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Showing posts with label about. Show all posts
Showing posts with label about. Show all posts

Friday, May 3, 2013

What Hunter S. Thompson Really Said About the Music Industry...

Hunter S. Thompson is often credited for penning a darkly accurate description of a crooked music industry. But the quote, which frequently starts, 'the music industry is a cruel and shallow money trench,' turns out to be an internet fiction.  In reality, Thompson wasn't talking about the music industry at all, according to some diligent research by David Emery.     

Here's the original quote, first printed in 1985 in the San Francisco Examiner and later in 1988 in Generation of Swine: Tales of Shame and Degradation in the '80s before getting twisted around.     

The rest — including the 'there's also a negative side' ending — seems like total embellishment. 

Image adapted from a caricature illustration in the public domain.



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Friday, April 26, 2013

Documentary about deceased British singer Amy Winehouse in the works

n">(Reuters) - A documentary is in the works about the late British soul singer Amy Winehouse and it features previously unseen material, the film's distributor said on Wednesday.

The film, which will include archival footage never seen by the public, will be directed by Briton Asif Kapadia, whose 2010 film "Senna," about Brazilian auto racer Ayrton Senna, won a BAFTA for best documentary.

The Grammy-winning singer died in 2011 at the age 27 from alcohol poisoning. Winehouse's 2006 album "Back to Black" made her an international star.

London-born Winehouse, who struggled with drug and alcohol addiction, is credited in part with reviving the popularity of soul music.

"Amy was a once-in-a-generation talent who captured everyone's attention. She wrote and sung from the heart and everyone fell under her spell," Kapadia and the film's producer James Gay-Rees said in a joint statement.

"But tragically, Amy seemed to fall apart under the relentless media attention, her troubled relationships, her global success and precarious lifestyle," Kapadia and Gay-Rees added. "As a society, we celebrated her huge success, but then we were quick to judge her failings when it suited us."

The film, which does not yet have a title, will be shopped to foreign buyers at the Cannes Film Festival in May, distributor Focus Features International said.

Focus Features International is part of NBCUniversal, which is owned by Comcast Corp.

(Reporting by Eric Kelsey; editing by Jill Serjeant and Stacey Joyce)


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Thursday, November 8, 2012

13 Extremely Scary Things About the Music Industry Today...

Wednesday, October 31, 2012
by  paul

The music industry: it's scary all year round!  And with that, here are 13 extremely scary things about our modern-day, post-apocalyptic biz...

So if you need radio play, a chart position, or broad-scale distribution, just give one of them a call.

That goes for the richest, like Google Play and Spotify, all the way down to the deceased, like Imeem.  Because if you need a license for your startup, the memo is clear: be prepared to pay millions upfront and offer sizable ownership shares, all without the guarantee that every signed artist will participate (just ask Spotify).  

And, those terms are renewable every few years.

...according to estimates from TuneSat.

...and 95% from iTunes, Spotify and Amazon MP3, according to stats from AIM.

...according to Nielsen Soundscan.

...according to Live Nation.

...and both are trying to get out of those payments entirely, or legislate them downward.

Here are the calculations.

...and probably more, according to Kim Dotcom.

...just ask TuneCore.

Like, just last week.

Though of course, she eventually handed out treats for everyone.

 Trick or treat!



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Sunday, August 12, 2012

Kanye West Wrote 'Perfect B**ch' Song About Kim Kardashian

by Tyler K. McDermott, N.Y.  |   August 07, 2012 4:10 EDT

Kanye West has the perfect chick and he's not afraid to brag about it.

After previewing unreleased music at NYC's PH-D Rooftop Lounge early Saturday morning ("around 1:30 a.m."), West took to Twitter to confirm one song in particular, reportedly named "Perfect Bitch," is about his girlfriend Kim Kardashian.

"I wrote the song Perfect Bitch about Kim," 'Ye tweeted.

According to the New York Daily News, once source said the song, which contained the chorus, "my perfect bitch," was the most talked about track of the evening. A second source revealed to the news organization that many references were made not only to Kim, but also to West's ex-girlfriend, Amber Rose.

A looped sample of German composer Carl Orff's 1937 composition "Carmina Burana," can be heard throughout the chorus as well. The song was previously sampled on Nas' "I Am…" anthem, "Hate Me Now."

While there isn't any word to whether or not "Perfect Bitch" will be released on an upcoming project, songs West premiered during his DJ set in London last December eventually became "Way Too Cold" and compositions slated to be featured on the upcoming G.O.O.D Music compilation album, "Cruel Summer."


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Thursday, July 19, 2012

Rolling Stones celebrate 50th, hint about tour

The Rolling Stones' Mick Jagger, Keith Richards, Ronnie Wood and Charlie Watts (L-R) pose in front of The Marquee Club in London in this handout photograph received by Reuters on July 11, 2012. The picture was taken by photographer Rankin to mark the fiftieth anniversary of the Rolling Stones' first ever live performance on July 12, 1962 at the iconic venue on London's Oxford Street. An exhibition of photos from Rolling Stones 50 will be held at London's Somerset House from July 13 to August 27. REUTERS/Rankin/Handout

The Rolling Stones' Mick Jagger, Keith Richards, Ronnie Wood and Charlie Watts (L-R) pose in front of The Marquee Club in London in this handout photograph received by Reuters on July 11, 2012. The picture was taken by photographer Rankin to mark the fiftieth anniversary of the Rolling Stones' first ever live performance on July 12, 1962 at the iconic venue on London's Oxford Street. An exhibition of photos from Rolling Stones 50 will be held at London's Somerset House from July 13 to August 27.

Credit: Reuters/Rankin/Handout

By Josie Cox

LONDON | Thu Jul 12, 2012 11:27pm EDT

LONDON (Reuters) - Half a century after their first live gig on London's Oxford Street, Mick Jagger, Keith Richards and the rest of the Rolling Stones marked the band's 50th anniversary by launching a new book, a photographic exhibition and hinting about a tour.

As part of the festivities guitarist Ronnie Wood told Reuters in an exclusive interview that the Stones are set to reveal their plans for future live gigs this week.

"What we do is live in hope and hopefully this week we'll unfold some plans," Wood said, adding that the band had recently spent a number of days rehearsing in a studio in New York and that getting together was like "being back at school".

Richards said this week that the Stones have met up for "a couple of rehearsals", but would not go so far as to say when the quartet comprising himself, Jagger, Charlie Watts and Wood would be performing in public again.

"We're playing around with the idea and had a couple of rehearsals - we've got together and it feels so good," Richards told Britain's publicly funded broadcaster the BBC.

The 65-year-old Wood, who joined the Stones in 1975 to replace Mick Taylor, also refused to rule out the possibility of a return appearance by Bill Wyman -- bass guitarist for the band from 1962 until 1993.

"I saw him last week and he was in top form, rocking," Wood said. "We also did a rehearsal with him a few weeks ago. It's like he'd never been away."

The exhibition of photos at London's Somerset House and the accompanying book track the rise of a group of fresh-faced British boys who played their first gig at Oxford Street's Marquee Club in 1962, became the scourge of the establishment in the 1960s, the titans of 70s music and finally the elder statesmen of rock and roll in the 21st century.

"There was no sort of master plan," Richards says on the band's official website rollingstones.com. "We were flying by the seat of our pants. That is what amazes me, that the whole thing was improvised."

The relationship at the heart of the Stones' success remains the working friendship of singer Jagger and Richards, whose long musical partnership goes back to the days when they roomed with the late guitarist and former Stones founding member Brian Jones, hustling gigs wherever they could find them.

"You have to put yourself back into that time," Jagger says on rollingstones.com. "Popular music wasn't talked about on any kind of intellectual level. There was no such term as ‘popular culture.' None of those things existed."

RIFT AND RECONCILIATION

But the Jagger/Richards partnership has also had its chillier moments.

Earlier this year, Richards apologized to Jagger for derogatory comments he made about the lead singer in his 2010 memoir "Life", which caused a rift within the band.

In comments reported by Rolling Stone magazine, the two agreed it was time to settle their differences, leaving fans keen for another world tour breathing a sigh of relief.

"I got very involved with the business side of the Stones, mainly because I felt no one else was interested, but it's plain now from the book that Keith felt excluded, which is a pity," Jagger was quoted as saying. "Time I reckon to move on."

Richards added: "Mick's right. He and I have had conversations over the last year of a kind we have not had for an extremely long time and that has been incredibly important to me."

Some industry sources had put a tour delay down to the argument, but Rolling Stone said it may be more closely linked to concerns over Richards' health.

"The quality of the guitarist's performances declined after he suffered a head injury on vacation in Fiji in April 2006, midway through the Bigger Bang tour," the magazine said.

A Bigger Bang, the Stones' last tour, played to 4.5 million people in 32 countries over two years before it finished in London in 2007.

"The Rolling Stones: 50" picture book also hit the shelves on Thursday to correspond with the golden anniversary and were showcased at a Champagne-fuelled London party on Thursday attended by the Stones and other celebrities.

The new book features 700 illustrations, 300 of them in color and many taken from the archive of the Daily Mirror tabloid, which contains the largest newspaper collection of Rolling Stones photography.

"This is our story of 50 fantastic years," Jagger, Richards, guitarist/bass player Wood and drummer Watts said in a joint statement.

"We started out as a blues band playing the clubs and more recently we've filled the largest stadiums in the world with the kind of show that none of us could have imagined all those years ago."

The photographic autobiography, which also features words from the band, includes images taken by Philip Townsend, the photographer for the band's first ever shoot.

The 352-page hardback edition published by Thames & Hudson in Britain, will retail at 29.95 pounds ($48).

The Stones have said they also plan to release a documentary film in November chronicling their history.

The last studio album by the group was in 2005. They have released two live albums, 'Hampton Coliseum (Live 1981)' and 'L.A. Friday (Live 1975),' so far this year.

Richards said on rollingstones.com that he is grateful for the hallowed place that he and the band have carved into the hearts of their fans and in rock history, but was still striving to improve, half a century into his career.

"If you say I'm great, thank you very much, but I know what I am. I could be better, man, you know?"

(Reporting By Josie Cox, writing by Paul Casciato, editing by Steve Addison)


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Saturday, April 14, 2012

George Michael pens song about battle with illness

Singer George Michael performs at the Albert Hall in London October 25, 2011. REUTERS/Luke MacGregor

Singer George Michael performs at the Albert Hall in London October 25, 2011.

Credit: Reuters/Luke MacGregor

LONDON | Wed Apr 4, 2012 9:39am EDT

LONDON (Reuters) - George Michael is writing a song about his near-death battle with illness in a Vienna hospital last year, the British singer announced on Twitter on Wednesday.

Michael, 48, was diagnosed with severe pneumonia in November and treated in the Austrian capital where he was taken ill.

He was forced to postpone his tour and spent several weeks in hospital, describing his illness as "touch and go".

On his Twitter feed, he wrote: "I've been a busy boy in the studio this week ... finally ready to write about what happened to me in Vienna ... and how grateful I am to be given another chance to live and breathe alongside you all in this wonderful world that we share."

He added that he wanted to repay the "unending kindness" his fans had shown him with new music, and said he had begun to write the track which will be called "White Light".

The "Careless Whisper" star announced last month that he was back in good health and would re-start his postponed "Symphonica" tour in September.

(Reporting by Mike Collett-White, editing by Paul Casciato)


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Monday, November 21, 2011

Timely opera about student protest has US premiere (AP)

By MIKE SILVERMAN, For The Associated Press Mike Silverman, For The Associated Press – Thu Nov 17, 1:24 pm ET

NEW YORK – Just two nights after police broke up the Occupy Wall Street encampment in lower Manhattan, a new opera about student protest movements around the world had its U.S. premiere uptown at Lincoln Center.

And as if to underscore the connection, the performance at the Juilliard School on Wednesday drew a small group of demonstrators who stood behind police barricades holding signs and chanting "Off the stage, into the streets!"

The opera is "Kommilitonen!" with music by the British composer Peter Maxwell Davies and libretto by David Pountney, who also directed. In a program note, Pountney said they took student activism as their subject because, when they set to work back in 2008, it seemed the phenomenon had vanished.

Well, the world has certainly changed — even since the opera was first performed last March by the Royal Academy of Music in London, which co-commissioned it.

Headlines aside, "Kommilitonen!" is an earnest and engaging creation, an agitprop pageant that proves surprisingly entertaining. Moreover, the Juilliard Opera singers and orchestra, led by conductor Anne Manson, performed it with an enthusiasm and polish that had the 77-year-old composer beaming when he came out for his curtain call.

Pountney has woven together three separate stories, beginning with the White Rose movement, in which a small group of German students risked their lives to distribute propaganda protesting Nazi atrocities. The opera's name comes from a term they used in their final leaflet (shortly before they were captured and guillotined), which roughly translates as "Fellow students!"

The second story tells of James Meredith's crusade to become the first black student to register at the University of Mississippi in 1962 — an individual act of courage that helped galvanize years of civil rights struggle.

The third story, a counterpoint to show the excesses of youthful zeal, is set during China's Cultural Revolution in the 1960s and depicts the children of a local official who denounce their parents as politically impure.

The narratives unfold in alternating fashion throughout the first act in brief, brisk scenes. The second half begins on a somber, philosophical note with a resulting drop in energy, until the stories merge and the whole ensemble joins in a stirring anthem to end on an optimistic note.

Davies' lifetime of experience writing large-scale compositions shows in his expert use of the orchestra. The rhythmically varied, basically tonal score is filled with snatches of melody that hint at Chinese marches, American spirituals and German lieder — tunes that often melt into one another. In a compelling moment during the interrogation of the Chinese parents, a relentlessly upbeat chorus for the Red Guard plays against a string lament for the hapless victims.

Among the standouts in the young cast, baritone Will Liverman showed terrific presence and a solid voice as James Meredith, the most fully developed character; soprano Deanna Breiwick sang sweetly as Sophie Scholl, leader of the White Rose; and mezzo-soprano Wallis Giunta made the plight of the Chinese son painfully sympathetic.

There are two more performances this Friday evening and Sunday afternoon.


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