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Monday, July 4, 2011

Singer Jenni Rivera honored with Las Vegas star (AP)

LAS VEGAS – Singer Jenni Rivera and former major league pitcher Esteban Loaiza are each getting a place on the Las Vegas Walk of Stars.

The Mexican power couple was honored at the Eastside Cannery casino in Las Vegas Friday night in a ceremony punctuated by mariachi music and glowing speeches given by friends and family. Rivera is giving a concert at the casino Saturday night to mark her 42nd birthday.

Rivera tearfully thanked her fans as she surveyed the granite stars recognizing her and her husband.

"You make me," she said.

The 200-pound granite stars were scheduled to be installed Saturday on the Las Vegas Strip outside the MGM Grand Hotel & Casino alongside stars dedicated to Dean Martin, Elvis Presley and Frank Sinatra.

The singer of hits "Contraband" and "Guilty or Innocent" hopes to win her first Grammy soon.

"One day I'll get it," she said of the celebrated music award.

Mexican boxer Fernando Vargas said Rivera deserved the recognition.

"I know the Mexican people love her a lot, as they should," he said.

Rivera was born in Long Beach, Calif., to Mexican parents. Loaiza was born in Tijuana, Mexico, and during his long career played for a variety of teams including the New York Yankees and Los Angeles Dodgers.

The couple wed last year.

Rivera said she and Loaiza were both fans of the other before they met at one of her concerts.

"Well, he pitched and I caught it," she said with a laugh.

Las Vegas Walk of Stars spokesman Pablo Castro Zavala said Rivera's fans demanded the couple be recognized. Of the 54 stars handed out since the organization was founded more than six years ago, nearly half have gone to Latin American celebrities.

"She's got thousands of fans in Las Vegas," said Zavala.

Rivera and Loaiza are the second couple to be recognized by the Las Vegas Strip attraction. Cuban music icons Gloria Estefan and Emilio Estefan were given a shared star last year.

Rivera, who was encouraged to pursue a singing career by her father, recalled her early days as a performer, when she was paid $100 to do five shows. She said she became famous to show her children that persistence was the best way to respond to critics.

"If it wasn't for my children, I wouldn't have this drive to succeed," she said.


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Beyonce, others enjoy "Glastonbury effect" in UK charts (Reuters)

LONDON (Reuters) – Beyonce heads the British album charts at the midweek stage, with "4" outselling its nearest rival by three to one boosted by her weekend appearance at Glastonbury, sales data showed on Wednesday.

According to the Official Charts Company (OCC), the 29-year-old R&B star is set to top the ranking by the end of the week, which would be her second British number one.

She was one of several acts to enjoy the "Glastonbury effect," where media exposure of one of the world's biggest music festivals boosts performers who appear.

The event ran from Wednesday to Sunday, with U2, Coldplay and Beyonce grabbing most of the limelight with their headline slots on the final three days.

Besides her new album, Beyonce's single "Best Thing I Never Had" was on course to enter at number six, one of seven tracks by the singer in the Top 75.

Among others to benefit from Glastonbury with big gains in the album rankings were Chase & Status, Mumford & Sons, Aloe Blacc, Noah & The Whale, Plan B, Elbow and Coldplay.

(Reporting by Mike Collett-White, editing by Paul Casciato)


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Ledisi gains self-confidence with new album (AP)

NEW ORLEANS – If there's any message Ledisi wants her fans to take away from her latest album, "Pieces of Me," it's about gaining a sense of self-confidence and self-worth.

"This project is very personal to me," she said in a recent telephone interview. "I want women to hear themselves in the music and find a way to celebrate and embrace who they are."

It's something that Ledisi has finally been able to accomplish in her own life. Early in her career, when Ledisi struggled to make inroads in the business, the New Orleans native started to have doubts about whether she'd fit in, or whether she had what it took to make it as a recording star.

But after the breakthrough success of 2007's "Lost & Found," which garnered her a Grammy nomination for best new artist, and 2009's "Turn Me Loose," which earned her additional Grammy nominations and more success, she's finally feeling confident. The title track, which is the album's first single, gives her audience a glimpse at a woman who's confidently tackling issues of love, intimacy, relationships, respect and empowerment.

"This is a reflection of me as a person, of the person I'm becoming," Ledisi said. "I hope it shows that Ledisi is funny. She is sad. She is spirited. She is very complex. It's about no longer wondering whether I'm worthy of being in this business."

Vocally, she can reign supreme in the R&B world; her stylistic tones also hint upon her penchant for jazz and opera. That versatility has helped draw acknowledgment from fans (who reach as high as the nation's first lady) as well as from peers, and helped her recognize pieces of herself that had been long-buried.

"All of the producers wanted me step back and look at what I'd done, to really see eight months later what we had," she recalled. "I was always asking, `Did I do good?' and for the first time, I was able to look back and say `Wow. That is so good.' This project reminded me to stop and smell the roses, to look around outside and really see what I'd done."

Ledisi, who recently wowed at the BET Awards with a masterful tribute to the late Teena Marie, has said that recording the album was therapy for her.

"I've been so happy with the response so far," she said. "I'm hoping that the project will draw younger audiences into the fold with the mix of old and new. It's fiery and uptempo and exciting. It's just great to know that someone out there is listening while in turns builds confidence and reminds me that `Hey, I've still got a little swag.'"

Asked what else might be in her future, Ledisi said she's working on a book, but wouldn't give any details, saying it's still early in the process.

"I'm just nurturing all the different sides of me," she said, laughing. "I can't wait to see what's next."

___

Online:

http://www.ledisi.com/


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Jill Scott tops U.S. album chart for first time (Reuters)

LOS ANGELES (Billboard) – R&B singer Jill Scott scored her first No. 1 album on the U.S. pop album chart Wednesday, ending Eminem's brief reign.

Scott's fourth studio effort, "The Light of the Sun," sold 135,000 copies during the week ended June 26, according to Nielsen SoundScan. She previously went as high as No. 3 with 2004's "Beautifully Human: Words and Sounds Vol. 2."

Right behind her at No. 2 was indie folk band Bon Iver, whose self-titled second full-length album sold 104,000 copies in its first week. This marks both its highest-charting set and best sales week yet. Fronted by singer/songwriter Justin Vernon, Bon Iver's previous high-water mark came when its "Blood Bank" EP debuted and peaked at No. 16 with 23,000 in 2009.

Adele's "21" held at No. 3 with 101,000 copies in its 18th week. With cumulative sales of 2.43 million copies -- and never having slipped below No. 3 -- it is the top-selling album in the U.S. this year.

Jackie Evancho's "Dream With Me" fell two to No. 4 in its second week (77,000). Country singer Justin Moore's second full-length album, "Outlaws Like Me," debuted at No. 5 (65,000). Last week's No. 1, "Hell: the Sequel" -- from the Eminem and Royce da 5'9" alter ego Bad Meets Evil -- slid to No. 6 (63,000).

Pitbull's "Planet Pit" started at No. 7 (55,000). It's his second top 10 set following 2009's "Rebelution," which debuted and peaked at No. 8 with 41,000 copies. Lady Gaga's "Born This Way" fell four to No. 8 (49,000).

Rounding out the new entries in the top 10 was "Weird Al" Yankovic who earned his highest charting album ever as "Alpocalypse" laughed its way to No. 9 (44,000). Led by the single "Perform This Way" (a parody of Lady Gaga's "Born This Way"), the album surpassed his previous career-high peak with his last studio set, 2006's "Straight Outta Lynwood," which debuted and peaked at No. 10 with 73,000.

Jason Aldean's "My Kinda Party" fell five rungs to No. 10 (40,000).

Overall album sales totaled 5.92 million units, down 6% compared to the previous week and down 2% compared to the comparable sales week of 2010. Year to date album sales stand at 149.12 million, up less than 1% compared to the same total at this point last year.


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Folk rockers Burlap to Cashmere back from tragedy (AP)

By CAITLIN R. KING, Associated Press Caitlin R. King, Associated Press – Thu Jun 30, 12:40 pm ET

NASHVILLE, Tenn. – Guitarist John Philippidis woke up groggy from a monthlong coma in a hospital room full of people.

He disregarded doctors urging him to stay in bed and slowly shuffled to the bathroom. As he went to wash his hands, he reflexively looked up in the mirror and saw a closed eye, a head the size of a basketball and his face disfigured beyond what he thought could ever be repaired.

"I started laughing," Philippidis said in a recent interview with The Associated Press.

At the time, he couldn't remember that two ex-Marines and a female accomplice had beaten him to within an inch of his life and left him for dead during a random, road rage incident just miles from his home in the New York borough of Brooklyn.

Doctors took his reaction as a good sign — and it was.

"I just remember that feeling of being reminded right there in that moment that you're alive. Whatever happened to you, you're alive," said Philippidis.

That was 2005.

Today, 33-year-old Philippidis is feeling more alive than ever. His recovery sparked a reunion with award-winning, folk-rock band Burlap to Cashmere, and after a 12-year hiatus, the band is preparing to release its second, self-titled album, due out July 19 on Jive/Essential Records.

Recovery was a slow process, aided in large part by his cousin, Burlap lead singer Steven Delopoulos. Doctors didn't know whether Philippidis would play guitar the same way because of the damage he suffered, and he was nervous to even pick one up.

"Initially I was slow, and I put it down, and didn't look at it again, and said, `Nuh uh. Not gonna do this.' That was depressing me. It was like, `Oh my god, oh my god,'" he said.

Philippidis panicked, but his doctor reassured him that it would take time for his brain and nerves to reconnect.

Delopoulos would drive from New Jersey to visit his cousin nearly every weekend. Instead of pushing him back into music before he was ready, they would play the Xbox video game "Halo" and trash talk each other.

"The thing about Johnny is he's really good at guitar, but whenever we play `Halo' ."

"Oh, he's trash talking right now," interrupted Philippidis, as the two joke around.

Eventually, Delopoulos began testing out a few song ideas in front of Philippidis, and the album track "Orchestrated Love Song" took shape.

"Picked up a guitar, and I think we wrote the opening lick to that song, which was like not complex, but it made me feel like, `OK, wait, I can still do this. My hands are still moving,'" said Philippidis.

Little by little, Burlap to Cashmere began to reemerge. The band had broken onto the scene in 1998 with its major-label debut, "Anybody Out There?" Met with critical acclaim and multiple Dove Awards, they generated a dedicated following and quickly established themselves as an exceptional live act. However, relentless touring took its toll, and they went on hiatus in 2001.

"Steven and I will always play music together," said Philippidis. "We've been doing it since we were like 8. We're cousins. But this strengthened the fact that we needed to do it soon, because we realized at that point, well, life is fleeting."

Drummer Theodore Pagano heard some of the new songs and got onboard. He was at a crossroad in his own life, going through a divorce and having decided to leave his job in London, designing a 20,000-square-foot concept store for National Geographic that wasn't working out. After Burlap's initial breakup, Pagano quickly established himself as a top name in the interior design world. He designed all the top-floor room sets for Ikea and then did the same thing for Apple stores.

Pagano became an organizational and driving force behind Burlap to Cashmere that eventually scored them another major-label record deal.

"I always thought, if we were to do this again, if we were to make a record now, how would it be modernized?" said Pagano.

He popped into a studio session during a visit home from London and heard his band mates working on the album track "Live in a Van."

"It was very subtle, which we didn't do very well back in the day, and really, really well-executed," Pagano said. "All the sounds were right, and all that I didn't like seemed to have gone away."

The inspired, 11-track effort marks a departure from the band's first album. The grandiose textures that emphasized style over substance have been replaced with a more stripped-down sound and focused lyrics, reminiscent of Simon & Garfunkel and Cat Stevens. Their blend of Mediterranean rhythms and tightknit harmonies helps them stand out among popular folk-rock acts including Mumford & Sons, Avett Brothers and Fleet Foxes.

"It's a very shadowy record," said Delopoulos, who wrote all 11 tracks.

"There's definitely a lot of energy and a lot of uplifting moments, like `The Other Country,'" which Delopoulos wrote about his family member's last words before he passed away.

"There's sort of a redemption at the end," he continued. "But (the album) talks about, I would say, the different layers of life, the good times and the bad times all at once in one package with a bow on it."

These days Philippidis looks like a chiseled rock star, shredding guitar onstage in his skinny jeans, fitted shirt and dark sunglasses. The glasses hide a slightly closed eye, which can be fixed with one last surgery, and there is a C-shaped scar on his buzzed head from a tube doctors inserted to alleviate pressure on the brain. Philippidis has 13 titanium implants in his face. Doctors replaced his facial orbits, his forehead and jaw line. They also had to reconstruct his nose and sinuses.

His two male attackers are in prison, and the female who was with them fled the country. Despite the unprovoked brutality of the situation that nearly cost Philippidis his life, he and the rest of the band refer to it as the "accident."

"I view it as an accident, personally. I think we all do, because you can't really hold on to anything. I'm not really angry. I get to sit here with my cousin and somebody that I grew up with since I'm 11 years old and play music," said Philippidis, flashing that charming grin. "That anybody claps for our music is the biggest reward you can receive. We're just happy to be here."

___

Online:

http://www.burlaptocashmere.com


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Sunday, July 3, 2011

Justin Timberlake part of group buying MySpace (AP)

LOS ANGELES – Justin Timberlake apparently wasn't satisfied with just playing a social media impresario in the movies, so now he's becoming one in real life.

The pop star, who played Napster co-founder Sean Parker in "The Social Network," a movie about Facebook, has joined Specific Media in buying its downtrodden rival, MySpace, from News Corp. in a deal that closed Wednesday.

Timberlake will have an office at MySpace's Beverly Hills headquarters and a staff of about a half dozen people working for him "around the clock" developing his ideas for the site, said Specific Media CEO Tim Vanderhook.

The partners are set to unveil their plans for reviving the flagging site in a couple of months.

"When we met with Justin and we discussed what our strategy was, we hit a chord with him," Vanderhook told The Associated Press. "One of his passions is he really enjoys helping other artists and creating a community for people to really express themselves. I think we were blown away that we were able to get someone like Justin to be so excited about what we were doing."

The deal is for $35 million, mostly in Specific Media stock, according to a person familiar with the matter. That's a small fraction of the $580 million that News Corp. paid for the site six years ago. The sale resulted in the layoff of about half of the site's remaining 500 workers, said the person, who was not authorized to speak publicly and spoke on condition of anonymity.

As part of the exchange, News Corp. received a private equity stake in Specific Media and less than a 5 percent stake in MySpace.

With Timberlake's help, the buyers hope to revitalize MySpace and transform it into a destination for original shows, as well as bolster its already available video content and music. Vanderhook said the revamp will include additional investment in technology and maintain the right to stream music through the joint venture it has with major recording companies, MySpace Music.

"There's a need for a place where fans can go to interact with their favorite entertainers, listen to music, watch videos, share and discover cool stuff and just connect," Timberlake, an Emmy and Grammy winning artist, said in a statement. "MySpace has the potential to be that place."

The sale closed a day before the end of News Corp.'s fiscal year, meaning it was able rid itself of about $250 million in losses, estimated Barclays Capital analyst Anthony DiClemente.

Over the last 11 quarters, News Corp. had cumulatively lost about $1.4 billion on the business segment that houses MySpace. It was a disastrous performance by a company that CEO Rupert Murdoch had predicted would reach $1 billion in annual revenue. It never reached that goal.

Walking away from the site was "the right decision," said Standard & Poor's equity analyst Tuna Amobi. "It's something that they should put behind them and kind of move on."

MySpace CEO Mike Jones, the last member of a three-member executive team appointed to fix the site in April 2009, said in a memo to staff Wednesday that he would help with the transition for two months before departing.

MySpace launched in 2003, founded by entrepreneurs Chris DeWolfe and Tom Anderson, who is every MySpace user's first friend. It became a popular Internet destination and a key way for little-known musicians to market themselves and interact with their fans.

But MySpace lost its footing over the years as the fun of customizing one's profile began to bore its users and heavy use of banner advertisements slowed the speed at which pages load. Meanwhile, Facebook, founded in 2004, limited what users and advertisers could do, but kept pages clean, and freshened them with its "news feed" of updates, a feature that MySpace later copied.

MySpace peaked with 76 million monthly U.S. visitors in October 2008. Advertisers and musicians who once relied on it for promotion fled the site for other hotter social networks like Facebook and, more recently, Twitter.

When Facebook a few years ago began allowing apps, including music functions and addictive games like "FarmVille," MySpace was left in the dust.

Less than half of MySpace's monthly visitors are now in the United States, where its visitor count dropped by half in May to 35 million, according to tracking firm comScore Inc. Facebook now has more than 700 million monthly visitors worldwide, it said.

"Apps were the breaking point and MySpace could never recover from that," said Charlene Li, a social media analyst and founder of Altimeter Group.

Rohit Kulkarni, an 18-year-old member of the San Jose, Calif. pop punk band Four O'Clock Heroes, said his group once exclusively used MySpace to reach fans with their music, but they haven't checked the site in months. They opened their Facebook band page last year.

"Most of our following was already on Facebook anyways," Kulkarni said. "Nowadays, people use Facebook over MySpace because it's integrated into almost everything, like all your mobile phones. I'm guessing that's why it became more popular."

Even "FarmVille" game-maker Zynga has taken a role promoting music, as shown recently when Lady Gaga unveiled her new album there.

Timberlake's involvement is a clear sign that MySpace will try to reconnect with its musical roots. Tim Vanderhook said that the acquisition is about returning MySpace "to what it was supposed to be."

Specific Media, based in Irvine, Calif., brokers the sale of ads to websites and has dabbled in creating original programming and matching it with sponsors. The company was founded in 1999 by brothers Tim, Chris and Russell Vanderhook.

At $35 million, Specific Media gets an Internet property for a price that Altimeter's Li called "ridiculously low" and values each monthly U.S. visitor at about $1 each. Its new owners should be able to recoup their investment if the company gets each user to click on about 20 ads over their lifetime, she said.


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Rihanna show is flashy, yet not overproduced

Singer Rihanna performs on NBC's 'Today' show in New York, May 27, 2011. REUTERS/Brendan McDermid

Singer Rihanna performs on NBC's 'Today' show in New York, May 27, 2011.

Credit: Reuters/Brendan McDermid

By Sophie Schillaci

Wed Jun 29, 2011 8:13pm EDT

LOS ANGELES (Hollywood Reporter) - Barbados-born beauty Rihanna isn't easy to forget. Without overly choreographed dance moves, her smoldering stare, powerful voice and swaggering strut are enough to captivate a packed house for nearly two hours.

After Cee Lo Green suddenly backed out of the "Loud" tour due to a packed schedule, there were concerns over whether Rihanna and opener J.Cole could hold down the fort and keep ticket holders happy. Fans at the Staples Center on Tuesday hoping to rock out to an uncensored version of "Forget You" and "Bright Lights Bigger City" were undoubtedly disappointed with J.Cole's extremely short set, not because he isn't talented, but because his style of music is a whole different machine.

There are very few performers who could replace Green and his outrageously colorful stage presence, though B.o.B. (who will open on other select dates) would have likely been a more welcomed act.

Opening with "Only Girl (In The World)," Rihanna set the tone for the rest of the show with plenty of bright neons and shiny costumes. Donning a short metallic blue coat and bright pink glow-in-the-dark heels, the singer stood out amongst her dancers (all clad in neon hues) with muted tones flashing on the large background screens. Quickly transitioning in "Disturbia," Rihanna stripped off the coat and flaunted her assets in a jeweled bikini, alternating between strutting across each side of the stage and gliding along a moving conveyor belt.

While the Los Angeles audience was filled with fans donning copy-cat red locks, one elderly man got more than he bargained for when Rihanna pulled him on stage during her performance of "Skin." She proceeded to lay him down on a circular platform while gyrating up and down the top of his body before the platform descended underneath the stage. The crowd, obviously, went wild.

Also flitting through the crowd were several young girls between the ages of five and ten. Clad in bright colors and sparkly dresses, many wore earplugs and were accompanied by their mothers. Following the show, they may need to have a conversation about why Rihanna, wearing a tuxedo, suggestively poked and prodded nearly-naked female dancers with a cane during a cover of Prince's "Darling Nikki." Then again, maybe not.

Somewhat surprisingly, one highlight of the night came when the 23-year-old slowed things down for "Unfaithful" and "Hate That I Love You," both of which had the audience chiming in full force. She continued the mid-show slow-down with "California King Bed," in which she stood alone at center stage with just a mic stand and her expressive facial movements, captured and relayed on the jumbo screens.

Rihanna didn't stay confined to the stage, either. At one point, she walked through the audience to the middle of the floor where she took to a drum set and pounded away. Later, in a move reminiscent of Green, Rihanna made her encore with "Love the Way You Lie (Part II)" while perched atop a floating (and spinning) piano.

To finish out the show, she brought the house down with a high energy rendition of "Umbrella."

Noticeably absent from the set list was her breakout 2005 hit "Pon de Replay," which was only played during a brief video interlude, and fan favorite circa 2006, "SOS."

During a summer which finds her competing with Britney Spears and Katy Perry, Rihanna is a welcome change of pace for pop lovers. The "Loud" tour keeps the dancing simple, remains visually striking in its wardrobe rather than its set and most importantly, boasts real powerhouse vocals throughout the entirety of the show.


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