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Friday, May 4, 2012

Rolling Stone overhauls album ranking, Kanye stars

Recording artist Kanye West sits courtside as he attends the NBA basketball game between the Los Angeles Lakers and Chicago Bulls in Los Angeles December 25, 2011. REUTERS/Danny Moloshok

Recording artist Kanye West sits courtside as he attends the NBA basketball game between the Los Angeles Lakers and Chicago Bulls in Los Angeles December 25, 2011.

Credit: Reuters/Danny Moloshok

By Mike Collett-White

LONDON | Fri Apr 27, 2012 12:03pm EDT

LONDON (Reuters) - Three Kanye West albums have made it on to the latest edition of Rolling Stone magazine's authoritative "500 Greatest Albums of All Time" list, placing him among the greats of popular music.

The new ranking, which combines a 2003 list (updated in 2005) with a later survey of the 2000s, saw two Radiohead records join the elite club, while long-established names including Bruce Springsteen and Bob Dylan also had albums added.

Rolling Stone has published the list, along with details of the albums and several new recording histories based on first-hand accounts, in "bookazine" format available for $11.99 on newsstands between Friday and July 25 in the United States.

As with any survey that tries to put arguably the greatest rock and roll recordings into a particular order, there was plenty of heated debate among the journalists and editors who came up with the final list.

Much of the hard work had been done, however, with hundreds of reporters, executives and musicians involved in the earlier surveys.

"We had arguments in the office, and I hope those arguments are replicated elsewhere," said Christian Hoard, a senior editor at Rolling Stone, of the selection process.

"These special issues are great sellers," he told Reuters. "But they also turn people on to music they haven't heard, and hopefully start fun arguments too.

"People like to get angry about these 'best' lists. It was really a great deal of fun to make."

WEST THE BIG WINNER

The big beneficiary was U.S. hip-hop star West, who saw 2005 album Late Registration, The College Dropout (2004) and My Beautiful Dark Twisted Fantasy (2010) make it to the top 500.

In total, 30 albums were added and 30 taken away, with the casualties including several artists well-represented on the list already and whose "lesser" albums have now been dropped.

The highest entry among recent albums was West's Late Registration at No. 118.

Asked whether the relatively low position of recently released albums reflected a barren period for great rock and pop, Hoard replied:

"My personal opinion is no. Music is as inspirational as it's ever been.

"Things get clearer as the years pass. If you held this poll in 10 years, say, Arcade Fire could be a lot higher and the same could be said of Kanye West. Reputation and time definitely help an album, especially with pollers like ours."

Canadian band Arcade Fire's Funeral is among the 30 additions, as is British act Arctic Monkeys for their 2005 hit Whatever People Say I Am, That's What I'm Not.

Radiohead features twice -- for Amnesiac (2001) and In Rainbows (2007), Jay-Z is added for The Black Album (2003), Lil Wayne makes it with Tha Carter III (2008) and the late Amy Winehouse for Back to Black.

Among those dropping out to make way for the additions were The Beach Boys (Sunflower), David Bowie (Changesone), Elton John (Elton John) and Madonna (Music).

The first change to the previous list comes at number 59, leaving the Beatles to dominate the top 10.

The Fab Four feature no less than four times in the first 10; at number one (Sgt. Pepper's Lonely Hearts Club Band), three (Revolver), five (Rubber Soul) and 10 (The White Album).

Three acts have 10 albums each on the list -- the Beatles, Rolling Stones and Bob Dylan -- and the oldest album on the list is from 1952 (The Anthology of American Folk Music).

Only 40 albums released since 2000 feature, compared with 187 from the 1970s.

(Reporting by Mike Collett-White, editing by Paul Casciato)


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Thursday, May 3, 2012

Conductor Masur in hospital after falling off stage

German maestro Kurt Masur conducts France's National Orchestra during a concert as part of their European festival tour in the northern Spanish town of Santander August 23, 2006. REUTERS/Victor Fraile

German maestro Kurt Masur conducts France's National Orchestra during a concert as part of their European festival tour in the northern Spanish town of Santander August 23, 2006.

Credit: Reuters/Victor Fraile

PARIS | Fri Apr 27, 2012 3:56pm EDT

PARIS (Reuters) - Celebrated German conductor and former East German dissident Kurt Masur was recovering in hospital on Friday after falling off stage at a Paris concert hall while conducting Tchaikovsky's Pathetique Symphony, France's National Orchestra (ONF) said.

Masur, 84, who has been music director of the ONF since 2002, fell some 1.5 meters (yards) into the front row of the audience after losing his balance during the performance of the concert at Paris' Theatre des Champs-Elysees.

A spokeswoman for the orchestra would not say whether the fall was linked to any pre-existing illness.

Masur was taken to the Georges Pompidou hospital in the French capital, where he was found to have sustained no serious injuries. No audience members were hurt in the incident.

"After a reassuring in-depth examination, (Masur) is resting in hospital. He took a few steps this morning and is expected to leave hospital soon," the ONF said in a statement.

Born in Brieg in Silesia, Germany, now Brzeg in Poland, Masur studied piano, music and conducting in Leipzig before receiving his first orchestral appointment as Conductor of the Dresden Philharmonic in 1955.

While head of the Leipzig Gewandhaus Orchestra, he played a central role in the peaceful protests in Leipzig that led to the fall of the Berlin Wall in 1989 and to German reunification, and attracted worldwide attention for the impact of his leadership.

From 1991 to 2002 he was Music Director of the New York Philharmonic, and was later named Music Director Emeritus, only the second after the late Leonard Bernstein.

In 1995 he was awarded the Cross of the Order of Merit of the Federal Republic of Germany, and in 1997 was named Commander of the Legion of Honour in France, a rank which was later upgraded to Grand Officer of the Legion of Honour in 2007.

(Reporting By Vicky Buffery, editing by Paul Casciato)


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Track Review: Rye Rye, 'Boom Boom'

by Jeff Benjamin  |   ?????? 28, 2012 10:00 EDT

RYE RYE
"Boom Boom" (3:23)
Producer: Rudy "Mayru" Maya
Writers: various
Publishers: various
N.E.E.T./Interscope

M.I.A. protégée Rye Rye has had more than her fair share of setbacks with the release of her debut album, and in the time between her arrival in 2007 and her May debut, "Go! Pop! Bang!," the singer has already tweaked her sound. The chorus to "Boom Boom" is a riff on Vengaboys' catchy "Boom, Boom, Boom, Boom!!" single-a smart move, as Rye Rye's youthful delivery on the hook is paired with her impressive rap skills. While the production is strictly pop, her striking ability to spit rhymes prevents genericness, and the bridge nicely mashes up her two musical poses with a dance breakdown. "Boom Boom" is a fun, appealing track that has the best potential for breaking Rye Rye to new audiences before her full-length finally arrives.

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Wednesday, May 2, 2012

Music fans hanker for Ray Charles hologram: poll

Singer Ray Charles, performing in this April 9, 2003 file photograph, has received seven Grammy Award nominations posthumously, as nominations were announced at a news conference in Hollywood by the Academy of Recording Arts & Sciences December 7, 2004. Charles died at his home in Beverly Hills June 10, 2004. Charles album ''Genius Loves Company'' was nominated for Album of the Year. REUTERS/Jeff Christensen/Files

Singer Ray Charles, performing in this April 9, 2003 file photograph, has received seven Grammy Award nominations posthumously, as nominations were announced at a news conference in Hollywood by the Academy of Recording Arts & Sciences December 7, 2004. Charles died at his home in Beverly Hills June 10, 2004. Charles album ''Genius Loves Company'' was nominated for Album of the Year.

Credit: Reuters/Jeff Christensen/Files

LOS ANGELES | Fri Apr 27, 2012 5:53pm EDT

LOS ANGELES (Reuters) - When a hologram of late rapper Tupac Shakur appeared on stage with Snoop Dogg at the recent Coachella music festival, it stunned audiences by literally bringing the performer back to life - technologically, anyway.

Reuters asked Los Angeles-based E-Poll Market Research, which surveys consumers about celebrities for Hollywood's major studios and TV networks, to pull together a list of dead celebrities who remain popular and, like Tupac, might still be big draws at a concert if only as a hologram.

Perhaps surprisingly, given his status as the King of Rock, Elvis Presley managed only a second place tie with country singer Johnny Cash. It was soul legend Ray Charles who topped the list, judged by a combination of fan appeal, audience awareness and perceptions of talent. The researchers label the overall grade an "E-Score."

John Lennon - imagine that - was fourth, and one notch below came ol' blue eyes, Frank Sinatra. Another king, this one of pop music, Michael Jackson, failed to make the top 10, but just by one notch. And while Tupac caused a sensation at Coachella, he could only muster 16th place, just behind Tammy Wynette.

A list of music performers most likely to be enjoyed by fans in an after-life hologram is below, ranked according to their "E-Score." The figures were derived from E-Poll's weekly survey of some 1,100 people ages 13 and older. Rank Celebrity E-Score

1 Ray Charles 100

2 Johnny Cash 99

3 Elvis Presley 99

4 John Lennon 98

5 Frank Sinatra 98

6 Bob Marley 96

7 James Brown 96

8 Whitney Houston 95

9 George Harrison 93

10 Jimi Hendrix 92

11 Michael Jackson 91

12 Luther Vandross 90

13 Janis Joplin 89

14 Isaac Hayes 87

15 Tammy Wynette 84

16 Tupac Shakur 77

17 Miles Davis 75

18 Kurt Cobain 74

19 Biggie Smalls 65

20 DJ AM 52

(Reporting By Bob Tourtellotte, Editing by Jill Serjeant)


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New breed of boy bands takes over airwaves

Manager Scooter Braun (3rd L) poses with members of British-Irish boyband The Wanted (from L-R) Siva Kaneswaran, Tom Parker, Jay McGuiness, Max George and Nathan Sykes for a portrait in Los Angeles, California April 4, 2012. Boy band fever is storming the music scene in the United States, led by the Brits who are breaking away from the slick, squeaky-clean image of old as they battle to become America's newest pin-ups. Picture taken April 4, 2012. REUTERS/Mario Anzuoni

Manager Scooter Braun (3rd L) poses with members of British-Irish boyband The Wanted (from L-R) Siva Kaneswaran, Tom Parker, Jay McGuiness, Max George and Nathan Sykes for a portrait in Los Angeles, California April 4, 2012. Boy band fever is storming the music scene in the United States, led by the Brits who are breaking away from the slick, squeaky-clean image of old as they battle to become America's newest pin-ups. Picture taken April 4, 2012.

Credit: Reuters/Mario Anzuoni

By Piya Sinha-Roy

LOS ANGELES | Thu Apr 26, 2012 5:07pm EDT

LOS ANGELES (Reuters) - Boy band fever is storming the music scene in the United States, led by the Brits who are breaking away from the slick, squeaky-clean image of old as they battle to become America's newest pin-ups.

The five young men of The Wanted take on their baby-faced rivals One Direction with their self-titled debut EP released this week, following One Direction's No. 1 first album on the U.S. Billboard charts last month.

It's more than 10 years since New Kids on the Block, Backstreet Boys and N'Sync ruled the U.S. music scene and sent hordes of screaming young girls to record stores.

In Britain, boy bands have never gone out of fashion, although the new breed appears to have grown up.

If One Direction are the co-ordinated, clean-cut, media-savvy boy band, The Wanted are the rebellious antidote, uncensored by their team and left to win over audiences by goofing around with each other, and the media.

"We're different, we all play instruments, we don't dance and we don't dress very well," The Wanted's Tom Parker told Reuters.

The Wanted - Parker, Max George, Siva Kaneswaran, Jay McGuiness and Nathan Sykes, aged between 19 and 23 - were put together after mass auditions in the U.K. in 2009, and are managed by Scooter Braun, the mastermind behind Canadian teen idol Justin Bieber.

"All the acts that I manage are built organically and they all get to be exactly who they are," said Braun, 30, who encourages The Wanted to be open about drinking, partying and dating girls.

"I used to be a party promoter the last time boy bands were huge, and I knew a lot of those guys, and they like to party and drink and do all that stuff too. But they always had to hide it, and I think it's refreshing to see a boy band that doesn't hide it and that doesn't care," Braun added.

LADS HAVING FUN

One Direction - formed of Liam Payne, Harry Styles, Zayn Malik, Louis Tomlinson and Niall Horan, all aged between 18 and 20 - were put together in 2010, and are managed by Simon Cowell.

One Direction's image is more carefully groomed and choreographed in the vein of the boy band stereotype but that didn't stop a controversial romance between Styles and a British TV presenter 15 years his senior, prior to the band making their U.S. debut.

"We don't mind at all being called a boy band, we're just lads in a band. But I think we're trying to do something a little bit different...it's a bit more relaxed, lads having fun, we do what we want," said One Direction's Payne.

Both bands fall squarely into the pop genre, with One Direction embracing innocent, fun love songs such as with their lead single "What Makes You Beautiful," which peaked at No. 4 on the Billboard Hot 100.

The Wanted have taken a more adult route, with heavier dance beats and raunchier music videos such as their single "Glad You Came," peaking at No. 3 on the Billboard Hot 100 singles chart.

"Their music is really different to ours and I think anyone can see that, and you can like one or the other or both," said The Wanted's McGuiness.

"A lot of people expect boy bands to cater music exclusively to young girls...we accept that a lot of young girls do like us, but we respect their musical choice as much as we respect a 50-year-old dude," McGuiness added.

DIRECTIONERS VS. TEAM WANTED

The Wanted have received mixed critical reviews for their debut EP in the United States, released this week.

August Brown at the Los Angeles Times said that while The Wanted were "saucier and sleeker" than One Direction, their music wasn't "nearly as fun," while Maura Johnston at Rolling Stone said "their dance pop droops where it should bounce."

Devoted fans, known as "Directioners" and "Team Wanted," compete on Twitter to make the bands a trending topic, and have been a fundamental part in driving sales.

"As much as we don't try to be perfect all the time, we knew America had an idea of boy bands...we have to thank them because they welcomed us with open arms, and we could never have expected it," said McGuiness.

One Direction's first album, "Up All Night," sold more than 176,000 copies in its first week, entering the Billboard 200 album chart at No. 1 and making history as the first UK band to debut at the top with their first album.

The Wanted also look set to chart high, currently at No. 7 on iTunes.

One Direction has more than 5 million fans on Facebook and 3.2 million "Directioners" following on Twitter, while The Wanted have more than 1.6 million fans on Facebook and 500,000 Twitter followers.

Parker from The Wanted called the adulation "pretty weird at times" and Horan from One Direction admitted he gets a "bit scared" when their female fan base are driven into a frenzy.

Manager Braun brushes off critics who dismiss boy bands as mere manufactured creations.

"People forget that the Beatles were once a cheesy boy band - that's what America other than the teenage girls thought. But then they kept making great records...when you make great songs, everyone else just shuts up," said Braun.

(Reporting By Piya Sinha-Roy, Editing by Jill Serjeant)


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Tuesday, May 1, 2012

Watch President Obama Big-Up Young Jeezy at Correspondents' Dinner

by Jason Lipshutz, N.Y.  |   April 29, 2012 11:25 EDT

During his speech/comedy routine at the White House Correspondents' Dinner on Saturday night (Apr. 28), U.S. President and self-admitted rap fan Barack Obama joked about following his impromptu Al Green rendition in January with a take on everyone's favorite Snowman, Young Jeezy.

At the 14:30 mark, Obama starts to wrap up his speech by giving a "quick preview of the secret agenda you can expect" if he is re-elected in 2012. "In my first term, I sang Al Green," he says. "In my second term, I'm going with Young Jeezy."

Following the nervous laughter from his onlookers (some of whom are likely unfamiliar with Jeezy's brand of thug motivation), Obama followed the joke by saying, "Michelle said, 'Yeeeeah.' I sing that to her sometimes."

Obama & Al Green Tour? 'After Re-Election,' He Says

Soon after Obama made the joke, Jeezy posted on Twitter, "Shout out to @BarackObama... You know they love the snowman in the white house #Turntup." Jeezy, of course, is the author of the 2008 song "My President," which was released just prior to Obama's historic election win and contains the hook, "My president is black, my Lambo's blue/And I'll be goddamned if my rims ain't too."

Meanwhile, Obama already spent some time last week with another hip-hop crew -- "Late Night with Jimmy Fallon" house band the Roots, who helped the President slow jam the news during an episode filmed in North Caroline. At this rate, expect President Obama's debut mixtape, "Y.O.L.O. (You Only Legislate Once)," to drop sometime in May.


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Jack White knocks Adele off top of UK album charts

Jack White of the film ''White Stripes: Under the Great White Northern Lights'' speaks at a press conference during the 34th Toronto International Film Festival, September 18, 2009. REUTERS/Mark Blinch

Jack White of the film ''White Stripes: Under the Great White Northern Lights'' speaks at a press conference during the 34th Toronto International Film Festival, September 18, 2009.

Credit: Reuters/Mark Blinch

LONDON | Sun Apr 29, 2012 2:10pm EDT

LONDON (Reuters) - Former White Stripes frontman Jack White's debut solo album 'Blunderbuss' knocked Adele's '21' off the top of Britain's charts on Sunday, and Carly Rae Jepsen managed to keep a new single from Calvin Harris from the No. 1 spot.

Soul singer-songwriter Adele's album has been a fixture near the top of Britain's charts for more than a year, and U.S. magazine Time recently named her among the world's 100 most influential people in 2011 - an accolade not received by Britain's prime minister, David Cameron.

However, she lost the top spot this week to the blues-influenced 'Blunderbuss' by Jack White, who found fame with the White Stripes until the band split in February 2011, the Official Charts Company said.

Singers Lana Del Rey and Nicki Minaj traded places to stand third and fourth respectively, while Rufus Wainwright's album 'Out of the Game' was a new entry at No. 5.

In the singles chart, Canadian Idol talent show contestant Carly Rae Jepsen remained at No. 1 with 'Call Me Maybe', which has sold 434,000 copies to date and is on track to be one of 2012's top-selling records.

Scottish singer-songwriter Calvin Harris, who produced Rihanna's 'We Found Love', was in second place with 'Let's Go', which features U.S. R&B singer Ne-Yo. It was the only new entry in this week's top 40 singles chart.

(Reporting by David Milliken Editing by Maria Golovnina)


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