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Showing posts with label Voice. Show all posts
Showing posts with label Voice. Show all posts

Monday, April 1, 2013

New album, NBC's "The Voice" make for awesome times for Blake Shelton

Blake Shelton speaks at the 46th Country Music Association Awards in Nashville, Tennessee, November 1, 2012. REUTERS/Eric Henderson

Blake Shelton speaks at the 46th Country Music Association Awards in Nashville, Tennessee, November 1, 2012.

Credit: Reuters/Eric Henderson

By Vernell Hackett

NASHVILLE, Tennessee | Thu Mar 28, 2013 12:35pm EDT

NASHVILLE, Tennessee (Reuters) - Country music singer Blake Shelton has never been one to shy away from his feelings, so when it came to recording his new album he sought out songs that reflected his current state of mind.

Life, he says, is "pretty awesome."

"It's all where I am in my life right now. I'm very content with my life. I'll be happy if it stays like this for a long time," Shelton, 36, told Reuters of his new album "Based on a True Story..."

After some 10 years in country music, Shelton's popularity has surged in his two years as a judge on NBC's "The Voice" singing contest, which is seen by about 13 million U.S. viewers a week.

The new album's first single, "Sure Be Cool If You Did," released in January, has already topped the U.S. country chart. "Based on a True Story...," released to coincide with the return of "The Voice" this week, is expected to debut near the top of next week's album chart.

"I didn't want to do any sad songs, damn it, but this is a country album so you have to do a couple," said Shelton.

"I had those years where I made those kinds of records and something will happen one of these days and it will be a part of my music again. But right now everything is pretty awesome," he added.

Shelton, 36, is the latest country star to break into the mainstream. His 2011 album "Red River Blue," reached No. 1 on the Billboard 200, buoyed in part by the singer's laid-back, fun-loving role on the TV show.

On the new album, Shelton, who forms a country music power couple with singer-wife Miranda Lambert, sings about tried-and-true country themes, including good ol' boys, picking up girls, being in love, losing the love of his life and bad jobs.

"The album is the story of my life from start to finish and I thought 'That's what we should call it because it is based on a true story,'" Shelton said.

The singer, who won the Country Music Association's Entertainer of the Year in 2012, said he wants people to get to know his personality through his music and "The Voice."

"I guess if doing what I did got me that award, I better keep being that guy," said Shelton, whose biggest hits include 2009's "Hillbilly Bone" and 2004's "Some Beach."

Shelton has emerged as the face of the country music industry on "The Voice," in which he and three other judges compete with each other to mentor rising singers and help them win a record deal.

"I've always felt a responsibility to make sure that every step along the way is a good one for our industry," he said. "I'm proud to be that person on 'The Voice' that represents country music."

Shelton will be back in the country music spotlight on April 7 as host for the third consecutive year of the Academy of Country Music Awards in Las Vegas.

(Reporting by Vernell Hackett, editing by Eric Kelsey, Jill Serjeant and Jackie Frank)


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Tuesday, September 18, 2012

The Weekend! Dangerbird, Village Voice, James Taylor, UMG+EMI, Pirate Bay...

Saturday, September 15, 2012
by  paul

Just some of the stories we're tracking this weekend...

The declining details at Dangerbird keep mounting, with huge questions on what happens next at the once-hot LA indie.  Most are still fairly surprised that label founder Jeff Castelaz is ditching his baby to focus entirely on management, though this is a story that's been worsening since last year.  Rumors that Castelaz is preparing to assume a position at a bigger label persist, all part of a bad commentary on the plight of indie labels.  Meanwhile, word is that Dangerbird darlings Fitz & the Tantrums are contemplating an exit; others could follow suit depending on contract specifics and discussions.   

Village Voice music editor Maura Johnston is now leaving, according to multiple posts from the author.  "The decision to leave was not mine," Johnston told the New York Times.  "I prefer to analyze the ways that people migrate to certain pieces of content rather than engaging it myself.  I guess doing it gets more traffic than looking at it from a critical point of view."

James Taylor is the latest legacy giant to challenge his major label over royalty calculations.  Taylor is now suing Warner Bros. Records and Warner Music Group for $2 million, based largely on the way digital download royalties are calculated.  Taylor, like a raft of other artists, is contending that digital downloads should not be paid as sales, but rather at a higher percentage as licenses.

European regulators are now widely expected to deliver an approval on Universal Music's proposed acquisition of EMI next week.  A Federal Trade Commission (FTC) green light could soon follow suit, though the wildcard in the US comes from a cadre of concerned Congressmen.  Notwithstanding, most are expecting an approval with very sizable divestitures.  Earlier, word leaked that UMG parent Vivendi had already transferred the cash on the deal, based on earlier agreements and deadlines.

And, the Pirate Bay is now 9 years old, though this is one complicated birthday party.  The site was founded September 15th, 2003, and the tracker site is still live - in fact, it remains one of the top 100 trafficked sites.



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Thursday, September 29, 2011

Jackson's voice echoes through Los Angeles court (AP)

By LINDA DEUTSCH and ANTHONY McCARTNEY, Associated Press Linda Deutsch And Anthony Mccartney, Associated Press – Wed Sep 28, 1:27 am ET

LOS ANGELES – First, prosecutors showed a photo of Michael Jackson's pale and lifeless body lying on a gurney. Then, they played a recording of his voice, just weeks before his death.

Slow and slurred, his words echoed Tuesday through a Los Angeles courtroom at the start of the trial of the doctor accused of killing him. As a worldwide audience watched on TV and Jackson's family looked on from inside the courtroom, a drugged Jackson said:

"We have to be phenomenal. When people leave this show, when people leave my show, I want them to say, `I've never seen nothing like this in my life. Go. Go. I've never seen nothing like this. Go. It's amazing. He's the greatest entertainer in the world.'"

Prosecutors played the audio for the first time during opening statements as they portrayed Dr. Conrad Murray, 58, as an incompetent physician who used a dangerous anesthetic without adequate safeguards and whose neglect left the superstar abandoned as he lay dying.

Defense attorneys countered that Jackson caused his own death by taking a drug dose, including propofol, after Murray left the room.

Nothing the cardiologist could have done would have saved the King of Pop, defense attorney Ed Chernoff told jurors, because Jackson was desperate to regain his fame and needed rest to prepare for a series of crucial comeback concerts.

A number of Jackson's family members were in the courthouse, including his father Joseph, mother Katherine, sisters LaToya and Janet, and brothers Jermaine, Randy and Tito. LaToya Jackson carried a sunflower, her brother's favorite flower.

The family's most emotional moment came when the prosecutor played a video excerpt from Jackson's "This Is It" rehearsal in which he sang "Earth Song," a plea for better treatment of the environment.

As Jackson sang the words, "I used to dream. I used to glance beyond the stars," his mother, Katherine, dabbed at her eyes with a tissue.

Prosecutor David Walgren noted it was Jackson's last performance.

Murray, who arrived at court holding hands with his mother, has pleaded not guilty to involuntary manslaughter. If convicted, he could face up to four years in prison and the loss of his medical license.

Speaking for more than an hour, Walgren relied on photos and audio recordings to paint Murray as an inept and reckless caretaker.

Walgren showed a photo of a lifeless Jackson on a hospital gurney. He juxtaposed the image with those of Jackson performing. Walgren also played the recording of Jackson speaking to Murray while, the prosecutor said, the singer was under the influence of an unknown substance roughly six weeks before his death.

The prosecutor said that Murray recorded the conversation with his groggy patient on his cell phone.

Jackson trusted Murray as his physician, and "that misplaced trust in Conrad Murray cost Michael Jackson his life," Walgren said.

The recurring theme was Jackson's never-ending quest for sleep and propofol, the potion he called his "milk" and that he believed was the answer. Jurors were told that it was a powerful anesthetic, not a sleep aid, and the prosecutor said Murray severely misused it.

The prosecutor said while working for Jackson, the doctor was shipped more than four gallons of the anesthetic, which is normally given in hospital settings.

Chernoff, the defense attorney, claimed the singer swallowed several pills of the sedative lorazepam on the morning of his death and that was enough to put six people to sleep. After taking a self-administered dose of propofol, Jackson did not even have a chance to close his eyes, Chernoff said, claiming he died instantly.

Chernoff, who had long hinted that the defense would blame Jackson for his own death, added a surprise. He claimed that Jackson died not because his doctor continued to give him the drug but because he stopped it, forcing Jackson to take extreme measures.

"What we will hear is that Dr. Murray provided propofol for two months to Michael Jackson for sleep," Chernoff said. "During those two months, Michael Jackson slept. He woke up and he lived his life.

"The evidence will not show you that Michael Jackson died because Dr. Murray gave him propofol. The evidence is going to show you Michael Jackson died when Dr. Murray stopped," the attorney said.

He said Murray was trying to wean Jackson off of propofol and had been giving him other sleep aids known as benzodiazepines trying to lull him to sleep.

On June 25, 2009, the last day of Jackson's life, Chernoff said, he was in the third day of a weaning process and it didn't work.

"Michael Jackson started begging. He couldn't understand why he wasn't sleeping.... When Michael Jackson told Dr. Murray `I have to sleep. They will cancel my performance,' he meant it," Chernoff said.

Murray, in a recording of his interview with police detectives, acknowledged that he relented and agreed to give Jackson a small dose of propofol.

Walgren said Murray's claim that he gave the singer a minuscule dosage, enough to keep him asleep perhaps five minutes, was not true. He also accused Murray of deception when he hid from paramedics and hospital emergency staff that he had given Jackson propofol. He said they were desperately trying to revive him but didn't know about the drug.

He returned repeatedly to the fee Murray was to be paid — $150,000 a month — and pointed out that he first had asked for $5 million.

"There was no doctor-patient relationship," Walgren said. "... What existed here was an employer-employee relationship. He was not working for the health of Michael Jackson. Dr. Murray was working for a fee of $150,000."

Chernoff countered with a description of Murray's history of treating indigent patients for free. At times during the defense attorney's opening statements, Murray appeared to be crying and wiped his eyes with a tissue.

Jackson's family members appeared pained as Walgren described the singer as a vulnerable figure, left alone with drugs coursing through his body.

"It violates not only the standard of care but the decency of one human being to another," he said. "Dr. Murray abandoned Michael when he needed help."

Following opening statements, Jackson's choreographer and friend, Kenny Ortega, testified that Jackson was in bad shape physically and mentally less than a week before his death.

He said he sent a message to Randy Phillips, producer of the "This Is It" concert, telling him that Jackson was ill, probably should have a psychological evaluation and was not ready to perform.

"It's important for everyone to know he really wants this," he wrote. "It would shatter him, break his heart if we pulled the plug. He's terribly frightened it's all going to go away."

In response to the email, Ortega said, a meeting was called at Jackson's house where Ortega clashed with Murray, who told him to stop playing amateur psychiatrist and doctor.

"He said Michael was physically and emotionally capable of handling all his responsibilities for the show,'" said Ortega, "I was shocked. Michael didn't seem to be physically or emotionally stable."

Within a few days, he said, Jackson had recouped his energy and was full of enthusiasm for the show.

During the defense opening statement, Chernoff referred to Dr. Arnold Klein, Jackson's dermatologist, who the judge decided will not testify.

The attorney tried to blame Klein for some of Jackson's woes, saying Klein gave Jackson the painkiller Demerol and he became addicted to it.

He told jurors that Klein would not be testifying but his records would be available and an addiction specialist would testify that one of the side effects of Demerol withdrawal is trouble sleeping. Chernoff said Murray was unaware of a Demerol shot administered to Jackson on June 16 and thus didn't realize there could be a fatal interaction with propofol.

Klein's attorney, Garo Ghazarian, later in the day issued a statement calling the allegations preposterous and "merely an attempt to whitewash the facts surrounding the death of ... Michael Jackson while under the management of Dr. Conrad Murray."

He noted there were no traces of Demerol in Jackson's autopsy or in his home, indicating he was not addicted. He also said Klein's use of the drug was not excessive. He noted that Klein was cleared by authorities of any wrongdoing in Jackson's death.

___

Anthony McCartney can be reached at http://twitter.com/mccartneyAP


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Saturday, June 25, 2011

Miranda Lambert to perform on NBC's `The Voice' (AP)

LOS ANGELES – Miranda Lambert is stepping into new husband Blake Shelton's territory.

On next Wednesday's season finale of NBC's hit singing contest, "The Voice," Lambert will perform a duet with the finalist who was on Shelton's team, Dia Frampton.

Lambert, a Grammy winner for her single "The House That Built Me," said she was "thrilled" to be part of "The Voice."

"It's been a joy watching my husband grow so attached to his team. Truthfully, I am a little jealous that I am not a coach myself. I can't wait to be a part of it," she said.

Country superstars Lambert and Shelton were married last month.

"The Voice" also features Christina Aguilera, Maroon 5's Adam Levine and Cee Lo Green as coaches to their own groups of would-be pop stars.

The other finalists competing with Frampton are Javier Colon, Beverly McClellan and Vicci Martinez. The four will perform next Tuesday, with the viewers' choice to be announced on the finale the following night. The winner gets a record contract and a $100,000 prize.

___

Online:

http://www.nbc.com/


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Monday, June 20, 2011

Will Cheryl Cole judge UK's version of "The Voice?"

Cheryl Cole poses for photographers at the BRIT music awards at the O2 Arena in London February 15, 2011. REUTERS/Toby Melville

Cheryl Cole poses for photographers at the BRIT music awards at the O2 Arena in London February 15, 2011.

Credit: Reuters/Toby Melville

By Mimi Turner

Fri Jun 17, 2011 9:04pm EDT

LONDON (Hollywood Reporter) - The BBC has won the battle to bring talent search show "The Voice" to BBC1 after a high stakes battle with ITV. The move could see Cheryl Cole back on British screens next year.

The Girls Aloud singer, who was unceremoniously dumped from "X-Factor" U.S. earlier this month, also lost out on her chance to rejoin the British version of the show - which airs on ITV1 - after refusing to take calls from ITV executives.

There is no word about Cole signing to the BBC1 Saturday night show -- yet. But as the most popular talent show judge in the U.K. after Simon Cowell, Cole will be the viewers' choice to front the BBC show, and if wooed to the BBC could secure the show's success for the BBC.

A rep for Cole denies that "any discussions with Talpa have taken place."

BBC1 boss Danny Cohen said he has signed a deal with the show's creator, John de Mol, whose production company Talpa Media is behind the NBC show starring Christine Aguilera, Cee Lo Green and Adam Levine. The U.K. show will be co-produced by Talpa and Warner Bros-owned British company Shed Media.

"It's a big, exciting and warm-hearted series and will be a fantastic Saturday night event on BBC1," said Cohen.

"The Voice" initially began life as "The Voice of Holland" and was the most watched talent competition in the history of Dutch TV.

Creator John de Mol said it represented "a new generation" in its genre. "I am so glad it has been picked up by the BBC, who really share my passion and belief in the show," he added.

(Editing by Zorianna Kit)


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