He was not working for the health of Michael Jackson. Dr. Murray was working for a fee of $150,000."

Chernoff countered with a description of Murray's history of treating indigent patients for free. At times during the defense attorney's opening statements, Murray appeared to be crying and wiped his eyes with a tissue.

Jackson's family members appeared pained as Walgren described the singer as a vulnerable figure, left alone with drugs coursing through his body.

"It violates not only the standard of care but the decency of one human being to another," he said. "Dr. Murray abandoned Michael when he needed help."

Following opening statements, Jackson's choreographer and friend, Kenny Ortega, testified that Jackson was in bad shape physically and mentally less than a week before his death.

He said he sent a message to Randy Phillips, producer of the "This Is It" concert, telling him that Jackson was ill, probably should have a psychological evaluation and was not ready to perform.

"It's important for everyone to know he really wants this," he wrote. "It would shatter him, break his heart if we pulled the plug. He's terribly frightened it's all going to go away."

In response to the email, Ortega said, a meeting was called at Jackson's house where Ortega clashed with Murray, who told him to stop playing amateur psychiatrist and doctor.

"He said Michael was physically and emotionally capable of handling all his responsibilities for the show,'" said Ortega, "I was shocked. Michael didn't seem to be physically or emotionally stable."

Within a few days, he said, Jackson had recouped his energy and was full of enthusiasm for the show.

During the defense opening statement, Chernoff referred to Dr. Arnold Klein, Jackson's dermatologist, who the judge decided will not testify.

The attorney tried to blame Klein for some of Jackson's woes, saying Klein gave Jackson the painkiller Demerol and he became addicted to it.

He told jurors that Klein would not be testifying but his records would be available and an addiction specialist would testify that one of the side effects of Demerol withdrawal is trouble sleeping. Chernoff said Murray was unaware of a Demerol shot administered to Jackson on June 16 and thus didn't realize there could be a fatal interaction with propofol.

Klein's attorney, Garo Ghazarian, later in the day issued a statement calling the allegations preposterous and "merely an attempt to whitewash the facts surrounding the death of ... Michael Jackson while under the management of Dr. Conrad Murray."

He noted there were no traces of Demerol in Jackson's autopsy or in his home, indicating he was not addicted. He also said Klein's use of the drug was not excessive. He noted that Klein was cleared by authorities of any wrongdoing in Jackson's death.

___

Anthony McCartney can be reached at http://twitter.com/mccartneyAP


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Did Joe Jonas steal the shots for his new music video?

Singer Joe Jonas arrives at the 2011 MTV Video Music Awards in Los Angeles August 28, 2011. REUTERS/Danny Moloshok

Singer Joe Jonas arrives at the 2011 MTV Video Music Awards in Los Angeles August 28, 2011.

Credit: Reuters/Danny Moloshok

By Steve Pond

Tue Sep 27, 2011 8:19pm EDT

LOS ANGELES (TheWrap.com) - The middle Jonas Brother may have successfully navigated puberty, but now has to contend with charges of plagiarism.

Joe Jonas's new video is so similar to the low-budget indie drama "For Lovers Only" that it has ignited a furor among that film's rabid fans, and could even lead to legal action, TheWrap has learned.

The video, which presents a more mature and sexual side of the former teen star, now 22, features Jonas and French model Angele Sassy cavorting in Paris. Much of the time, they do so in situations that are nearly identical in content and composition to scenes from "For Lovers Only," a romance inspired by the French New Wave and made in France for virtually no money by Michael and Mark Polish with actress Stana Katic ("Castle").

"It's very disheartening that a fellow director would go to those lengths to copy 'For Lovers Only' and not credit us," writer and star Mark Polish told TheWrap exclusively on Tuesday.

Polish said he has tracked the comments from the Jonas camp and from the video's production company, HSI Productions, since he was alerted to the video over the weekend by outraged fans who initially thought he and his brother must have given permission. Nowhere, he said, has anyone associated with the video mentioned "For Lovers Only."

"If they had said our film was their inspiration, we would have been flattered," Polish said. "But nowhere in any of their materials do they say that we were an influence on them, which is upsetting to us as artists. And it makes this feel like plagiarism."

HSI Productions said its music video executives were on location on Tuesday, and none responded to TheWrap's request for comment. Kevin Jonas Sr., the manager of Joe Jonas, did not respond to messages left at his office. The video's director, Jaci Judelson, could not be reached.

The video premiered on iTunes last week and entered the video charts at No. 4, with more than 3 million online views.

Polish would not discuss on any further action, but a source close to the filmmakers told TheWrap that the Polish brothers do have legal counsel and are exploring the idea of a copyright infringement lawsuit.

In 2004, Madonna paid more than $600,000 to the family of French photographer Guy Bourdin after admitting that she had used his work for inspiration in her "Hollywood" video.

Here's a comparison of the Jonas video with the trailer for "For Lovers Only." The trailer includes a few but not all of the many scenes that pop up in similar form in the video.

"For Lovers Only," which director Michael Polish freely admits was inspired by the French New Wave, and particularly by Claude Lelouch's "A Man and a Woman," was made for no money by the brothers, who used equipment they already owned and piggybacked the shoot onto a French vacation they had already planned to take.

It became a bestseller on iTunes after its July release, and accumulated a rabid group of followers who still sing the movie's praises on Twitter. Those followers have bombarded HSI's Facebook page with demands that the production company acknowledge the video's inspiration.

"There is nothing wrong with getting inspiration from other artists' beautiful works, like you did with Mark & Michael Polish's 'For Lovers Only' movie for this video, but there is everything wrong in not acknowledging that inspiration," wrote one fan.

HSI has not responded on its Facebook page.

Fans have also posted side-by-side comparisons of scenes from the video and the film.

In the interviews he's done about the video, Joe Jonas has talked about how excited he was to shoot the video in Paris ("like a dream come true"), how he was the only one on the set who didn't speak French and how he thinks the video's sexual aspects may shock some of his longtime fans.

He has not spoken about the video's inspiration, though Mark Polish said he saw an interview where someone else associated with the video "said it was inspired by the French New Wave. But the French New Wave is a style, not the content.

"In their video, the content is a man and a woman meeting on the stairs, taking a boat ride, running through Paris, sitting in a bathtub … And so much of that is straight from our movie that the first time I watched it, I thought, 'Somebody really loved 'For Lovers Only.'"

The HSI Productions website includes a running Twitter feed including all the recent comments about its productions. As of Tuesday afternoon, nine of the 10 comments upbraided the company for not acknowledging "For Lovers Only."


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Review: Wilco's "Whole Love" has shades of Beatles

Jeff Tweedy (C), John Stirratt (R) and Nels Cline (L) of Wilco perform ''Broken Arrow'' at the 2010 MusiCares Person of the Year tribute honoring recording artist Neil Young in Los Angeles January 29, 2010. REUTERS/Mario Anzuoni

Jeff Tweedy (C), John Stirratt (R) and Nels Cline (L) of Wilco perform ''Broken Arrow'' at the 2010 MusiCares Person of the Year tribute honoring recording artist Neil Young in Los Angeles January 29, 2010.

Credit: Reuters/Mario Anzuoni

By Chris Willman

Tue Sep 27, 2011 4:42pm EDT

LOS ANGELES (TheWrap.com) - Wilco's eighth album, "The Whole Love," could almost be called "The Whole Enchilada," so thoroughly does it summarize the disparate sides the beloved band has developed over the last 16 years.

If you relished the experimental "Hotel Yankee Foxtrot" -- the 2001 breakthrough that made them the darlings of the rock intelligentsia and even got them classified as America's own Radiohead -- then you'll love the seven-minute opening cut.

A headphones must, "Art of Almost" opens with a gurgle of indeterminate electronic noise and time signature-defying drum pattern before eventually ramping up into a frantic guitar-freakout climax.

But don't get too attached to that mind-blower, because nothing else on the album sounds remotely like it. Jeff Tweedy is nothing if not the master of the artful fake-out.

Much of the rest of "The Whole Love" skews closer to the group's roots-rock beginnings, including some delicate, finger-picking tracks that fit right into the Americana genre Wilco seemed determined to shun for a while. It's as if Tweedy deliberately wanted to throw anyone who might come looking for that stuff off the scent by placing the most potentially alienating, anti-acoustic epic right at the beginning.

Somewhere between his country-rock and electronica inclinations, you suspect Tweedy must be more of a Beatles buff than previously imagined. That's partly because of the "White Album"-style unpredictability. And it's partly because the wispy, piano-driven, bitter "Sunloathe" is so Lennon-esque, in comparison to the upbeat distinctly old-fashioned "Capitol City," which sounds like Paul Westerberg doing Paul McCartney doing the '30s.

Anyone scared off by Wilco's relatively avant-garde phase in the early '00s may want to face their phobias and check out the new album's relatively straightforward guitar rockers. "Dawned on Me" starts off sounding like a slowed down version of Supergrass' power-pop classic "Alright" before developing its own melodic strengths. The deceptively sunny-sounding, death-themed "Born Alone" could be the best Shins outtake we've never heard.

Amid all the stylistic expansion and free-association lyrics, Tweedy isn't afraid to break your heart with a handful of back-porch ballads.

With a bare overlay of sad steel guitar and an eventual string section, "Black Moon" is ever bit as haunting as you'd hope from that promising title. He adopts a falsetto to skip merrily through the wounded title cut, where, having been newly "set free," Tweedy nonetheless vows to "still love you to death/And I won't ever forget how." Acoustic as it is, the tune somehow ends with some "Penny Lane"-worthy outro flourishes.

The closer, "One Sunday Morning," is epic only in length -- just over 12 minutes -- but utterly simple in style. Tweedy's verses have a son mourning and celebrating the dead father who taught him intolerance. (Is the song's shunned son gay? It seems a strong possibility, though Tweedy isn't about to get that direct.) The lyrical piano that fills out the instrumental closing minutes couldn't be farther than the percolating synthesizer beeps that open the album.

It's a quiet stunner, and not because Wilco is pushing any particular envelopes in the moment, other than maybe emotional ones.

After leaping around between styles through most of their catalog, Wilco now seem comfortable having it all. "Kid A-mericana," anyone?


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Wednesday, September 28, 2011

Selena Gomez to host MTV Europe Music Awards 2011

Singer Selena Gomez arrives at the 2011 MTV Video Music Awards in Los Angeles August 28, 2011. REUTERS/Mario Anzuoni

Singer Selena Gomez arrives at the 2011 MTV Video Music Awards in Los Angeles August 28, 2011.

Credit: Reuters/Mario Anzuoni

LONDON | Mon Sep 26, 2011 11:59pm EDT

LONDON (Reuters) - U.S. teen actress and singer Selena Gomez will host this year's MTV Europe Music Awards in Belfast on November 6, the music channel said on Monday.

The 19-year-old, who is dating another teenage sensation the 17-year-old Canadian pop star Justin Bieber, will aim to find time to tweet and provide commentary for mtvema.com website as well as her regular hosting duties.

Gomez follows the likes of Justin Timberlake, Eva Longoria, Katy Perry and Snoop Dogg in hosting one of pop music's biggest nights outside the United States.

Although held in a different European city each year, the MTV EMAs tend to be dominated by U.S. acts.

This year, Lady Gaga leads the list of nominations with six, followed by two other U.S. acts -- Katy Perry and Bruno Mars. Bieber has been shortlisted in three categories.

(Reporting by Mike Collett-White, editing by Paul Casciato)


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Showtime announces Suge Knight documentary

By Tim Kenneally

Tue Sep 27, 2011 6:38pm EDT

LOS ANGELES (TheWrap.com) - Controversial Death Row Records co-founder Marion "Suge" Knight, Jr. will be the subject of a feature-length documentary to be produced and aired on Showtime, the network announced today.

The film, tentatively titled "Suge Knight," will be directed by "Training Day" filmmaker Antoine Fuqua.

The pay cable network says it will be the first of a several Showtime-produced documentaries that "will spotlight iconic and controversial figures from talented and prestigious filmmakers."

Fuqua will also co-produce the documentary, with Bradley J. Fischer, whose credits include "Black Swan," "Shutter Island" and "Zodiac." David Prior, Laeta Kalogridis, James Vanderbilt, Lisa Remington and Edward McGurn will executive-producers, while journalist Chuck Philips will serve as co-producer.

In the announcement, Fischer promised to deliver a warts-and-all view of Knight that others have shied away from.

"Suge Knight's reputation and rise to power in the music business has become the stuff of legend, and he remains one of the entertainment industry's most provocative and enduring myths," said Fischer. "But while his name elicits an immediate and powerful reaction from people around the world, very few can legitimately claim to know the man. Antoine Fuqua and I are thrilled to be partnering with Showtime to tell this remarkable story and take audiences behind a curtain that most have been terrified to even approach."

Not that the documentary doesn't come with its subject's cooperation: Knight, through his new music company Black Kapital, will spearhead the soundtrack.

Knight has had a particularly volatile career and history, with a troubled past that includes several arrests and the bankruptcy of Death Row.


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UK expert reconstructs "missing" Beethoven movement

A statuette of German composer Ludwig van Beethoven decorating a music-case is seen with a statue of Hungarian composer Ferenc Liszt in the background in a museum February 5, 2011. REUTERS/Laszlo Balogh

A statuette of German composer Ludwig van Beethoven decorating a music-case is seen with a statue of Hungarian composer Ferenc Liszt in the background in a museum February 5, 2011.

Credit: Reuters/Laszlo Balogh

By Mike Collett-White

LONDON | Tue Sep 27, 2011 7:04pm EDT

LONDON (Reuters) - A movement from a Beethoven string quartet which was discarded by the composer and replaced by a new version has been reconstructed by a musical expert in Manchester, northern England.

The piece, originally composed by the German maestro in 1799, will be performed by Manchester University's resident string quartet on Thursday, when the academic involved, Professor Barry Cooper, will also give a seminar.

"We have something probably very close to what Beethoven wrote out, although not exactly the same," Cooper told Reuters.

The "lost" piece of music was part of the "String Quartet in G, Opus 18 Number 2", and Thursday's recital will "almost certainly" be the first time it has been performed since Beethoven's lifetime, said Cooper, the university's professor of music.

He reconstructed the movement based on surviving detailed "sketches" for every one of its 74 bars.

The existence of the sketches was established in 1977, but in the 1980s a receipt was found that showed the composer, then aged 28, had delivered the manuscripts for three new quartets in October 1799.

The works -- Op 18 Nos 1-3 -- were sold to a Prince Lobkowitz for 200 florins.

But the following year Beethoven revised Nos 1 and 2, including a completely new slow movement for No 2 in which little of the original material remained and the rhythm was completely different.

"During the period that Lobkowitz had the early version of Nos 1 and 2, it seems inconceivable that he would not have arranged for a performance of them, or more likely several performances, since that was the whole point of commissioning them," Cooper explained.

While the receipt for the works showed that Beethoven must have written out the music in full, that version has been lost, prompting Cooper to reconstruct it based on the sketches.

"In the early 1990s, I thought it could be possible to reconstruct the movement, but while it was possible, I had lots of other things to do," he said.

Asked how accurate he thought the reconstruction was, he replied: "All modern performances are approximations, and mine is a bit more approximate than those."

He added that the sketches were probably "very close" to the finished version, although he had to fill in "quite a few" of the lower parts.

(Reporting by Mike Collett-White, editing by Paul Casciato)


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Jay-Z to perform first concert in Brooklyn arena

Rapper Jay-Z performs at the 2011 MTV Video Music Awards in Los Angeles August 28, 2011. REUTERS/Mario Anzuoni

Rapper Jay-Z performs at the 2011 MTV Video Music Awards in Los Angeles August 28, 2011.

Credit: Reuters/Mario Anzuoni

NEW YORK | Tue Sep 27, 2011 7:03am EDT

NEW YORK (Reuters) - Jay-Z will be the first musical performer to play at a new basketball arena under construction in Brooklyn, the Brooklyn-born rap star said on Monday.

"This is where I'm from, I'll always be Brooklyn, and opening this arena will mean more to me than anywhere else," he told a news conference.

Dates and prices were not announced, though Jay-Z said there could be up to three shows.

The Barclays Center, under construction since 2009, is due to open in September 2012 and will be the home court of the New Jersey Nets, who will be renamed the Brooklyn Nets, Jay-Z said.

The rapper is a minority owner of the team.

Jay-Z, whose wife Beyonce is expecting their first child, released a collaboration album called "Watch the Throne" with fellow rap star Kanye West in August.

(Reporting by Paula Rogo; Edited by Daniel Trotta)


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Michael Jackson images dominate opening of death trial

Dr. Conrad Murray (C) wipes a tear during the opening arguments in his trial in the death of pop star Michael Jackson in Los Angeles September 27, 2011. REUTERS/Al Seib/Pool

1 of 33. Dr. Conrad Murray (C) wipes a tear during the opening arguments in his trial in the death of pop star Michael Jackson in Los Angeles September 27, 2011.

Credit: Reuters/Al Seib/Pool

By Alex Dobuzinskis

LOS ANGELES | Tue Sep 27, 2011 9:48pm EDT

LOS ANGELES (Reuters) - Images of Michael Jackson lying dead in a hospital and rehearsing the day before his death, along with recollections of the singer as a troubled "lost boy," made for a heart-wrenching opening on Tuesday to the manslaughter trial of the doctor hired to care for him.

In opening arguments two years after Jackson's death by drug overdose of propofol and sedatives, prosecutor David Walgren told jurors the "Thriller" singer "literally put his life in the hands of Dr. Conrad Murray."

"That misplaced trust in the hands of Conrad Murray cost Michael Jackson his life," Walgren said.

But Murray's lawyers argued Jackson "caused his own death" by giving himself extra medication in a bid to sleep. "He died so rapidly, so instantly, he didn't even have time to close his eyes," defense attorney Ed Chernoff said in opening arguments.

Murray denies he is guilty of the involuntary manslaughter of Jackson on June 25, 2009, but admits giving the 50-year-old pop star a dose of the powerful anesthetic propofol as a sleep aid. He faces a prison sentence of up to four years if convicted. The trial is expected to last four to six weeks.

The Texas cardiologist, who was paid $150,000 a month to care for Jackson, wiped away tears during Tuesday's opening statements as Chernoff defended him.

Jackson's lifeless body was found at his rented Los Angeles mansion just three weeks before a series of 50 planned London comeback concerts titled "This Is It" were scheduled to begin.

Kenny Ortega, the co-director of the concerts, testified that Jackson was excited about the shows because he wanted his young children to see him perform.

"LIKE A LOST BOY"

But on June 19, six days before his death, Jackson turned up at rehearsals in Los Angeles in a worried state. "Michael seemed chilled, lost and incoherent," Ortega recalled.

"I was feeding him, wrapping him in blankets to warm his chills, massaging his feet to calm him and calling his doctor," Ortega wrote in an email to concert promoters hours later. "It broke my heart. He was like a lost boy ... He is terribly frightened it is all going to go away," Ortega put in the email.

Four days later, Jackson was back "full of energy, full of desire to work, full of enthusiasm," Ortega said. Ortega hugged Jackson goodbye after another good day of rehearsals on June 24. On June 25, the director and choreographer said he got a call saying "We lost him."

Chernoff told jurors Murray was trying to wean the pop star off propofol, which Jackson called "milk."

He argued that a frustrated Jackson, tired and under pressure to get the concerts ready, gave himself eight lorazepam anti-anxiety pills to sleep in the early hours of June 25. When he still could not rest, he added propofol.

"We believe the evidence will show... that when Dr. Murray left the room, Michael Jackson self-administered a dose of propofol that with the lorazepam created a perfect storm within his body that killed him instantly," Chernoff added.

"The whole thing is tragic, but the evidence is not that Dr Murray did it," Chernoff said.

Walgren opened the prosecution case by showing jurors a photo of a thin Jackson lying dead on a hospital gurney. He later played video of Jackson's last performance -- an emotional rehearsal of "Earth Song" filmed on June 24, 2009.

Footage of the rehearsals was made into Jackson's posthumous concert movie "This Is It" in 2009 and it became a global box office hit.

Jackson's parents, Joe and Katherine, his sisters, Janet and La Toya, and other family members were in court on Tuesday, while outside dozens of fans outside the courtroom held sunflowers, pictures of the dead pop star, and placards saying "Justice for Michael."

(Writing by Jill Serjeant; Editing by Bob Tourtellotte and Bill Trott)


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Gaga presses president at presidential fundraiser

Lady Gaga performs during the second day of the iHeartRadio Music Festival at the MGM Grand Garden Arena in Las Vegas, Nevada September 24, 2011. REUTERS/Steve Marcus

Lady Gaga performs during the second day of the iHeartRadio Music Festival at the MGM Grand Garden Arena in Las Vegas, Nevada September 24, 2011.

Credit: Reuters/Steve Marcus

By Brent Lang

Mon Sep 26, 2011 1:55pm EDT

LOS ANGELES (TheWrap.com) - Hollywood may be feeling meh about President Barack Obama, but Lady Gaga considers the commander in chief to be among her "little monsters."

The "Born This Way" singer was a guest at a $35,800 per couple Obama fundraiser on Sunday at the Atherton, Calif., home of Facebook's Chief Operating Officer Sheryl Sandberg.

According to White House pool reports, Gaga towered over the president, standing a good two feet taller than the 6 ft., 1 inch Obama.

That's not a typo. Gaga's exalted vantage point was reportedly due to a pair of "sky-high heels."

She may not have worn one of her signature meat dresses, but Gaga's outfit was a memorable one.

According to the pool report, Gaga sported "a floor-length sleeveless lacy black dress," and upswept her hair in "a bouffant" along "with a black hair piece with a black veil down the back."

Apparently the hair tacked on about 6 inches to her height.

Gaga also pressed the president on his anti-bullying efforts during a question-and-answer period, according to ABC News.

She reportedly thanked him for his work to end bullying, but urged the room of well-heeled donors to do more to end discrimination toward gay teens.

At one point, "Poker Face" played over the loud speaker.

Obama, of course, heads from Atherton to a pair of big-ticket fundraisers in West Hollywood on Monday. Parts of San Vicente Boulevard were already shut down early Monday morning, meaning he'll likely bring some traffic snarls along with him.


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